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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D623C8 it is the complementary color #29DC37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D623C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D623C8 shade: #DB23C3, #EC35D6, #FD47E9, #FF59FC and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D623C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D623C8 shade: #D623C8, #C511B5, #B400A2, #A3008F and #92007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D623C8 shade: #D723C9, #D72398, #D72368, #D72337 and #D72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D623C8 shade: #D723C9, #B423D7, #8423D7, #5323D7 and #2323D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D623C8 shade matches the following richer shades: #D723C9 and #EB0FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D623C8 shade: #D723C9, #C337B8, #AE4BA7, #9A6096 and #867485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D623C8 shade: #8323D7, #B323D7, #D723CB, #D7239B and #D7236B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D623C8 shade: #901787, #B31DA8, #D723C9, #E043D4 and #E666DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D623C8 shade: #D623C8, #D75323 and #23D79B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D623C8 shade: #D623C8, #CBD723 and #23CBD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D623C8 shade: #D623C8, #D75323, #23D72F and #23A7D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D623C8 shade: #D623C8, #D78923, #23D72F and #2371D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

Complementary color

CMYK 81 / 0 / 75 / 14

HEX #29DC37

RGB 41 220 55

HSL 124.69, 0.72%, 0.51%

LAB 77.24, -72.42, 64.33

 

CMYK 0 / 84 / 11 / 14

HEX #DB23C3

RGB 219 35 195

HSL 307.83, 0.72%, 0.5%

LAB 52.07, 80.26, -40.41

 

CMYK 0 / 78 / 9 / 7

HEX #EC35D6

RGB 236 53 214

HSL 307.21, 0.83%, 0.57%

LAB 57.3, 82.22, -42.84

 

CMYK 0 / 72 / 8 / 1

HEX #FD47E9

RGB 253 71 233

HSL 306.59, 0.98%, 0.64%

LAB 62.74, 83.42, -44.79

 

CMYK 0 / 65 / 1 / 0

HEX #FF59FC

RGB 255 89 252

HSL 301.08, 1%, 0.67%

LAB 66.08, 80.71, -50.02

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

CMYK 0 / 91 / 8 / 23

HEX #C511B5

RGB 197 17 181

HSL 305.33, 0.84%, 0.42%

LAB 46.46, 77.06, -41.37

 

CMYK 0 / 100 / 10 / 29

HEX #B400A2

RGB 180 0 162

HSL 306, 1%, 0.35%

LAB 41.71, 73.08, -37.8

 

CMYK 0 / 100 / 12 / 36

HEX #A3008F

RGB 163 0 143

HSL 307.36, 1%, 0.32%

LAB 37.43, 67.42, -33.25

 

CMYK 0 / 100 / 15 / 43

HEX #92007C

RGB 146 0 124

HSL 309.04, 1%, 0.29%

LAB 33.06, 61.65, -28.55

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 0 / 84 / 29 / 16

HEX #D72398

RGB 215 35 152

HSL 321, 0.72%, 0.49%

LAB 49.39, 74.08, -19.33

 

CMYK 0 / 84 / 52 / 16

HEX #D72368

RGB 215 35 104

HSL 337, 0.72%, 0.49%

LAB 47.81, 69.57, 7.49

 

CMYK 0 / 84 / 74 / 16

HEX #D72337

RGB 215 35 55

HSL 353.33, 0.72%, 0.49%

LAB 46.88, 66.8, 36.11

 

CMYK 0 / 84 / 84 / 16

HEX #D72323

RGB 215 35 35

HSL 0, 0.72%, 0.49%

LAB 46.67, 66.19, 46.92

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 16 / 84 / 0 / 16

HEX #B423D7

RGB 180 35 215

HSL 288.33, 0.72%, 0.49%

LAB 46.73, 76.33, -60.83

 

CMYK 39 / 84 / 0 / 16

HEX #8423D7

RGB 132 35 215

HSL 272.33, 0.72%, 0.49%

LAB 39.6, 69.09, -72.74

 

CMYK 61 / 84 / 0 / 16

HEX #5323D7

RGB 83 35 215

HSL 256, 0.72%, 0.49%

LAB 33.87, 63.58, -82.38

 

CMYK 84 / 84 / 0 / 16

HEX #2323D7

RGB 35 35 215

HSL 240, 0.72%, 0.49%

LAB 30.56, 60.58, -87.98

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 0 / 94 / 7 / 8

HEX #EB0FDA

RGB 235 15 218

HSL 304.64, 0.88%, 0.49%

LAB 55.14, 88.99, -48.55

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 0 / 72 / 6 / 24

HEX #C337B8

RGB 195 55 184

HSL 304.71, 0.56%, 0.49%

LAB 49.25, 68.49, -38.73

 

