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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60F9F it is the complementary color #29F060. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60F9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60F9F shade: #DB0F9A, #EC21AD, #FD33C0, #FF45D3 and #FF57E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60F9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60F9F shade: #D60F9F, #C5008C, #B40079, #A30066 and #920053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60F9F shade: #D70F9F, #D70F6A, #D70F34 and #D70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60F9F shade: #D70F9F, #D70FD5, #A20FD7, #6C0FD7 and #360FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60F9F shade matches the following richer shades: #D70F9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60F9F shade: #D70F9F, #C42197, #B1348F, #9F4786 and #8C597E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60F9F shade: #A10FD7, #D70FD7, #D70FA1, #D70F6C and #D70F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60F9F shade: #890A66, #B00C83, #D70F9F, #EF1FB6 and #F246C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60F9F shade: #D60F9F, #D76C0F and #0FD7BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60F9F shade: #D60F9F, #A1D70F and #0FA1D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60F9F shade: #D60F9F, #D76C0F, #0FD744 and #0F79D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60F9F shade: #D60F9F, #D7A80F, #0FD744 and #0F3ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

Complementary color

CMYK 83 / 0 / 60 / 6

HEX #29F060

RGB 41 240 96

HSL 136.58, 0.87%, 0.55%

LAB 83.78, -74.49, 55.48

 

CMYK 0 / 93 / 30 / 14

HEX #DB0F9A

RGB 219 15 154

HSL 319.12, 0.87%, 0.46%

LAB 49.17, 78.2, -20.8

 

CMYK 0 / 86 / 27 / 7

HEX #EC21AD

RGB 236 33 173

HSL 318.62, 0.84%, 0.53%

LAB 53.96, 81.32, -24.41

 

CMYK 0 / 80 / 24 / 1

HEX #FD33C0

RGB 253 51 192

HSL 318.12, 0.98%, 0.6%

LAB 59.03, 83.46, -27.37

 

CMYK 0 / 73 / 17 / 0

HEX #FF45D3

RGB 255 69 211

HSL 314.19, 1%, 0.64%

LAB 61.84, 81.44, -33.81

 

CMYK 0 / 66 / 10 / 0

HEX #FF57E6

RGB 255 87 230

HSL 308.93, 1%, 0.67%

LAB 64.8, 78.1, -39.87

 

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

CMYK 0 / 100 / 29 / 23

HEX #C5008C

RGB 197 0 140

HSL 317.36, 1%, 0.39%

LAB 43.89, 73.58, -20.82

 

CMYK 0 / 100 / 33 / 29

HEX #B40079

RGB 180 0 121

HSL 319.67, 1%, 0.35%

LAB 39.72, 68.08, -15.8

 

CMYK 0 / 100 / 37 / 36

HEX #A30066

RGB 163 0 102

HSL 322.45, 1%, 0.32%

LAB 35.49, 62.52, -10.55

 

CMYK 0 / 100 / 43 / 43

HEX #920053

RGB 146 0 83

HSL 325.89, 1%, 0.29%

LAB 31.2, 56.89, -5.02

 

CMYK 0 / 93 / 26 / 16

HEX #D70F9F

RGB 215 15 159

HSL 316.8, 0.87%, 0.45%

LAB 48.63, 77.95, -24.69

 

CMYK 0 / 93 / 51 / 16

HEX #D70F6A

RGB 215 15 106

HSL 332.7, 0.87%, 0.45%

LAB 46.75, 72.95, 4.74

 

CMYK 0 / 93 / 76 / 16

HEX #D70F34

RGB 215 15 52

HSL 348.9, 0.87%, 0.45%

LAB 45.68, 70.01, 36.53

 

CMYK 0 / 93 / 93 / 16

HEX #D70F0F

RGB 215 15 15

HSL 0, 0.87%, 0.45%

LAB 45.39, 69.19, 54.69

 

CMYK 0 / 93 / 26 / 16

HEX #D70F9F

RGB 215 15 159

HSL 316.8, 0.87%, 0.45%

LAB 48.63, 77.95, -24.69

 

CMYK 0 / 93 / 1 / 16

HEX #D70FD5

RGB 215 15 213

HSL 300.6, 0.87%, 0.45%

LAB 51.37, 84.93, -51.91

 

CMYK 25 / 93 / 0 / 16

HEX #A20FD7

RGB 162 15 215

HSL 284.1, 0.87%, 0.45%

LAB 42.66, 77.22, -67.57

 

CMYK 50 / 93 / 0 / 16

HEX #6C0FD7

RGB 108 15 215

HSL 267.9, 0.87%, 0.45%

LAB 34.88, 71.11, -80.63

 

CMYK 75 / 93 / 0 / 16

HEX #360FD7

RGB 54 15 215

HSL 251.7, 0.87%, 0.45%

LAB 29.49, 67.7, -89.72

 

CMYK 0 / 93 / 26 / 16

HEX #D70F9F

RGB 215 15 159

HSL 316.8, 0.87%, 0.45%

LAB 48.63, 77.95, -24.69

 

