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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D61443 it is the complementary color #29EBBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D61443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D61443 shade: #DB143E, #EC2651, #FD3864, #FF4A77 and #FF5C8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D61443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D61443 shade: #D61443, #C50230, #B4001D, #A3000A and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D61443 shade: #D71443 and #D71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D61443 shade: #D71443, #D71478, #D714AC, #CD14D7 and #9814D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D61443 shade matches the following richer shades: #D71443 and #EA0139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D61443 shade: #D71443, #C4274D, #B13A57, #9E4D60 and #8B606A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D61443 shade: #D714AC, #D71479, #D71445, #D71714 and #D74B14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D61443 shade: #8B0D2C, #B11037, #D71443, #EB2958 and #EF4F75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D61443 shade: #D61443, #D7CD14 and #1493D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D61443 shade: #D61443, #45D714 and #1445D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D61443 shade: #D61443, #D7CD14, #14D7A6 and #141ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D61443 shade: #D61443, #A6D714, #14D7A6 and #4514D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

Complementary color

CMYK 83 / 0 / 20 / 8

HEX #29EBBC

RGB 41 235 188

HSL 165.46, 0.83%, 0.54%

LAB 83.71, -56.05, 10.03

 

CMYK 0 / 91 / 72 / 14

HEX #DB143E

RGB 219 20 62

HSL 347.34, 0.83%, 0.47%

LAB 46.85, 70.77, 32.14

 

CMYK 0 / 84 / 66 / 7

HEX #EC2651

RGB 236 38 81

HSL 346.97, 0.84%, 0.54%

LAB 51.63, 72.84, 27.36

 

CMYK 0 / 78 / 60 / 1

HEX #FD3864

RGB 253 56 100

HSL 346.6, 0.98%, 0.61%

LAB 56.71, 74.02, 23.28

 

CMYK 0 / 71 / 53 / 0

HEX #FF4A77

RGB 255 74 119

HSL 345.08, 1%, 0.65%

LAB 59.42, 70.33, 15.82

 

CMYK 0 / 64 / 46 / 0

HEX #FF5C8A

RGB 255 92 138

HSL 343.07, 1%, 0.68%

LAB 62.3, 65.22, 8.78

 

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

CMYK 0 / 99 / 76 / 23

HEX #C50230

RGB 197 2 48

HSL 345.85, 0.98%, 0.39%

LAB 41.42, 66.69, 33.1

 

CMYK 0 / 100 / 84 / 29

HEX #B4001D

RGB 180 0 29

HSL 350.33, 1%, 0.35%

LAB 37.47, 62.12, 38.99

 

CMYK 0 / 100 / 94 / 36

HEX #A3000A

RGB 163 0 10

HSL 356.32, 1%, 0.32%

LAB 33.58, 57.44, 43.67

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 91 / 69 / 16

HEX #D71443

RGB 215 20 67

HSL 345.54, 0.83%, 0.46%

LAB 46.11, 69.99, 28.02

 

CMYK 0 / 91 / 91 / 16

HEX #D71414

RGB 215 20 20

HSL 0, 0.83%, 0.46%

LAB 45.63, 68.62, 52.97

 

CMYK 0 / 91 / 69 / 16

HEX #D71443

RGB 215 20 67

HSL 345.54, 0.83%, 0.46%

LAB 46.11, 69.99, 28.02

 

CMYK 0 / 91 / 44 / 16

HEX #D71478

RGB 215 20 120

HSL 329.23, 0.83%, 0.46%

LAB 47.37, 73.47, -2.99

 

CMYK 0 / 91 / 20 / 16

HEX #D714AC

RGB 215 20 172

HSL 313.23, 0.83%, 0.46%

LAB 49.41, 78.9, -31.19

 

CMYK 5 / 91 / 0 / 16

HEX #CD14D7

RGB 205 20 215

HSL 296.92, 0.83%, 0.46%

LAB 49.96, 83.03, -55.41

 

CMYK 29 / 91 / 0 / 16

HEX #9814D7

RGB 152 20 215

HSL 280.62, 0.83%, 0.46%

LAB 41.35, 75.15, -69.77

 

CMYK 0 / 91 / 69 / 16

HEX #D71443

RGB 215 20 67

HSL 345.54, 0.83%, 0.46%

LAB 46.11, 69.99, 28.02

 

CMYK 0 / 100 / 76 / 8

HEX #EA0139

RGB 234 1 57

HSL 345.58, 0.99%, 0.46%

LAB 49.26, 75.98, 38.68

 

CMYK 0 / 91 / 69 / 16

HEX #D71443

RGB 215 20 67

HSL 345.54, 0.83%, 0.46%

LAB 46.11, 69.99, 28.02

 

CMYK 0 / 80 / 61 / 23

HEX #C4274D

RGB 196 39 77

HSL 345.48, 0.67%, 0.46%

LAB 43.83, 61.73, 18.15

 

