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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D62F8D it is the complementary color #29D072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D62F8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D62F8D shade: #DB2F88, #EC419B, #FD53AE, #FF65C1 and #FF77D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D62F8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D62F8D shade: #D62F8D, #C51D7A, #B40B67, #A30054 and #920041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D62F8D shade: #D62E8D, #D62E5F, #D62E32 and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D62F8D shade: #D62E8D, #D62EBA, #C52ED6, #982ED6 and #6A2ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D62F8D shade matches the following richer shades: #D62E8D, #EA1A8F and #FE0692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D62F8D shade: #D62E8D, #C2438A, #AD5787, #996B85 and #857F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D62F8D shade: #C52ED6, #D62EBA, #D62E8D, #D62E61 and #D62E34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D62F8D shade: #941D60, #B72477, #D62E8D, #DD519F and #E373B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D62F8D shade: #D62F8D, #D6982E and #2ED0D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D62F8D shade: #D62F8D, #8DD62E and #2E8DD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D62F8D shade: #D62F8D, #D6982E, #2ED677 and #2E6CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D62F8D shade: #D62F8D, #D6CB2E, #2ED677 and #2E39D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

Complementary color

CMYK 80 / 0 / 45 / 18

HEX #29D072

RGB 41 208 114

HSL 146.23, 0.67%, 0.49%

LAB 74.06, -61.52, 35.21

 

CMYK 0 / 79 / 38 / 14

HEX #DB2F88

RGB 219 47 136

HSL 328.95, 0.7%, 0.52%

LAB 50.54, 70.47, -7.93

 

CMYK 0 / 72 / 34 / 7

HEX #EC419B

RGB 236 65 155

HSL 328.42, 0.82%, 0.59%

LAB 56.07, 71.4, -10.63

 

CMYK 0 / 67 / 31 / 1

HEX #FD53AE

RGB 253 83 174

HSL 327.88, 0.98%, 0.66%

LAB 61.76, 71.76, -12.84

 

CMYK 0 / 60 / 24 / 0

HEX #FF65C1

RGB 255 101 193

HSL 324.16, 1%, 0.7%

LAB 65.29, 67.56, -18.32

 

CMYK 0 / 53 / 17 / 0

HEX #FF77D4

RGB 255 119 212

HSL 318.97, 1%, 0.73%

LAB 68.9, 62.3, -23.48

 

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

CMYK 0 / 85 / 38 / 23

HEX #C51D7A

RGB 197 29 122

HSL 326.79, 0.74%, 0.44%

LAB 44.45, 68.02, -8.93

 

CMYK 0 / 94 / 43 / 29

HEX #B40B67

RGB 180 11 103

HSL 327.34, 0.88%, 0.37%

LAB 39.45, 65.13, -4.89

 

CMYK 0 / 100 / 48 / 36

HEX #A30054

RGB 163 0 84

HSL 329.08, 1%, 0.32%

LAB 34.86, 60.86, 0.13

 

CMYK 0 / 100 / 55 / 43

HEX #920041

RGB 146 0 65

HSL 333.29, 1%, 0.29%

LAB 30.62, 55.38, 6.1

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 79 / 56 / 16

HEX #D62E5F

RGB 214 46 95

HSL 342.5, 0.67%, 0.51%

LAB 48.36, 65.94, 13.75

 

CMYK 0 / 79 / 77 / 16

HEX #D62E32

RGB 214 46 50

HSL 358.57, 0.67%, 0.51%

LAB 47.6, 63.57, 39.72

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 79 / 13 / 16

HEX #D62EBA

RGB 214 46 186

HSL 310, 0.67%, 0.51%

LAB 51.6, 75.55, -35.97

 

CMYK 8 / 79 / 0 / 16

HEX #C52ED6

RGB 197 46 214

HSL 293.93, 0.67%, 0.51%

LAB 50.31, 76.42, -54.35

 

CMYK 29 / 79 / 0 / 16

HEX #982ED6

RGB 152 46 214

HSL 277.86, 0.67%, 0.51%

LAB 43.48, 68.44, -65.71

 

CMYK 50 / 79 / 0 / 16

HEX #6A2ED6

RGB 106 46 214

HSL 261.43, 0.67%, 0.51%

LAB 37.61, 61.56, -75.55

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 89 / 39 / 8

HEX #EA1A8F

RGB 234 26 143

HSL 326.25, 0.83%, 0.51%

LAB 52.08, 78.92, -9.53

 

CMYK 0 / 98 / 43 / 0

HEX #FE0692

RGB 254 6 146

HSL 326.13, 0.99%, 0.51%

LAB 55.36, 85.35, -6.03

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 65 / 29 / 24

HEX #C2438A

RGB 194 67 138

HSL 326.46, 0.51%, 0.51%

LAB 48.66, 57.29, -12.39

 