CMYK 0 / 93 / 26 / 16

HEX #D70F9F

RGB 215 15 159

HSL 316.8, 0.87%, 0.45%

LAB 48.63, 77.95, -24.69

 

CMYK 0 / 83 / 23 / 23

HEX #C42197

RGB 196 33 151

HSL 316.56, 0.71%, 0.45%

LAB 45.71, 70.19, -24.69

 

CMYK 0 / 71 / 19 / 31

HEX #B1348F

RGB 177 52 143

HSL 316.32, 0.55%, 0.45%

LAB 43.92, 59.12, -22.9

 

CMYK 0 / 55 / 16 / 38

HEX #9F4786

RGB 159 71 134

HSL 317.05, 0.38%, 0.45%

LAB 43.65, 44.45, -18.1

 

CMYK 0 / 36 / 10 / 45

HEX #8C597E

RGB 140 89 126

HSL 316.47, 0.22%, 0.45%

LAB 44.56, 26.93, -12.11

 

CMYK 25 / 93 / 0 / 16

HEX #A10FD7

RGB 161 15 215

HSL 283.8, 0.87%, 0.45%

LAB 42.5, 77.08, -67.83

 

CMYK 0 / 93 / 0 / 16

HEX #D70FD7

RGB 215 15 215

HSL 300, 0.87%, 0.45%

LAB 51.49, 85.22, -52.86

 

CMYK 0 / 93 / 25 / 16

HEX #D70FA1

RGB 215 15 161

HSL 316.2, 0.87%, 0.45%

LAB 48.71, 78.17, -25.75

 

CMYK 0 / 93 / 50 / 16

HEX #D70F6C

RGB 215 15 108

HSL 332.1, 0.87%, 0.45%

LAB 46.81, 73.1, 3.58

 

CMYK 0 / 93 / 74 / 16

HEX #D70F37

RGB 215 15 55

HSL 348, 0.87%, 0.45%

LAB 45.72, 70.12, 34.8

 

CMYK 0 / 93 / 26 / 46

HEX #890A66

RGB 137 10 102

HSL 316.54, 0.86%, 0.29%

LAB 30.63, 55.46, -18.46

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 93 / 26 / 16

HEX #D70F9F

RGB 215 15 159

HSL 316.8, 0.87%, 0.45%

LAB 48.63, 77.95, -24.69

 

CMYK 0 / 87 / 24 / 6

HEX #EF1FB6

RGB 239 31 182

HSL 316.44, 0.87%, 0.53%

LAB 54.77, 83.29, -28.37

 

CMYK 0 / 71 / 19 / 5

HEX #F246C3

RGB 242 70 195

HSL 316.4, 0.87%, 0.61%

LAB 59.16, 76.03, -29.04

 

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

CMYK 0 / 50 / 93 / 16

HEX #D76C0F

RGB 215 108 15

HSL 27.9, 0.87%, 0.45%

LAB 57.28, 37.25, 62.43

 

CMYK 93 / 0 / 13 / 16

HEX #0FD7BC

RGB 15 215 188

HSL 171.9, 0.87%, 0.45%

LAB 77.48, -49.48, 1.02

 

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

CMYK 25 / 0 / 93 / 16

HEX #A1D70F

RGB 161 215 15

HSL 76.2, 0.87%, 0.45%

LAB 79.73, -40.83, 77.16

 

CMYK 93 / 25 / 0 / 16

HEX #0FA1D7

RGB 15 161 215

HSL 196.2, 0.87%, 0.45%

LAB 62.08, -15.31, -37.04

 

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

CMYK 0 / 50 / 93 / 16

HEX #D76C0F

RGB 215 108 15

HSL 27.9, 0.87%, 0.45%

LAB 57.28, 37.25, 62.43

 

CMYK 93 / 0 / 68 / 16

HEX #0FD744

RGB 15 215 68

HSL 135.9, 0.87%, 0.45%

LAB 75.53, -71.85, 57.82

 

CMYK 93 / 44 / 0 / 16

HEX #0F79D7

RGB 15 121 215

HSL 208.2, 0.87%, 0.45%

LAB 50.31, 8.05, -55.68

 

CMYK 0 / 93 / 26 / 16

HEX #D60F9F

RGB 214 15 159

HSL 316.58, 0.87%, 0.45%

LAB 48.44, 77.75, -25

 

CMYK 0 / 22 / 93 / 16

HEX #D7A80F

RGB 215 168 15

HSL 45.9, 0.87%, 0.45%

LAB 71.21, 5.3, 72.46

 

CMYK 93 / 0 / 68 / 16

HEX #0FD744

RGB 15 215 68

HSL 135.9, 0.87%, 0.45%

LAB 75.53, -71.85, 57.82

 

CMYK 93 / 71 / 0 / 16

HEX #0F3ED7

RGB 15 62 215

HSL 225.9, 0.87%, 0.45%

LAB 34.91, 45.78, -80.78

 

Description

Color code: HEX #D60F9F | qconv.com Color code: HEX #D60F9F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 15 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 15 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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