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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D63AA2 it is the complementary color #29C55D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D63AA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D63AA2 shade: #DB3A9D, #EC4CB0, #FD5EC3, #FF70D6 and #FF82E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D63AA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D63AA2 shade: #D63AA2, #C5288F, #B4167C, #A30469 and #920056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D63AA2 shade: #D638A2, #D63877, #D6384C and #D63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D63AA2 shade: #D638A2, #D638CC, #B638D6, #8B38D6 and #6038D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D63AA2 shade matches the following richer shades: #D638A2, #EA25A8 and #FD11AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D63AA2 shade: #D638A2, #C34B9B, #AF5F95, #9C728E and #898688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D63AA2 shade: #B738D6, #D638CC, #D638A2, #D63877 and #D6384D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D63AA2 shade: #9C2073, #BE278C, #D638A2, #DD5AB2 and #E47DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D63AA2 shade: #D63AA2, #D68C38 and #38D6CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D63AA2 shade: #D63AA2, #A2D638 and #38A2D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D63AA2 shade: #D63AA2, #D68C38, #38D66D and #3882D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D63AA2 shade: #D63AA2, #D6BC38, #38D66D and #3852D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

Complementary color

CMYK 79 / 0 / 53 / 23

HEX #29C55D

RGB 41 197 93

HSL 140, 0.66%, 0.47%

LAB 70.31, -61.11, 40.9

 

CMYK 0 / 74 / 28 / 14

HEX #DB3A9D

RGB 219 58 157

HSL 323.11, 0.69%, 0.54%

LAB 52.42, 69.55, -17.61

 

CMYK 0 / 68 / 25 / 7

HEX #EC4CB0

RGB 236 76 176

HSL 322.5, 0.81%, 0.61%

LAB 58.17, 70.05, -19.71

 

CMYK 0 / 63 / 23 / 1

HEX #FD5EC3

RGB 253 94 195

HSL 321.89, 0.98%, 0.68%

LAB 64.02, 70.12, -21.41

 

CMYK 0 / 56 / 16 / 0

HEX #FF70D6

RGB 255 112 214

HSL 317.2, 1%, 0.72%

LAB 67.8, 65.72, -26.28

 

CMYK 0 / 49 / 9 / 0

HEX #FF82E9

RGB 255 130 233

HSL 310.56, 1%, 0.75%

LAB 71.63, 60.38, -30.91

 

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

CMYK 0 / 80 / 27 / 23

HEX #C5288F

RGB 197 40 143

HSL 320.64, 0.66%, 0.46%

LAB 46.14, 67.77, -19.19

 

CMYK 0 / 88 / 31 / 29

HEX #B4167C

RGB 180 22 124

HSL 321.27, 0.78%, 0.4%

LAB 40.79, 65.66, -16.03

 

CMYK 0 / 98 / 36 / 36

HEX #A30469

RGB 163 4 105

HSL 321.89, 0.95%, 0.33%

LAB 35.78, 62.33, -12.03

 

CMYK 0 / 100 / 41 / 43

HEX #920056

RGB 146 0 86

HSL 324.66, 1%, 0.29%

LAB 31.31, 57.18, -6.83

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 74 / 44 / 16

HEX #D63877

RGB 214 56 119

HSL 336.08, 0.66%, 0.53%

LAB 50.05, 64.87, 1.52

 

CMYK 0 / 74 / 64 / 16

HEX #D6384C

RGB 214 56 76

HSL 352.41, 0.66%, 0.53%

LAB 49.06, 61.68, 26.24

 

CMYK 0 / 74 / 74 / 16

HEX #D63838

RGB 214 56 56

HSL 0, 0.66%, 0.53%

LAB 48.77, 60.71, 37.62

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 74 / 5 / 16

HEX #D638CC

RGB 214 56 204

HSL 303.8, 0.66%, 0.53%

LAB 53.48, 75.37, -43.42

 

CMYK 15 / 74 / 0 / 16

HEX #B638D6

RGB 182 56 214

HSL 287.85, 0.66%, 0.53%

LAB 49.04, 70.51, -56.51

 

CMYK 35 / 74 / 0 / 16

HEX #8B38D6

RGB 139 56 214

HSL 271.52, 0.66%, 0.53%

LAB 43.02, 62.5, -66.54

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 84 / 28 / 8

HEX #EA25A8

RGB 234 37 168

HSL 320.1, 0.82%, 0.53%

LAB 53.65, 79.61, -21.99

 