CMYK 0 / 50 / 22 / 32

HEX #AD5787

RGB 173 87 135

HSL 326.51, 0.34%, 0.51%

LAB 48.82, 41.02, -10.66

 

CMYK 0 / 30 / 13 / 40

HEX #996B85

RGB 153 107 133

HSL 326.09, 0.18%, 0.51%

LAB 50.67, 22.54, -6.97

 

CMYK 0 / 5 / 2 / 48

HEX #857F82

RGB 133 127 130

HSL 330, 0.02%, 0.51%

LAB 53.79, 2.85, -0.82

 

CMYK 8 / 79 / 0 / 16

HEX #C52ED6

RGB 197 46 214

HSL 293.93, 0.67%, 0.51%

LAB 50.31, 76.42, -54.35

 

CMYK 0 / 79 / 13 / 16

HEX #D62EBA

RGB 214 46 186

HSL 310, 0.67%, 0.51%

LAB 51.6, 75.55, -35.97

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 79 / 55 / 16

HEX #D62E61

RGB 214 46 97

HSL 341.79, 0.67%, 0.51%

LAB 48.4, 66.08, 12.59

 

CMYK 0 / 79 / 76 / 16

HEX #D62E34

RGB 214 46 52

HSL 357.86, 0.67%, 0.51%

LAB 47.62, 63.64, 38.61

 

CMYK 0 / 80 / 35 / 42

HEX #941D60

RGB 148 29 96

HSL 326.22, 0.67%, 0.35%

LAB 34.02, 53.16, -9.2

 

CMYK 0 / 80 / 35 / 28

HEX #B72477

RGB 183 36 119

HSL 326.12, 0.67%, 0.43%

LAB 42.25, 62.7, -10.66

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8D

RGB 214 46 141

HSL 326.07, 0.67%, 0.51%

LAB 49.71, 70.03, -12.27

 

CMYK 0 / 63 / 28 / 13

HEX #DD519F

RGB 221 81 159

HSL 326.57, 0.67%, 0.59%

LAB 55.85, 61.92, -13.56

 

CMYK 0 / 49 / 22 / 11

HEX #E373B2

RGB 227 115 178

HSL 326.25, 0.67%, 0.67%

LAB 63.18, 50.82, -13.38

 

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

CMYK 0 / 29 / 79 / 16

HEX #D6982E

RGB 214 152 46

HSL 37.86, 0.67%, 0.51%

LAB 67.24, 14.19, 61.03

 

CMYK 79 / 3 / 0 / 16

HEX #2ED0D6

RGB 46 208 214

HSL 182.14, 0.67%, 0.51%

LAB 76.4, -37.13, -14.51

 

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

CMYK 34 / 0 / 79 / 16

HEX #8DD62E

RGB 141 214 46

HSL 86.07, 0.67%, 0.51%

LAB 78.43, -46.88, 69.31

 

CMYK 79 / 34 / 0 / 16

HEX #2E8DD6

RGB 46 141 214

HSL 206.07, 0.67%, 0.51%

LAB 56.57, -2.18, -45.11

 

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

CMYK 0 / 29 / 79 / 16

HEX #D6982E

RGB 214 152 46

HSL 37.86, 0.67%, 0.51%

LAB 67.24, 14.19, 61.03

 

CMYK 79 / 0 / 44 / 16

HEX #2ED677

RGB 46 214 119

HSL 146.07, 0.67%, 0.51%

LAB 76.07, -62.19, 35.3

 

CMYK 79 / 50 / 0 / 16

HEX #2E6CD6

RGB 46 108 214

HSL 217.86, 0.67%, 0.51%

LAB 47.19, 18.08, -60.11

 

CMYK 0 / 78 / 34 / 16

HEX #D62F8D

RGB 214 47 141

HSL 326.23, 0.67%, 0.51%

LAB 49.8, 69.76, -12.13

 

CMYK 0 / 5 / 79 / 16

HEX #D6CB2E

RGB 214 203 46

HSL 56.07, 0.67%, 0.51%

LAB 80.29, -12.57, 72.84

 

CMYK 79 / 0 / 44 / 16

HEX #2ED677

RGB 46 214 119

HSL 146.07, 0.67%, 0.51%

LAB 76.07, -62.19, 35.3

 

CMYK 79 / 73 / 0 / 16

HEX #2E39D6

RGB 46 57 214

HSL 236.07, 0.67%, 0.51%

LAB 34.73, 49.91, -80.47

 

Description

Color code: HEX #D62F8D | qconv.com Color code: HEX #D62F8D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 47 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 47 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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