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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D62CA0 it is the complementary color #29D35F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D62CA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D62CA0 shade: #DB2C9B, #EC3EAE, #FD50C1, #FF62D4 and #FF74E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D62CA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D62CA0 shade: #D62CA0, #C51A8D, #B4087A, #A30067 and #920054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D62CA0 shade: #D62EA1, #D62E73, #D62E46 and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D62CA0 shade: #D62EA1, #D62ECE, #B12ED6, #842ED6 and #562ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D62CA0 shade matches the following richer shades: #D62EA1, #EA1AA8 and #FE06AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D62CA0 shade: #D62EA1, #C24399, #AD5792, #996B8A and #857F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D62CA0 shade: #B12ED6, #D62ECD, #D62EA1, #D62E74 and #D62E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D62CA0 shade: #941D6E, #B72488, #D62EA1, #DD51B0 and #E373C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D62CA0 shade: #D62CA0, #D6852E and #2ED6C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D62CA0 shade: #D62CA0, #A1D62E and #2EA1D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D62CA0 shade: #D62CA0, #D6852E, #2ED663 and #2E7FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D62CA0 shade: #D62CA0, #D6B72E, #2ED663 and #2E4DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

Complementary color

CMYK 81 / 0 / 55 / 17

HEX #29D35F

RGB 41 211 95

HSL 139.06, 0.67%, 0.49%

LAB 74.75, -65.46, 45.33

 

CMYK 0 / 80 / 29 / 14

HEX #DB2C9B

RGB 219 44 155

HSL 321.94, 0.71%, 0.52%

LAB 50.95, 73.28, -18.67

 

CMYK 0 / 74 / 26 / 7

HEX #EC3EAE

RGB 236 62 174

HSL 321.38, 0.82%, 0.58%

LAB 56.42, 74.5, -21.21

 

CMYK 0 / 68 / 24 / 1

HEX #FD50C1

RGB 253 80 193

HSL 320.81, 0.98%, 0.65%

LAB 62.06, 75.09, -23.28

 

CMYK 0 / 62 / 17 / 0

HEX #FF62D4

RGB 255 98 212

HSL 316.43, 1%, 0.69%

LAB 65.55, 71.33, -28.62

 

CMYK 0 / 55 / 9 / 0

HEX #FF74E7

RGB 255 116 231

HSL 310.36, 1%, 0.73%

LAB 69.13, 66.5, -33.68

 

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

CMYK 0 / 87 / 28 / 23

HEX #C51A8D

RGB 197 26 141

HSL 319.65, 0.77%, 0.44%

LAB 44.99, 70.62, -19.75

 

CMYK 0 / 96 / 32 / 29

HEX #B4087A

RGB 180 8 122

HSL 320.23, 0.91%, 0.37%

LAB 40.05, 67.34, -15.92

 

CMYK 0 / 100 / 37 / 36

HEX #A30067

RGB 163 0 103

HSL 322.09, 1%, 0.32%

LAB 35.53, 62.62, -11.13

 

CMYK 0 / 100 / 42 / 43

HEX #920054

RGB 146 0 84

HSL 325.48, 1%, 0.29%

LAB 31.23, 56.99, -5.62

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 79 / 46 / 16

HEX #D62E73

RGB 214 46 115

HSL 335.36, 0.67%, 0.51%

LAB 48.87, 67.51, 2.24

 

CMYK 0 / 79 / 67 / 16

HEX #D62E46

RGB 214 46 70

HSL 351.43, 0.67%, 0.51%

LAB 47.87, 64.43, 28.34

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 79 / 4 / 16

HEX #D62ECE

RGB 214 46 206

HSL 302.86, 0.67%, 0.51%

LAB 52.63, 78.42, -45.91

 

CMYK 17 / 79 / 0 / 16

HEX #B12ED6

RGB 177 46 214

HSL 286.79, 0.67%, 0.51%

LAB 47.18, 72.76, -59.55

 

CMYK 38 / 79 / 0 / 16

HEX #842ED6

RGB 132 46 214

HSL 270.71, 0.67%, 0.51%

LAB 40.76, 65.25, -70.27

 

CMYK 60 / 79 / 0 / 16

HEX #562ED6

RGB 86 46 214

HSL 254.29, 0.67%, 0.51%

LAB 35.57, 59.16, -78.98

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 89 / 28 / 8

HEX #EA1AA8

RGB 234 26 168

HSL 319.04, 0.83%, 0.51%

LAB 53.01, 81.45, -22.96

 

CMYK 0 / 98 / 31 / 0

HEX #FE06AF

RGB 254 6 175

HSL 319.11, 0.99%, 0.51%

LAB 56.38, 88.04, -21.57

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 65 / 21 / 24

HEX #C24399

RGB 194 67 153

HSL 319.37, 0.51%, 0.51%

LAB 49.23, 59.28, -20.49

 

