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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D62321 it is the complementary color #29DCDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D62321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D62321 shade: #DB231C, #EC352F, #FD4742, #FF5955 and #FF6B68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D62321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D62321 shade: #D62321, #C5110E, #B40000, #A30000 and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D62321 shade: #D42321 and #D42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D62321 shade: #D42321, #D45321, #D48321, #D4B421 and #C4D421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D62321 shade matches the following richer shades: #D42321 and #E8100D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D62321 shade: #D42321, #C03635, #AC4A49, #985D5C and #857070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D62321 shade: #D42180, #D42151, #D42121, #D45121 and #D48021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D62321 shade: #8C1716, #B01D1B, #D42321, #E13F3D and #E66261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D62321 shade: #D62321, #B0D421 and #2169D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D62321 shade: #D62321, #21D421 and #2121D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D62321 shade: #D62321, #B0D421, #21D4D4 and #4521D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D62321 shade: #D62321, #7AD421, #21D4D4 and #7A21D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

Complementary color

CMYK 82 / 1 / 0 / 13

HEX #29DCDE

RGB 41 220 222

HSL 180.66, 0.73%, 0.52%

LAB 80.14, -40.67, -13.2

 

CMYK 0 / 84 / 87 / 14

HEX #DB231C

RGB 219 35 28

HSL 2.2, 0.77%, 0.48%

LAB 47.43, 67.14, 51.24

 

CMYK 0 / 78 / 80 / 7

HEX #EC352F

RGB 236 53 47

HSL 1.9, 0.83%, 0.55%

LAB 52.49, 67.8, 47.71

 

CMYK 0 / 72 / 74 / 1

HEX #FD4742

RGB 253 71 66

HSL 1.6, 0.98%, 0.63%

LAB 57.83, 67.81, 44.14

 

CMYK 0 / 65 / 67 / 0

HEX #FF5955

RGB 255 89 85

HSL 1.41, 1%, 0.67%

LAB 60.84, 62.66, 37.24

 

CMYK 0 / 58 / 59 / 0

HEX #FF6B68

RGB 255 107 104

HSL 1.19, 1%, 0.7%

LAB 63.98, 56.17, 30.54

 

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

CMYK 0 / 91 / 93 / 23

HEX #C5110E

RGB 197 17 14

HSL 0.98, 0.87%, 0.41%

LAB 41.69, 64.27, 50.88

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 83 / 84 / 17

HEX #D42321

RGB 212 35 33

HSL 0.67, 0.73%, 0.48%

LAB 46.05, 65.32, 47.15

 

CMYK 0 / 84 / 84 / 17

HEX #D42121

RGB 212 33 33

HSL 0, 0.73%, 0.48%

LAB 45.9, 65.76, 47.01

 

CMYK 0 / 83 / 84 / 17

HEX #D42321

RGB 212 35 33

HSL 0.67, 0.73%, 0.48%

LAB 46.05, 65.32, 47.15

 

CMYK 0 / 61 / 84 / 17

HEX #D45321

RGB 212 83 33

HSL 16.76, 0.73%, 0.48%

LAB 52.17, 48.56, 52.47

 

CMYK 0 / 38 / 84 / 17

HEX #D48321

RGB 212 131 33

HSL 32.85, 0.73%, 0.48%

LAB 61.95, 24.25, 60.81

 

CMYK 0 / 15 / 84 / 17

HEX #D4B421

RGB 212 180 33

HSL 49.27, 0.73%, 0.48%

LAB 74.03, -2.01, 70.91

 

CMYK 8 / 0 / 84 / 17

HEX #C4D421

RGB 196 212 33

HSL 65.36, 0.73%, 0.48%

LAB 81.25, -24.99, 76.38

 

CMYK 0 / 83 / 84 / 17

HEX #D42321

RGB 212 35 33

HSL 0.67, 0.73%, 0.48%

LAB 46.05, 65.32, 47.15

 

CMYK 0 / 93 / 94 / 9

HEX #E8100D

RGB 232 16 13

HSL 0.82, 0.89%, 0.48%

LAB 48.95, 73.35, 59.2

 

CMYK 0 / 83 / 84 / 17

HEX #D42321

RGB 212 35 33

HSL 0.67, 0.73%, 0.48%

LAB 46.05, 65.32, 47.15

 

CMYK 0 / 72 / 72 / 25

HEX #C03635

RGB 192 54 53

HSL 0.43, 0.57%, 0.48%

LAB 44.38, 54.45, 33.25

 

CMYK 0 / 57 / 58 / 33

HEX #AC4A49

RGB 172 74 73

HSL 0.61, 0.4%, 0.48%

LAB 44.45, 40.11, 20.64

 

