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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64092 it is the complementary color #29BF6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64092 shade: #DB408D, #EC52A0, #FD64B3, #FF76C6 and #FF88D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64092 shade: #D64092, #C52E7F, #B41C6C, #A30A59 and #920046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64092 shade: #D74293, #D7426B, #D74243 and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64092 shade: #D74293, #D742BB, #CA42D7, #A242D7 and #7A42D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64092 shade matches the following richer shades: #D74293, #E92F95 and #FC1D97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64092 shade: #D74293, #C45491, #B26790, #9F798E and #8D8C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64092 shade: #CA42D7, #D742BB, #D74294, #D7426C and #D74244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64092 shade: #A32369, #C52A7F, #D74293, #DE64A7 and #E586BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64092 shade: #D64092, #D7A342 and #42CFD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64092 shade: #D64092, #94D742 and #4294D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64092 shade: #D64092, #D7A342, #42D785 and #4276D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64092 shade: #D64092, #D7CF42, #42D785 and #4249D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

Complementary color

CMYK 79 / 0 / 43 / 25

HEX #29BF6D

RGB 41 191 109

HSL 147.2, 0.65%, 0.45%

LAB 68.63, -56.39, 30.75

 

CMYK 0 / 71 / 36 / 14

HEX #DB408D

RGB 219 64 141

HSL 330.19, 0.68%, 0.55%

LAB 52.56, 65.74, -7.89

 

CMYK 0 / 65 / 32 / 7

HEX #EC52A0

RGB 236 82 160

HSL 329.61, 0.8%, 0.62%

LAB 58.42, 65.88, -10.03

 

CMYK 0 / 60 / 29 / 1

HEX #FD64B3

RGB 253 100 179

HSL 329.02, 0.97%, 0.69%

LAB 64.36, 65.67, -11.8

 

CMYK 0 / 54 / 22 / 0

HEX #FF76C6

RGB 255 118 198

HSL 324.96, 1%, 0.73%

LAB 68.24, 60.79, -16.67

 

CMYK 0 / 47 / 15 / 0

HEX #FF88D9

RGB 255 136 217

HSL 319.16, 1%, 0.77%

LAB 72.15, 55.01, -21.31

 

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

CMYK 0 / 77 / 36 / 23

HEX #C52E7F

RGB 197 46 127

HSL 327.81, 0.62%, 0.48%

LAB 46.12, 64.28, -9.5

 

CMYK 0 / 84 / 40 / 29

HEX #B41C6C

RGB 180 28 108

HSL 328.42, 0.73%, 0.41%

LAB 40.6, 62.77, -6.33

 

CMYK 0 / 94 / 45 / 36

HEX #A30A59

RGB 163 10 89

HSL 329.02, 0.88%, 0.34%

LAB 35.45, 60.04, -2.24

 

CMYK 0 / 100 / 52 / 43

HEX #920046

RGB 146 0 70

HSL 331.23, 1%, 0.29%

LAB 30.77, 55.76, 2.97

 

CMYK 0 / 69 / 32 / 16

HEX #D74293

RGB 215 66 147

HSL 327.38, 0.65%, 0.55%

LAB 52.34, 64.62, -11.87

 

CMYK 0 / 69 / 50 / 16

HEX #D7426B

RGB 215 66 107

HSL 343.49, 0.65%, 0.55%

LAB 51.16, 60.62, 10.39

 

CMYK 0 / 69 / 69 / 16

HEX #D74243

RGB 215 66 67

HSL 359.6, 0.65%, 0.55%

LAB 50.39, 57.95, 33.24

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 69 / 32 / 16

HEX #D74293

RGB 215 66 147

HSL 327.38, 0.65%, 0.55%

LAB 52.34, 64.62, -11.87

 

CMYK 0 / 69 / 13 / 16

HEX #D742BB

RGB 215 66 187

HSL 311.28, 0.65%, 0.55%

LAB 53.95, 69.84, -32.86

 

CMYK 6 / 69 / 0 / 16

HEX #CA42D7

RGB 202 66 215

HSL 294.77, 0.65%, 0.55%

LAB 53.34, 71.3, -50.03

 

CMYK 25 / 69 / 0 / 16

HEX #A242D7

RGB 162 66 215

HSL 278.66, 0.65%, 0.55%

LAB 47.6, 62.9, -59.55

 

CMYK 43 / 69 / 0 / 16

HEX #7A42D7

RGB 122 66 215

HSL 262.55, 0.65%, 0.55%

LAB 42.67, 55.21, -67.77

 

CMYK 0 / 69 / 32 / 16

HEX #D74293

RGB 215 66 147

HSL 327.38, 0.65%, 0.55%

LAB 52.34, 64.62, -11.87

 

CMYK 0 / 80 / 36 / 9

HEX #E92F95

RGB 233 47 149

HSL 327.1, 0.81%, 0.55%

LAB 53.52, 75.18, -10.97

 

CMYK 0 / 88 / 40 / 1

HEX #FC1D97

RGB 252 29 151

HSL 327.17, 0.97%, 0.55%

LAB 55.9, 83.15, -8.23

 

