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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60F20 it is the complementary color #29F0DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60F20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60F20 shade: #DB0F1B, #EC212E, #FD3341, #FF4554 and #FF5767

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60F20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60F20 shade: #D60F20, #C5000D, #B40000, #A30000 and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60F20 shade: #D70F20 and #D70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60F20 shade: #D70F20, #D70F56, #D70F8C, #D70FC2 and #B60FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60F20 shade matches the following richer shades: #D70F20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60F20 shade: #D70F20, #C4212F, #B1343F, #9F474E and #8C595E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60F20 shade: #D70F8D, #D70F58, #D70F23, #D7300F and #D7650F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60F20 shade: #890A14, #B00C1A, #D70F20, #EF1F31 and #F24655

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60F20 shade: #D60F20, #C3D70F and #0F73D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60F20 shade: #D60F20, #23D70F and #0F23D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60F20 shade: #D60F20, #C3D70F, #0FD7C3 and #230FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60F20 shade: #D60F20, #87D70F, #0FD7C3 and #5F0FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

Complementary color

CMYK 83 / 0 / 7 / 6

HEX #29F0DF

RGB 41 240 223

HSL 174.87, 0.87%, 0.55%

LAB 86.07, -49.11, -4.92

 

CMYK 0 / 93 / 88 / 14

HEX #DB0F1B

RGB 219 15 27

HSL 356.47, 0.87%, 0.46%

LAB 46.29, 70.37, 50.8

 

CMYK 0 / 86 / 81 / 7

HEX #EC212E

RGB 236 33 46

HSL 356.16, 0.84%, 0.53%

LAB 50.82, 72.48, 46.6

 

CMYK 0 / 80 / 74 / 1

HEX #FD3341

RGB 253 51 65

HSL 355.84, 0.98%, 0.6%

LAB 55.72, 73.65, 42.35

 

CMYK 0 / 73 / 67 / 0

HEX #FF4554

RGB 255 69 84

HSL 355.16, 1%, 0.64%

LAB 58.19, 69.84, 34.57

 

CMYK 0 / 66 / 60 / 0

HEX #FF5767

RGB 255 87 103

HSL 354.29, 1%, 0.67%

LAB 60.83, 64.49, 27.02

 

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

CMYK 0 / 100 / 93 / 23

HEX #C5000D

RGB 197 0 13

HSL 356.04, 1%, 0.39%

LAB 41.06, 66.09, 50.86

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 93 / 85 / 16

HEX #D70F20

RGB 215 15 32

HSL 354.9, 0.87%, 0.45%

LAB 45.49, 69.46, 47.39

 

CMYK 0 / 93 / 93 / 16

HEX #D70F0F

RGB 215 15 15

HSL 0, 0.87%, 0.45%

LAB 45.39, 69.19, 54.69

 

CMYK 0 / 93 / 85 / 16

HEX #D70F20

RGB 215 15 32

HSL 354.9, 0.87%, 0.45%

LAB 45.49, 69.46, 47.39

 

CMYK 0 / 93 / 60 / 16

HEX #D70F56

RGB 215 15 86

HSL 338.7, 0.87%, 0.45%

LAB 46.26, 71.6, 16.47

 

CMYK 0 / 93 / 35 / 16

HEX #D70F8C

RGB 215 15 140

HSL 322.5, 0.87%, 0.45%

LAB 47.86, 75.92, -14.45

 

CMYK 0 / 93 / 10 / 16

HEX #D70FC2

RGB 215 15 194

HSL 306.3, 0.87%, 0.45%

LAB 50.32, 82.28, -42.64

 

CMYK 15 / 93 / 0 / 16

HEX #B60FD7

RGB 182 15 215

HSL 290.1, 0.87%, 0.45%

LAB 45.9, 80.05, -62.16

 

CMYK 0 / 93 / 85 / 16

HEX #D70F20

RGB 215 15 32

HSL 354.9, 0.87%, 0.45%

LAB 45.49, 69.46, 47.39

 

CMYK 0 / 93 / 85 / 16

HEX #D70F20

RGB 215 15 32

HSL 354.9, 0.87%, 0.45%

LAB 45.49, 69.46, 47.39

 

CMYK 0 / 83 / 76 / 23

HEX #C4212F

RGB 196 33 47

HSL 354.85, 0.71%, 0.45%

LAB 42.81, 61.77, 35.19

 

CMYK 0 / 71 / 64 / 31

HEX #B1343F

RGB 177 52 63

HSL 354.72, 0.55%, 0.45%

LAB 41.47, 50.94, 23.06

 