CMYK 0 / 67 / 51 / 31

HEX #B13A57

RGB 177 58 87

HSL 345.38, 0.51%, 0.46%

LAB 42.86, 50.32, 10.02

 

CMYK 0 / 51 / 39 / 38

HEX #9E4D60

RGB 158 77 96

HSL 345.93, 0.34%, 0.46%

LAB 43.39, 35.67, 4.78

 

CMYK 0 / 31 / 24 / 45

HEX #8B606A

RGB 139 96 106

HSL 346.05, 0.18%, 0.46%

LAB 45.49, 19.03, 1.38

 

CMYK 0 / 91 / 20 / 16

HEX #D714AC

RGB 215 20 172

HSL 313.23, 0.83%, 0.46%

LAB 49.41, 78.9, -31.19

 

CMYK 0 / 91 / 44 / 16

HEX #D71479

RGB 215 20 121

HSL 328.92, 0.83%, 0.46%

LAB 47.4, 73.56, -3.55

 

CMYK 0 / 91 / 68 / 16

HEX #D71445

RGB 215 20 69

HSL 344.92, 0.83%, 0.46%

LAB 46.15, 70.08, 26.83

 

CMYK 0 / 89 / 91 / 16

HEX #D71714

RGB 215 23 20

HSL 0.92, 0.83%, 0.46%

LAB 45.78, 68.18, 53.07

 

CMYK 0 / 65 / 91 / 16

HEX #D74B14

RGB 215 75 20

HSL 16.92, 0.83%, 0.46%

LAB 51.3, 52.84, 56.9

 

CMYK 0 / 91 / 68 / 45

HEX #8B0D2C

RGB 139 13 44

HSL 345.24, 0.83%, 0.3%

LAB 29.31, 50.17, 18.11

 

CMYK 0 / 91 / 69 / 31

HEX #B11037

RGB 177 16 55

HSL 345.47, 0.83%, 0.38%

LAB 37.83, 60.36, 23.45

 

CMYK 0 / 91 / 69 / 16

HEX #D71443

RGB 215 20 67

HSL 345.54, 0.83%, 0.46%

LAB 46.11, 69.99, 28.02

 

CMYK 0 / 83 / 63 / 8

HEX #EB2958

RGB 235 41 88

HSL 345.46, 0.83%, 0.54%

LAB 51.78, 72.3, 23.32

 

CMYK 0 / 67 / 51 / 6

HEX #EF4F75

RGB 239 79 117

HSL 345.75, 0.83%, 0.62%

LAB 57.3, 63.7, 13.63

 

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

CMYK 0 / 5 / 91 / 16

HEX #D7CD14

RGB 215 205 20

HSL 56.92, 0.83%, 0.46%

LAB 80.83, -13.78, 79.01

 

CMYK 91 / 32 / 0 / 16

HEX #1493D7

RGB 20 147 215

HSL 200.92, 0.83%, 0.46%

LAB 57.96, -7.28, -43.5

 

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

CMYK 68 / 0 / 91 / 16

HEX #45D714

RGB 69 215 20

HSL 104.92, 0.83%, 0.46%

LAB 76.02, -68.43, 71.92

 

CMYK 91 / 68 / 0 / 16

HEX #1445D7

RGB 20 69 215

HSL 224.92, 0.83%, 0.46%

LAB 36.58, 41.66, -78.02

 

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

CMYK 0 / 5 / 91 / 16

HEX #D7CD14

RGB 215 205 20

HSL 56.92, 0.83%, 0.46%

LAB 80.83, -13.78, 79.01

 

CMYK 91 / 0 / 23 / 16

HEX #14D7A6

RGB 20 215 166

HSL 164.92, 0.83%, 0.46%

LAB 76.98, -54.88, 12.05

 

CMYK 91 / 86 / 0 / 16

HEX #141ED7

RGB 20 30 215

HSL 236.92, 0.83%, 0.46%

LAB 29.37, 62.17, -89.97

 

CMYK 0 / 91 / 69 / 16

HEX #D61443

RGB 214 20 67

HSL 345.46, 0.83%, 0.46%

LAB 45.91, 69.74, 27.72

 

CMYK 23 / 0 / 91 / 16

HEX #A6D714

RGB 166 215 20

HSL 75.08, 0.83%, 0.46%

LAB 80.04, -38.81, 76.88

 

CMYK 91 / 0 / 23 / 16

HEX #14D7A6

RGB 20 215 166

HSL 164.92, 0.83%, 0.46%

LAB 76.98, -54.88, 12.05

 

CMYK 68 / 91 / 0 / 16

HEX #4514D7

RGB 69 20 215

HSL 255.08, 0.83%, 0.46%

LAB 31.05, 67.23, -87.1

 

Description

Color code: HEX #D61443 | qconv.com Color code: HEX #D61443 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 20 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 20 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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