CMYK 0 / 93 / 31 / 1

HEX #FD11AE

RGB 253 17 174

HSL 320.08, 0.98%, 0.53%

LAB 56.43, 86.95, -20.94

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 46 / 15 / 31

HEX #AF5F95

RGB 175 95 149

HSL 319.5, 0.33%, 0.53%

LAB 51.23, 39.69, -15.31

 

CMYK 0 / 27 / 9 / 39

HEX #9C728E

RGB 156 114 142

HSL 320, 0.18%, 0.53%

LAB 53.01, 21.23, -8.74

 

CMYK 0 / 2 / 1 / 46

HEX #898688

RGB 137 134 136

HSL 320, 0.01%, 0.53%

LAB 56.23, 1.51, -0.68

 

CMYK 14 / 74 / 0 / 16

HEX #B738D6

RGB 183 56 214

HSL 288.23, 0.66%, 0.53%

LAB 49.19, 70.7, -56.26

 

CMYK 0 / 74 / 5 / 16

HEX #D638CC

RGB 214 56 204

HSL 303.8, 0.66%, 0.53%

LAB 53.48, 75.37, -43.42

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 74 / 44 / 16

HEX #D63877

RGB 214 56 119

HSL 336.08, 0.66%, 0.53%

LAB 50.05, 64.87, 1.52

 

CMYK 0 / 74 / 64 / 16

HEX #D6384D

RGB 214 56 77

HSL 352.03, 0.66%, 0.53%

LAB 49.08, 61.73, 25.66

 

CMYK 0 / 79 / 26 / 39

HEX #9C2073

RGB 156 32 115

HSL 319.84, 0.66%, 0.37%

LAB 36.63, 56.63, -17.19

 

CMYK 0 / 79 / 26 / 25

HEX #BE278C

RGB 190 39 140

HSL 319.87, 0.66%, 0.45%

LAB 44.65, 66.02, -19.77

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 0 / 59 / 19 / 13

HEX #DD5AB2

RGB 221 90 178

HSL 319.69, 0.66%, 0.61%

LAB 57.94, 60.64, -21.41

 

CMYK 0 / 45 / 15 / 11

HEX #E47DC2

RGB 228 125 194

HSL 319.81, 0.66%, 0.69%

LAB 65.79, 48.54, -18.47

 

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

CMYK 0 / 35 / 74 / 16

HEX #D68C38

RGB 214 140 56

HSL 31.9, 0.66%, 0.53%

LAB 64.43, 21.07, 54.28

 

CMYK 74 / 0 / 5 / 16

HEX #38D6CC

RGB 56 214 204

HSL 176.2, 0.66%, 0.53%

LAB 78.05, -41.69, -6.67

 

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

CMYK 24 / 0 / 74 / 16

HEX #A2D638

RGB 162 214 56

HSL 79.75, 0.66%, 0.53%

LAB 79.65, -38.64, 67.78

 

CMYK 74 / 24 / 0 / 16

HEX #38A2D6

RGB 56 162 214

HSL 199.75, 0.66%, 0.53%

LAB 62.96, -12.92, -35.07

 

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

CMYK 0 / 35 / 74 / 16

HEX #D68C38

RGB 214 140 56

HSL 31.9, 0.66%, 0.53%

LAB 64.43, 21.07, 54.28

 

CMYK 74 / 0 / 49 / 16

HEX #38D66D

RGB 56 214 109

HSL 140.13, 0.66%, 0.53%

LAB 76.09, -62.53, 40.32

 

CMYK 74 / 39 / 0 / 16

HEX #3882D6

RGB 56 130 214

HSL 211.9, 0.66%, 0.53%

LAB 53.67, 5.55, -49.7

 

CMYK 0 / 73 / 24 / 16

HEX #D63AA2

RGB 214 58 162

HSL 320, 0.66%, 0.53%

LAB 51.76, 68.91, -21.66

 

CMYK 0 / 12 / 74 / 16

HEX #D6BC38

RGB 214 188 56

HSL 50.13, 0.66%, 0.53%

LAB 76.4, -4.52, 66.03

 

CMYK 74 / 0 / 49 / 16

HEX #38D66D

RGB 56 214 109

HSL 140.13, 0.66%, 0.53%

LAB 76.09, -62.53, 40.32

 

CMYK 74 / 62 / 0 / 16

HEX #3852D6

RGB 56 82 214

HSL 230.13, 0.66%, 0.53%

LAB 40.78, 35.76, -70.5

 

Description

Color code: HEX #D63AA2 | qconv.com Color code: HEX #D63AA2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 58 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 58 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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