CMYK 0 / 55 / 51 / 38

HEX #9F474E

RGB 159 71 78

HSL 355.23, 0.38%, 0.45%

LAB 41.89, 37.22, 13.79

 

CMYK 0 / 36 / 33 / 45

HEX #8C595E

RGB 140 89 94

HSL 354.12, 0.22%, 0.45%

LAB 43.55, 21.73, 5.89

 

CMYK 0 / 93 / 34 / 16

HEX #D70F8D

RGB 215 15 141

HSL 322.2, 0.87%, 0.45%

LAB 47.89, 76.02, -15

 

CMYK 0 / 93 / 59 / 16

HEX #D70F58

RGB 215 15 88

HSL 338.1, 0.87%, 0.45%

LAB 46.3, 71.72, 15.29

 

CMYK 0 / 93 / 84 / 16

HEX #D70F23

RGB 215 15 35

HSL 354, 0.87%, 0.45%

LAB 45.51, 69.52, 45.88

 

CMYK 0 / 78 / 93 / 16

HEX #D7300F

RGB 215 48 15

HSL 9.9, 0.87%, 0.45%

LAB 47.75, 62.49, 56.12

 

CMYK 0 / 53 / 93 / 16

HEX #D7650F

RGB 215 101 15

HSL 25.8, 0.87%, 0.45%

LAB 55.88, 40.77, 61.46

 

CMYK 0 / 93 / 85 / 46

HEX #890A14

RGB 137 10 20

HSL 355.28, 0.86%, 0.29%

LAB 28.34, 49.17, 32.15

 

CMYK 0 / 93 / 85 / 31

HEX #B00C1A

RGB 176 12 26

HSL 354.88, 0.87%, 0.37%

LAB 37.05, 59.62, 39.93

 

CMYK 0 / 93 / 85 / 16

HEX #D70F20

RGB 215 15 32

HSL 354.9, 0.87%, 0.45%

LAB 45.49, 69.46, 47.39

 

CMYK 0 / 87 / 79 / 6

HEX #EF1F31

RGB 239 31 49

HSL 354.81, 0.87%, 0.53%

LAB 51.33, 73.69, 45.68

 

CMYK 0 / 71 / 65 / 5

HEX #F24655

RGB 242 70 85

HSL 354.77, 0.87%, 0.61%

LAB 56, 65.74, 30.77

 

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

CMYK 9 / 0 / 93 / 16

HEX #C3D70F

RGB 195 215 15

HSL 66, 0.87%, 0.45%

LAB 81.97, -27.19, 79.87

 

CMYK 93 / 47 / 0 / 16

HEX #0F73D7

RGB 15 115 215

HSL 210, 0.87%, 0.45%

LAB 48.6, 11.82, -58.43

 

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

CMYK 84 / 0 / 93 / 16

HEX #23D70F

RGB 35 215 15

HSL 114, 0.87%, 0.45%

LAB 75.45, -73.47, 71.9

 

CMYK 93 / 84 / 0 / 16

HEX #0F23D7

RGB 15 35 215

HSL 234, 0.87%, 0.45%

LAB 29.94, 60.04, -89.03

 

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

CMYK 9 / 0 / 93 / 16

HEX #C3D70F

RGB 195 215 15

HSL 66, 0.87%, 0.45%

LAB 81.97, -27.19, 79.87

 

CMYK 93 / 0 / 9 / 16

HEX #0FD7C3

RGB 15 215 195

HSL 174, 0.87%, 0.45%

LAB 77.66, -47.58, -2.46

 

CMYK 84 / 93 / 0 / 16

HEX #230FD7

RGB 35 15 215

HSL 246, 0.87%, 0.45%

LAB 28.39, 67.12, -91.58

 

CMYK 0 / 93 / 85 / 16

HEX #D60F20

RGB 214 15 32

HSL 354.87, 0.87%, 0.45%

LAB 45.28, 69.2, 47.13

 

CMYK 37 / 0 / 93 / 16

HEX #87D70F

RGB 135 215 15

HSL 84, 0.87%, 0.45%

LAB 78.34, -50.38, 75.46

 

CMYK 93 / 0 / 9 / 16

HEX #0FD7C3

RGB 15 215 195

HSL 174, 0.87%, 0.45%

LAB 77.66, -47.58, -2.46

 

CMYK 56 / 93 / 0 / 16

HEX #5F0FD7

RGB 95 15 215

HSL 264, 0.87%, 0.45%

LAB 33.31, 70.03, -83.27

 

Description

Color code: HEX #D60F20 | qconv.com Color code: HEX #D60F20 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 15 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 15 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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