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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D61E97 it is the complementary color #29E168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D61E97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D61E97 shade: #DB1E92, #EC30A5, #FD42B8, #FF54CB and #FF66DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D61E97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D61E97 shade: #D61E97, #C50C84, #B40071, #A3005E and #92004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D61E97 shade: #D61F97, #D61F66, #D61F34 and #D61F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D61E97 shade: #D61F97, #D61FC9, #B21FD6, #811FD6 and #4F1FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D61E97 shade matches the following richer shades: #D61F97 and #EA0B9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D61E97 shade: #D61F97, #C23291, #AF468B, #9B5A85 and #876E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D61E97 shade: #B11FD6, #D61FCA, #D61F99, #D61F68 and #D61F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D61E97 shade: #8E1464, #B2197E, #D61F97, #E33BAA and #E85FB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D61E97 shade: #D61E97, #D6811F and #1FD6CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D61E97 shade: #D61E97, #99D61F and #1F99D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D61E97 shade: #D61E97, #D6811F, #1FD65C and #1F74D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D61E97 shade: #D61E97, #D6B81F, #1FD65C and #1F3DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

Complementary color

CMYK 82 / 0 / 54 / 12

HEX #29E168

RGB 41 225 104

HSL 140.54, 0.75%, 0.52%

LAB 79.23, -68.75, 46.51

 

CMYK 0 / 86 / 33 / 14

HEX #DB1E92

RGB 219 30 146

HSL 323.17, 0.76%, 0.49%

LAB 49.57, 75.28, -15.39

 

CMYK 0 / 80 / 30 / 7

HEX #EC30A5

RGB 236 48 165

HSL 322.66, 0.83%, 0.56%

LAB 54.72, 77.32, -18.55

 

CMYK 0 / 74 / 27 / 1

HEX #FD42B8

RGB 253 66 184

HSL 322.14, 0.98%, 0.63%

LAB 60.1, 78.55, -21.11

 

CMYK 0 / 67 / 20 / 0

HEX #FF54CB

RGB 255 84 203

HSL 318.25, 1%, 0.66%

LAB 63.27, 75.45, -27.07

 

CMYK 0 / 60 / 13 / 0

HEX #FF66DE

RGB 255 102 222

HSL 312.94, 1%, 0.7%

LAB 66.55, 71.14, -32.68

 

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

CMYK 0 / 94 / 33 / 23

HEX #C50C84

RGB 197 12 132

HSL 321.08, 0.89%, 0.41%

LAB 43.94, 71.61, -15.85

 

CMYK 0 / 100 / 37 / 29

HEX #B40071

RGB 180 0 113

HSL 322.33, 1%, 0.35%

LAB 39.4, 67.27, -11.27

 

CMYK 0 / 100 / 42 / 36

HEX #A3005E

RGB 163 0 94

HSL 325.4, 1%, 0.32%

LAB 35.19, 61.75, -5.85

 

CMYK 0 / 100 / 49 / 43

HEX #92004B

RGB 146 0 75

HSL 329.18, 1%, 0.29%

LAB 30.92, 56.18, -0.13

 

CMYK 0 / 86 / 29 / 16

HEX #D61F97

RGB 214 31 151

HSL 320.66, 0.75%, 0.48%

LAB 48.9, 74.54, -19.51

 

CMYK 0 / 86 / 52 / 16

HEX #D61F66

RGB 214 31 102

HSL 336.72, 0.75%, 0.48%

LAB 47.28, 69.99, 7.94

 

CMYK 0 / 86 / 76 / 16

HEX #D61F34

RGB 214 31 52

HSL 353.11, 0.75%, 0.48%

LAB 46.34, 67.27, 37.21

 

CMYK 0 / 86 / 86 / 16

HEX #D61F1F

RGB 214 31 31

HSL 0, 0.75%, 0.48%

LAB 46.14, 66.68, 48.37

 

CMYK 0 / 86 / 29 / 16

HEX #D61F97

RGB 214 31 151

HSL 320.66, 0.75%, 0.48%

LAB 48.9, 74.54, -19.51

 

CMYK 0 / 86 / 6 / 16

HEX #D61FC9

RGB 214 31 201

HSL 304.26, 0.75%, 0.48%

LAB 51.26, 80.88, -45.2

 

CMYK 17 / 86 / 0 / 16

HEX #B21FD6

RGB 178 31 214

HSL 288.2, 0.75%, 0.48%

LAB 46.04, 76.7, -61.38

 

CMYK 40 / 86 / 0 / 16

HEX #811FD6

RGB 129 31 214

HSL 272.13, 0.75%, 0.48%

LAB 38.73, 69.6, -73.61

 

CMYK 63 / 86 / 0 / 16

HEX #4F1FD6

RGB 79 31 214

HSL 255.74, 0.75%, 0.48%

LAB 32.91, 64.39, -83.4

 

CMYK 0 / 86 / 29 / 16

HEX #D61F97

RGB 214 31 151

HSL 320.66, 0.75%, 0.48%

LAB 48.9, 74.54, -19.51

 

CMYK 0 / 95 / 32 / 8

HEX #EA0B9E

RGB 234 11 158

HSL 320.45, 0.91%, 0.48%

LAB 52.06, 82.01, -18.5

 