CMYK 0 / 69 / 32 / 16

HEX #D74293

RGB 215 66 147

HSL 327.38, 0.65%, 0.55%

LAB 52.34, 64.62, -11.87

 

CMYK 0 / 57 / 26 / 23

HEX #C45491

RGB 196 84 145

HSL 327.32, 0.49%, 0.55%

LAB 51.97, 51.36, -11.54

 

CMYK 0 / 42 / 19 / 30

HEX #B26790

RGB 178 103 144

HSL 327.2, 0.33%, 0.55%

LAB 53.14, 35.62, -9.44

 

CMYK 0 / 24 / 11 / 38

HEX #9F798E

RGB 159 121 142

HSL 326.84, 0.17%, 0.55%

LAB 55.07, 18.31, -5.64

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 6 / 69 / 0 / 16

HEX #CA42D7

RGB 202 66 215

HSL 294.77, 0.65%, 0.55%

LAB 53.34, 71.3, -50.03

 

CMYK 0 / 69 / 13 / 16

HEX #D742BB

RGB 215 66 187

HSL 311.28, 0.65%, 0.55%

LAB 53.95, 69.84, -32.86

 

CMYK 0 / 69 / 31 / 16

HEX #D74294

RGB 215 66 148

HSL 326.98, 0.65%, 0.55%

LAB 52.38, 64.73, -12.41

 

CMYK 0 / 69 / 50 / 16

HEX #D7426C

RGB 215 66 108

HSL 343.09, 0.65%, 0.55%

LAB 51.18, 60.7, 9.82

 

CMYK 0 / 69 / 68 / 16

HEX #D74244

RGB 215 66 68

HSL 359.19, 0.65%, 0.55%

LAB 50.41, 58, 32.67

 

CMYK 0 / 79 / 36 / 36

HEX #A32369

RGB 163 35 105

HSL 327.19, 0.65%, 0.39%

LAB 37.86, 56.34, -8.88

 

CMYK 0 / 79 / 36 / 23

HEX #C52A7F

RGB 197 42 127

HSL 327.1, 0.65%, 0.47%

LAB 45.71, 65.43, -10.11

 

CMYK 0 / 69 / 32 / 16

HEX #D74293

RGB 215 66 147

HSL 327.38, 0.65%, 0.55%

LAB 52.34, 64.62, -11.87

 

CMYK 0 / 55 / 25 / 13

HEX #DE64A7

RGB 222 100 167

HSL 327.05, 0.65%, 0.63%

LAB 59.37, 54.91, -12.88

 

CMYK 0 / 41 / 19 / 10

HEX #E586BA

RGB 229 134 186

HSL 327.16, 0.65%, 0.71%

LAB 67.47, 43.05, -11.44

 

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

CMYK 0 / 24 / 69 / 16

HEX #D7A342

RGB 215 163 66

HSL 39.06, 0.65%, 0.55%

LAB 70.2, 9.6, 55.88

 

CMYK 69 / 4 / 0 / 16

HEX #42CFD7

RGB 66 207 215

HSL 183.22, 0.65%, 0.55%

LAB 76.49, -34.16, -14.88

 

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

CMYK 31 / 0 / 69 / 16

HEX #94D742

RGB 148 215 66

HSL 86.98, 0.65%, 0.55%

LAB 79.21, -43.67, 63.57

 

CMYK 69 / 31 / 0 / 16

HEX #4294D7

RGB 66 148 215

HSL 206.98, 0.65%, 0.55%

LAB 59.2, -3.34, -41.49

 

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

CMYK 0 / 24 / 69 / 16

HEX #D7A342

RGB 215 163 66

HSL 39.06, 0.65%, 0.55%

LAB 70.2, 9.6, 55.88

 

CMYK 69 / 0 / 38 / 16

HEX #42D785

RGB 66 215 133

HSL 146.98, 0.65%, 0.55%

LAB 76.95, -57.3, 29.4

 

CMYK 69 / 45 / 0 / 16

HEX #4276D7

RGB 66 118 215

HSL 219.06, 0.65%, 0.55%

LAB 50.71, 14.68, -54.97

 

CMYK 0 / 70 / 32 / 16

HEX #D64092

RGB 214 64 146

HSL 327.2, 0.65%, 0.55%

LAB 51.88, 64.95, -11.98

 

CMYK 0 / 4 / 69 / 16

HEX #D7CF42

RGB 215 207 66

HSL 56.78, 0.65%, 0.55%

LAB 81.55, -13.31, 67.41

 

CMYK 69 / 0 / 38 / 16

HEX #42D785

RGB 66 215 133

HSL 146.98, 0.65%, 0.55%

LAB 76.95, -57.3, 29.4

 

CMYK 69 / 66 / 0 / 16

HEX #4249D7

RGB 66 73 215

HSL 237.18, 0.65%, 0.55%

LAB 39.29, 42.8, -73.49

 

Description

Color code: HEX #D64092 | qconv.com Color code: HEX #D64092 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 64 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 64 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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