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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6068C it is the complementary color #29F973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6068C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6068C shade: #DB0687, #EC189A, #FD2AAD, #FF3CC0 and #FF4ED3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6068C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6068C shade: #D6068C, #C50079, #B40066, #A30053 and #920040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6068C shade: #D6058C, #D60554, #D6051B and #D60505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6068C shade: #D6058C, #D605C4, #B005D6, #7705D6 and #3F05D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6068C shade matches the following richer shades: #D6058C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6068C shade: #D6058C, #C41787, #B22981, #A13B7C and #8F4C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6068C shade: #B005D6, #D605C4, #D6058D, #D60555 and #D6051E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6068C shade: #850357, #AE0471, #D6058C, #F90CA4 and #FA34B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6068C shade: #D6068C, #D67805 and #05D6CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6068C shade: #D6068C, #8DD605 and #058DD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6068C shade: #D6068C, #D67805, #05D64E and #0563D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6068C shade: #D6068C, #D6B705, #05D64E and #0525D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

Complementary color

CMYK 84 / 0 / 54 / 2

HEX #29F973

RGB 41 249 115

HSL 141.35, 0.95%, 0.57%

LAB 86.73, -74.84, 50.5

 

CMYK 0 / 97 / 38 / 14

HEX #DB0687

RGB 219 6 135

HSL 323.66, 0.95%, 0.44%

LAB 48.18, 77.07, -10.85

 

CMYK 0 / 90 / 35 / 7

HEX #EC189A

RGB 236 24 154

HSL 323.21, 0.85%, 0.51%

LAB 52.75, 80.69, -15.05

 

CMYK 0 / 83 / 32 / 1

HEX #FD2AAD

RGB 253 42 173

HSL 322.75, 0.98%, 0.58%

LAB 57.61, 83.29, -18.54

 

CMYK 0 / 76 / 25 / 0

HEX #FF3CC0

RGB 255 60 192

HSL 319.38, 1%, 0.62%

LAB 60.16, 81.65, -25.6

 

CMYK 0 / 69 / 17 / 0

HEX #FF4ED3

RGB 255 78 211

HSL 314.92, 1%, 0.65%

LAB 62.85, 78.59, -32.23

 

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

CMYK 0 / 100 / 39 / 23

HEX #C50079

RGB 197 0 121

HSL 323.15, 1%, 0.39%

LAB 43.14, 71.64, -10.29

 

CMYK 0 / 100 / 43 / 29

HEX #B40066

RGB 180 0 102

HSL 326, 1%, 0.35%

LAB 39.01, 66.23, -4.92

 

CMYK 0 / 100 / 49 / 36

HEX #A30053

RGB 163 0 83

HSL 329.45, 1%, 0.32%

LAB 34.82, 60.78, 0.74

 

CMYK 0 / 100 / 56 / 43

HEX #920040

RGB 146 0 64

HSL 333.7, 1%, 0.29%

LAB 30.6, 55.31, 6.73

 

CMYK 0 / 98 / 35 / 16

HEX #D6058C

RGB 214 5 140

HSL 321.24, 0.95%, 0.43%

LAB 47.36, 76.59, -15.22

 

CMYK 0 / 98 / 61 / 16

HEX #D60554

RGB 214 5 84

HSL 337.32, 0.95%, 0.43%

LAB 45.7, 72.17, 16.92

 

CMYK 0 / 98 / 87 / 16

HEX #D6051B

RGB 214 5 27

HSL 353.68, 0.95%, 0.43%

LAB 44.92, 70.05, 49.29

 

CMYK 0 / 98 / 98 / 16

HEX #D60505

RGB 214 5 5

HSL 0, 0.95%, 0.43%

LAB 44.82, 69.78, 57.35

 

CMYK 0 / 98 / 35 / 16

HEX #D6058C

RGB 214 5 140

HSL 321.24, 0.95%, 0.43%

LAB 47.36, 76.59, -15.22

 

CMYK 0 / 98 / 8 / 16

HEX #D605C4

RGB 214 5 196

HSL 305.17, 0.95%, 0.43%

LAB 49.97, 83.2, -44.36

 

CMYK 18 / 98 / 0 / 16

HEX #B005D6

RGB 176 5 214

HSL 289.09, 0.95%, 0.43%

LAB 44.51, 79.98, -63.88

 

CMYK 44 / 98 / 0 / 16

HEX #7705D6

RGB 119 5 214

HSL 272.73, 0.95%, 0.43%

LAB 35.76, 73.28, -78.54

 

CMYK 71 / 98 / 0 / 16

HEX #3F05D6

RGB 63 5 214

HSL 256.65, 0.95%, 0.43%

LAB 29.46, 69.61, -89.17

 

CMYK 0 / 98 / 35 / 16

HEX #D6058C

RGB 214 5 140

HSL 321.24, 0.95%, 0.43%

LAB 47.36, 76.59, -15.22

 