CMYK 0 / 57 / 4 / 32

HEX #AE4BA7

RGB 174 75 167

HSL 304.24, 0.4%, 0.49%

LAB 48.03, 52.46, -30.88

 

CMYK 0 / 38 / 3 / 40

HEX #9A6096

RGB 154 96 150

HSL 304.14, 0.23%, 0.49%

LAB 48.81, 32.3, -19.85

 

CMYK 0 / 13 / 1 / 47

HEX #867485

RGB 134 116 133

HSL 303.33, 0.07%, 0.49%

LAB 50.98, 10.21, -6.71

 

CMYK 39 / 84 / 0 / 16

HEX #8323D7

RGB 131 35 215

HSL 272, 0.72%, 0.49%

LAB 39.47, 68.96, -72.96

 

CMYK 17 / 84 / 0 / 16

HEX #B323D7

RGB 179 35 215

HSL 288, 0.72%, 0.49%

LAB 46.57, 76.17, -61.1

 

CMYK 0 / 84 / 6 / 16

HEX #D723CB

RGB 215 35 203

HSL 304, 0.72%, 0.49%

LAB 51.79, 80.62, -45.5

 

CMYK 0 / 84 / 28 / 16

HEX #D7239B

RGB 215 35 155

HSL 320, 0.72%, 0.49%

LAB 49.52, 74.42, -20.93

 

CMYK 0 / 84 / 50 / 16

HEX #D7236B

RGB 215 35 107

HSL 336, 0.72%, 0.49%

LAB 47.89, 69.8, 5.76

 

CMYK 0 / 84 / 6 / 44

HEX #901787

RGB 144 23 135

HSL 304.46, 0.72%, 0.33%

LAB 34.58, 59.09, -33.04

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 0 / 70 / 5 / 12

HEX #E043D4

RGB 224 67 212

HSL 304.59, 0.72%, 0.57%

LAB 56.7, 75.28, -42.79

 

CMYK 0 / 56 / 4 / 10

HEX #E666DC

RGB 230 102 220

HSL 304.69, 0.72%, 0.65%

LAB 62.92, 64.26, -37.47

 

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

CMYK 0 / 61 / 84 / 16

HEX #D75323

RGB 215 83 35

HSL 16, 0.72%, 0.49%

LAB 52.68, 49.69, 52.26

 

CMYK 84 / 0 / 28 / 16

HEX #23D79B

RGB 35 215 155

HSL 160, 0.72%, 0.49%

LAB 76.88, -56.48, 17.75

 

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

CMYK 6 / 0 / 84 / 16

HEX #CBD723

RGB 203 215 35

HSL 64, 0.72%, 0.49%

LAB 82.6, -23.46, 77.28

 

CMYK 84 / 6 / 0 / 16

HEX #23CBD7

RGB 35 203 215

HSL 184, 0.72%, 0.49%

LAB 74.81, -35.39, -17.47

 

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

CMYK 0 / 61 / 84 / 16

HEX #D75323

RGB 215 83 35

HSL 16, 0.72%, 0.49%

LAB 52.68, 49.69, 52.26

 

CMYK 84 / 0 / 78 / 16

HEX #23D72F

RGB 35 215 47

HSL 124, 0.72%, 0.49%

LAB 75.55, -72.12, 65.17

 

CMYK 84 / 22 / 0 / 16

HEX #23A7D7

RGB 35 167 215

HSL 196, 0.72%, 0.49%

LAB 64.08, -17.4, -33.91

 

CMYK 0 / 84 / 7 / 16

HEX #D623C8

RGB 214 35 200

HSL 304.69, 0.72%, 0.49%

LAB 51.46, 80, -44.31

 

CMYK 0 / 36 / 84 / 16

HEX #D78923

RGB 215 137 35

HSL 34, 0.72%, 0.49%

LAB 63.72, 22.35, 61.81

 

CMYK 84 / 0 / 78 / 16

HEX #23D72F

RGB 35 215 47

HSL 124, 0.72%, 0.49%

LAB 75.55, -72.12, 65.17

 

CMYK 84 / 47 / 0 / 16

HEX #2371D7

RGB 35 113 215

HSL 214, 0.72%, 0.49%

LAB 48.35, 14.27, -58.81

 

Description

Color code: HEX #D623C8 | qconv.com Color code: HEX #D623C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 35 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 35 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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