CMYK 0 / 50 / 16 / 32

HEX #AD5792

RGB 173 87 146

HSL 318.84, 0.34%, 0.51%

LAB 49.22, 42.73, -16.61

 

CMYK 0 / 30 / 10 / 40

HEX #996B8A

RGB 153 107 138

HSL 319.57, 0.18%, 0.51%

LAB 50.83, 23.43, -9.68

 

CMYK 0 / 5 / 2 / 48

HEX #857F83

RGB 133 127 131

HSL 320, 0.02%, 0.51%

LAB 53.82, 3.04, -1.36

 

CMYK 17 / 79 / 0 / 16

HEX #B12ED6

RGB 177 46 214

HSL 286.79, 0.67%, 0.51%

LAB 47.18, 72.76, -59.55

 

CMYK 0 / 79 / 4 / 16

HEX #D62ECD

RGB 214 46 205

HSL 303.21, 0.67%, 0.51%

LAB 52.57, 78.27, -45.42

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 79 / 46 / 16

HEX #D62E74

RGB 214 46 116

HSL 335, 0.67%, 0.51%

LAB 48.9, 67.6, 1.67

 

CMYK 0 / 79 / 67 / 16

HEX #D62E47

RGB 214 46 71

HSL 351.07, 0.67%, 0.51%

LAB 47.89, 64.48, 27.76

 

CMYK 0 / 80 / 26 / 42

HEX #941D6E

RGB 148 29 110

HSL 319.16, 0.67%, 0.35%

LAB 34.6, 54.87, -17.27

 

CMYK 0 / 80 / 26 / 28

HEX #B72488

RGB 183 36 136

HSL 319.18, 0.67%, 0.43%

LAB 42.92, 64.68, -20.1

 

CMYK 0 / 79 / 25 / 16

HEX #D62EA1

RGB 214 46 161

HSL 318.93, 0.67%, 0.51%

LAB 50.48, 72.31, -23.03

 

CMYK 0 / 63 / 20 / 13

HEX #DD51B0

RGB 221 81 176

HSL 319.29, 0.67%, 0.59%

LAB 56.48, 64.15, -22.5

 

CMYK 0 / 49 / 15 / 11

HEX #E373C0

RGB 227 115 192

HSL 318.75, 0.67%, 0.67%

LAB 63.67, 52.89, -20.58

 

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

CMYK 0 / 38 / 79 / 16

HEX #D6852E

RGB 214 133 46

HSL 31.07, 0.67%, 0.51%

LAB 62.73, 24.43, 56.83

 

CMYK 79 / 0 / 7 / 16

HEX #2ED6C8

RGB 46 214 200

HSL 175, 0.67%, 0.51%

LAB 77.78, -43.82, -4.93

 

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

CMYK 25 / 0 / 79 / 16

HEX #A1D62E

RGB 161 214 46

HSL 78.93, 0.67%, 0.51%

LAB 79.54, -39.5, 70.73

 

CMYK 79 / 25 / 0 / 16

HEX #2EA1D6

RGB 46 161 214

HSL 198.93, 0.67%, 0.51%

LAB 62.44, -13.51, -35.89

 

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

CMYK 0 / 38 / 79 / 16

HEX #D6852E

RGB 214 133 46

HSL 31.07, 0.67%, 0.51%

LAB 62.73, 24.43, 56.83

 

CMYK 79 / 0 / 54 / 16

HEX #2ED663

RGB 46 214 99

HSL 138.93, 0.67%, 0.51%

LAB 75.81, -65.32, 44.74

 

CMYK 79 / 41 / 0 / 16

HEX #2E7FD6

RGB 46 127 214

HSL 211.07, 0.67%, 0.51%

LAB 52.53, 6.2, -51.54

 

CMYK 0 / 79 / 25 / 16

HEX #D62CA0

RGB 214 44 160

HSL 319.06, 0.67%, 0.51%

LAB 50.26, 72.71, -22.78

 

CMYK 0 / 14 / 79 / 16

HEX #D6B72E

RGB 214 183 46

HSL 48.93, 0.67%, 0.51%

LAB 75.05, -2.31, 68.16

 

CMYK 79 / 0 / 54 / 16

HEX #2ED663

RGB 46 214 99

HSL 138.93, 0.67%, 0.51%

LAB 75.81, -65.32, 44.74

 

CMYK 79 / 64 / 0 / 16

HEX #2E4DD6

RGB 46 77 214

HSL 228.93, 0.67%, 0.51%

LAB 39.15, 37.91, -73.2

 

Description

Color code: HEX #D62CA0 | qconv.com Color code: HEX #D62CA0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 44 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 44 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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