CMYK 0 / 98 / 35 / 16

HEX #D6058C

RGB 214 5 140

HSL 321.24, 0.95%, 0.43%

LAB 47.36, 76.59, -15.22

 

CMYK 0 / 88 / 31 / 23

HEX #C41787

RGB 196 23 135

HSL 321.16, 0.79%, 0.43%

LAB 44.37, 70.25, -17.05

 

CMYK 0 / 77 / 28 / 30

HEX #B22981

RGB 178 41 129

HSL 321.46, 0.63%, 0.43%

LAB 42.21, 61.2, -16.98

 

CMYK 0 / 63 / 23 / 37

HEX #A13B7C

RGB 161 59 124

HSL 321.76, 0.46%, 0.43%

LAB 41.47, 49.18, -15.3

 

CMYK 0 / 47 / 17 / 44

HEX #8F4C77

RGB 143 76 119

HSL 321.49, 0.31%, 0.43%

LAB 41.75, 34.11, -12.04

 

CMYK 18 / 98 / 0 / 16

HEX #B005D6

RGB 176 5 214

HSL 289.09, 0.95%, 0.43%

LAB 44.51, 79.98, -63.88

 

CMYK 0 / 98 / 8 / 16

HEX #D605C4

RGB 214 5 196

HSL 305.17, 0.95%, 0.43%

LAB 49.97, 83.2, -44.36

 

CMYK 0 / 98 / 34 / 16

HEX #D6058D

RGB 214 5 141

HSL 320.96, 0.95%, 0.43%

LAB 47.4, 76.69, -15.77

 

CMYK 0 / 98 / 60 / 16

HEX #D60555

RGB 214 5 85

HSL 337.03, 0.95%, 0.43%

LAB 45.72, 72.22, 16.32

 

CMYK 0 / 98 / 86 / 16

HEX #D6051E

RGB 214 5 30

HSL 352.82, 0.95%, 0.43%

LAB 44.94, 70.1, 47.85

 

CMYK 0 / 98 / 35 / 48

HEX #850357

RGB 133 3 87

HSL 321.23, 0.96%, 0.27%

LAB 28.75, 53.89, -11.63

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 98 / 35 / 16

HEX #D6058C

RGB 214 5 140

HSL 321.24, 0.95%, 0.43%

LAB 47.36, 76.59, -15.22

 

CMYK 0 / 95 / 34 / 2

HEX #F90CA4

RGB 249 12 164

HSL 321.52, 0.95%, 0.51%

LAB 55.16, 85.56, -17.08

 

CMYK 0 / 79 / 28 / 2

HEX #FA34B3

RGB 250 52 179

HSL 321.52, 0.95%, 0.59%

LAB 58.07, 81.08, -21.38

 

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

CMYK 0 / 44 / 98 / 16

HEX #D67805

RGB 214 120 5

HSL 33.01, 0.95%, 0.43%

LAB 59.65, 30.49, 65.77

 

CMYK 98 / 0 / 5 / 16

HEX #05D6CB

RGB 5 214 203

HSL 176.84, 0.95%, 0.43%

LAB 77.54, -45.19, -6.94

 

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

CMYK 34 / 0 / 98 / 16

HEX #8DD605

RGB 141 214 5

HSL 80.96, 0.95%, 0.43%

LAB 78.33, -47.99, 76.57

 

CMYK 98 / 34 / 0 / 16

HEX #058DD6

RGB 5 141 214

HSL 200.96, 0.95%, 0.43%

LAB 56.02, -4.74, -46.01

 

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

CMYK 0 / 44 / 98 / 16

HEX #D67805

RGB 214 120 5

HSL 33.01, 0.95%, 0.43%

LAB 59.65, 30.49, 65.77

 

CMYK 98 / 0 / 64 / 16

HEX #05D64E

RGB 5 214 78

HSL 140.96, 0.95%, 0.43%

LAB 75.25, -70.9, 53.44

 

CMYK 98 / 54 / 0 / 16

HEX #0563D6

RGB 5 99 214

HSL 213.01, 0.95%, 0.43%

LAB 43.96, 21.38, -65.37

 

CMYK 0 / 97 / 35 / 16

HEX #D6068C

RGB 214 6 140

HSL 321.35, 0.95%, 0.43%

LAB 47.39, 76.51, -15.18

 

CMYK 0 / 14 / 98 / 16

HEX #D6B705

RGB 214 183 5

HSL 51.1, 0.95%, 0.43%

LAB 74.93, -3.15, 76.33

 

CMYK 98 / 0 / 64 / 16

HEX #05D64E

RGB 5 214 78

HSL 140.96, 0.95%, 0.43%

LAB 75.25, -70.9, 53.44

 

CMYK 98 / 83 / 0 / 16

HEX #0525D6

RGB 5 37 214

HSL 230.81, 0.95%, 0.43%

LAB 29.94, 58.69, -88.45

 

Description

Color code: HEX #D6068C | qconv.com Color code: HEX #D6068C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 6 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 6 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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