CMYK 0 / 86 / 29 / 16

HEX #D61F97

RGB 214 31 151

HSL 320.66, 0.75%, 0.48%

LAB 48.9, 74.54, -19.51

 

CMYK 0 / 74 / 25 / 24

HEX #C23291

RGB 194 50 145

HSL 320.42, 0.59%, 0.48%

LAB 46.7, 64.38, -19.58

 

CMYK 0 / 60 / 21 / 31

HEX #AF468B

RGB 175 70 139

HSL 320.57, 0.43%, 0.48%

LAB 46.12, 50.57, -17.13

 

CMYK 0 / 42 / 14 / 39

HEX #9B5A85

RGB 155 90 133

HSL 320.31, 0.27%, 0.48%

LAB 46.94, 32.92, -12.54

 

CMYK 0 / 19 / 7 / 47

HEX #876E7E

RGB 135 110 126

HSL 321.6, 0.1%, 0.48%

LAB 49.26, 12.74, -5.11

 

CMYK 17 / 86 / 0 / 16

HEX #B11FD6

RGB 177 31 214

HSL 287.87, 0.75%, 0.48%

LAB 45.88, 76.54, -61.65

 

CMYK 0 / 86 / 6 / 16

HEX #D61FCA

RGB 214 31 202

HSL 303.93, 0.75%, 0.48%

LAB 51.31, 81.03, -45.69

 

CMYK 0 / 86 / 29 / 16

HEX #D61F99

RGB 214 31 153

HSL 320, 0.75%, 0.48%

LAB 48.98, 74.76, -20.58

 

CMYK 0 / 86 / 51 / 16

HEX #D61F68

RGB 214 31 104

HSL 336.07, 0.75%, 0.48%

LAB 47.33, 70.14, 6.78

 

CMYK 0 / 86 / 74 / 16

HEX #D61F37

RGB 214 31 55

HSL 352.13, 0.75%, 0.48%

LAB 46.38, 67.38, 35.49

 

CMYK 0 / 86 / 30 / 44

HEX #8E1464

RGB 142 20 100

HSL 320.66, 0.75%, 0.32%

LAB 32.19, 54.46, -14.67

 

CMYK 0 / 86 / 29 / 30

HEX #B2197E

RGB 178 25 126

HSL 320.39, 0.75%, 0.4%

LAB 40.68, 64.87, -17.47

 

CMYK 0 / 86 / 29 / 16

HEX #D61F97

RGB 214 31 151

HSL 320.66, 0.75%, 0.48%

LAB 48.9, 74.54, -19.51

 

CMYK 0 / 74 / 25 / 11

HEX #E33BAA

RGB 227 59 170

HSL 320.36, 0.75%, 0.56%

LAB 54.41, 72.76, -22.1

 

CMYK 0 / 59 / 20 / 9

HEX #E85FB9

RGB 232 95 185

HSL 320.58, 0.75%, 0.64%

LAB 60.64, 62.57, -21.16

 

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

CMYK 0 / 40 / 86 / 16

HEX #D6811F

RGB 214 129 31

HSL 32.13, 0.75%, 0.48%

LAB 61.74, 26.12, 61.39

 

CMYK 86 / 0 / 6 / 16

HEX #1FD6CA

RGB 31 214 202

HSL 176.07, 0.75%, 0.48%

LAB 77.67, -44.43, -6.2

 

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

CMYK 29 / 0 / 86 / 16

HEX #99D61F

RGB 153 214 31

HSL 80, 0.75%, 0.48%

LAB 79.02, -43.08, 73.8

 

CMYK 86 / 29 / 0 / 16

HEX #1F99D6

RGB 31 153 214

HSL 200, 0.75%, 0.48%

LAB 59.82, -10.39, -40

 

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

CMYK 0 / 40 / 86 / 16

HEX #D6811F

RGB 214 129 31

HSL 32.13, 0.75%, 0.48%

LAB 61.74, 26.12, 61.39

 

CMYK 86 / 0 / 57 / 16

HEX #1FD65C

RGB 31 214 92

HSL 140, 0.75%, 0.48%

LAB 75.55, -67.79, 47.64

 

CMYK 86 / 46 / 0 / 16

HEX #1F74D6

RGB 31 116 214

HSL 212.13, 0.75%, 0.48%

LAB 49.05, 11.69, -57.12

 

CMYK 0 / 86 / 29 / 16

HEX #D61E97

RGB 214 30 151

HSL 320.54, 0.75%, 0.48%

LAB 48.83, 74.72, -19.6

 

CMYK 0 / 14 / 86 / 16

HEX #D6B81F

RGB 214 184 31

HSL 50.16, 0.75%, 0.48%

LAB 75.25, -3.27, 72.48

 

CMYK 86 / 0 / 57 / 16

HEX #1FD65C

RGB 31 214 92

HSL 140, 0.75%, 0.48%

LAB 75.55, -67.79, 47.64

 

CMYK 86 / 71 / 0 / 16

HEX #1F3DD6

RGB 31 61 214

HSL 230.16, 0.75%, 0.48%

LAB 34.97, 46.67, -80.09

 

Description

Color code: HEX #D61E97 | qconv.com Color code: HEX #D61E97 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 30 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 30 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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