CMYK 0 / 39 / 39 / 40

HEX #985D5C

RGB 152 93 92

HSL 1, 0.25%, 0.48%

LAB 46.01, 24.01, 10.8

 

CMYK 0 / 16 / 16 / 48

HEX #857070

RGB 133 112 112

HSL 0, 0.09%, 0.48%

LAB 49.19, 8.23, 3.06

 

CMYK 0 / 84 / 40 / 17

HEX #D42180

RGB 212 33 128

HSL 328.16, 0.73%, 0.48%

LAB 47.81, 71.32, -7.29

 

CMYK 0 / 84 / 62 / 17

HEX #D42151

RGB 212 33 81

HSL 343.91, 0.73%, 0.48%

LAB 46.55, 67.69, 19.85

 

CMYK 0 / 84 / 84 / 17

HEX #D42121

RGB 212 33 33

HSL 0, 0.73%, 0.48%

LAB 45.9, 65.76, 47.01

 

CMYK 0 / 62 / 84 / 17

HEX #D45121

RGB 212 81 33

HSL 16.09, 0.73%, 0.48%

LAB 51.83, 49.46, 52.18

 

CMYK 0 / 40 / 84 / 17

HEX #D48021

RGB 212 128 33

HSL 31.84, 0.73%, 0.48%

LAB 61.26, 25.86, 60.23

 

CMYK 0 / 84 / 84 / 45

HEX #8C1716

RGB 140 23 22

HSL 0.51, 0.73%, 0.32%

LAB 30.03, 47.23, 32.83

 

CMYK 0 / 84 / 85 / 31

HEX #B01D1B

RGB 176 29 27

HSL 0.81, 0.73%, 0.4%

LAB 38.18, 56.46, 40.41

 

CMYK 0 / 83 / 84 / 17

HEX #D42321

RGB 212 35 33

HSL 0.67, 0.73%, 0.48%

LAB 46.05, 65.32, 47.15

 

CMYK 0 / 72 / 73 / 12

HEX #E13F3D

RGB 225 63 61

HSL 0.73, 0.73%, 0.56%

LAB 51.72, 61.88, 38.67

 

CMYK 0 / 57 / 58 / 10

HEX #E66261

RGB 230 98 97

HSL 0.45, 0.73%, 0.64%

LAB 58.43, 51.21, 26.57

 

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

CMYK 17 / 0 / 84 / 17

HEX #B0D421

RGB 176 212 33

HSL 72.07, 0.73%, 0.48%

LAB 79.86, -33.18, 74.64

 

CMYK 84 / 50 / 0 / 17

HEX #2169D4

RGB 33 105 212

HSL 215.87, 0.73%, 0.48%

LAB 45.88, 18.06, -61.1

 

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

CMYK 84 / 0 / 84 / 17

HEX #21D421

RGB 33 212 33

HSL 120, 0.73%, 0.48%

LAB 74.52, -72.21, 67.92

 

CMYK 84 / 84 / 0 / 17

HEX #2121D4

RGB 33 33 212

HSL 240, 0.73%, 0.48%

LAB 29.82, 60.46, -87.46

 

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

CMYK 17 / 0 / 84 / 17

HEX #B0D421

RGB 176 212 33

HSL 72.07, 0.73%, 0.48%

LAB 79.86, -33.18, 74.64

 

CMYK 84 / 0 / 0 / 17

HEX #21D4D4

RGB 33 212 212

HSL 180, 0.73%, 0.48%

LAB 77.38, -40.55, -11.99

 

CMYK 67 / 84 / 0 / 17

HEX #4521D4

RGB 69 33 212

HSL 252.07, 0.73%, 0.48%

LAB 32.05, 62.39, -83.71

 

CMYK 0 / 84 / 85 / 16

HEX #D62321

RGB 214 35 33

HSL 0.66, 0.73%, 0.48%

LAB 46.46, 65.87, 47.66

 

CMYK 42 / 0 / 84 / 17

HEX #7AD421

RGB 122 212 33

HSL 90.17, 0.73%, 0.48%

LAB 76.88, -53.08, 70.91

 

CMYK 84 / 0 / 0 / 17

HEX #21D4D4

RGB 33 212 212

HSL 180, 0.73%, 0.48%

LAB 77.38, -40.55, -11.99

 

CMYK 42 / 84 / 0 / 17

HEX #7A21D4

RGB 122 33 212

HSL 269.83, 0.73%, 0.48%

LAB 37.8, 67.71, -74.01

 

Description

Color code: HEX #D62321 | qconv.com Color code: HEX #D62321 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 35 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 35 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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