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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D602BA it is the complementary color #29FD45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D602BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D602BA shade: #DB02B5, #EC14C8, #FD26DB, #FF38EE and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D602BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D602BA shade: #D602BA, #C500A7, #B40094, #A30081 and #92006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D602BA shade: #D402B8, #D40280, #D40247, #D4020F and #D40202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D602BA shade: #D402B8, #B702D4, #7F02D4, #4602D4 and #0D02D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D602BA shade matches the following richer shades: #D402B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D602BA shade: #D402B8, #C313AC, #B1259F, #A03692 and #8F4785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D602BA shade: #7D02D4, #B502D4, #D402BC, #D40284 and #D4024C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D602BA shade: #820171, #AB0295, #D402B8, #FC03DC and #FD2CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D602BA shade: #D602BA, #D44502 and #02D499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D602BA shade: #D602BA, #BCD402 and #02BCD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D602BA shade: #D602BA, #D44502, #02D41B and #0292D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D602BA shade: #D602BA, #D48402, #02D41B and #0253D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

Complementary color

CMYK 84 / 0 / 73 / 1

HEX #29FD45

RGB 41 253 69

HSL 127.92, 0.98%, 0.58%

LAB 87.56, -80.92, 70

 

CMYK 0 / 99 / 17 / 14

HEX #DB02B5

RGB 219 2 181

HSL 310.51, 0.98%, 0.43%

LAB 50.03, 82.38, -35.46

 

CMYK 0 / 92 / 15 / 7

HEX #EC14C8

RGB 236 20 200

HSL 310, 0.85%, 0.5%

LAB 54.56, 86.34, -39.16

 

CMYK 0 / 85 / 13 / 1

HEX #FD26DB

RGB 253 38 219

HSL 309.49, 0.98%, 0.57%

LAB 59.33, 89.4, -42.29

 

CMYK 0 / 78 / 7 / 0

HEX #FF38EE

RGB 255 56 238

HSL 305.13, 1%, 0.61%

LAB 61.88, 88.62, -48.91

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

CMYK 0 / 100 / 15 / 23

HEX #C500A7

RGB 197 0 167

HSL 309.14, 1%, 0.39%

LAB 45.17, 76.79, -35.12

 

CMYK 0 / 100 / 18 / 29

HEX #B40094

RGB 180 0 148

HSL 310.67, 1%, 0.35%

LAB 40.96, 71.23, -30.51

 

CMYK 0 / 100 / 21 / 36

HEX #A30081

RGB 163 0 129

HSL 312.52, 1%, 0.32%

LAB 36.69, 65.58, -25.75

 

CMYK 0 / 100 / 25 / 43

HEX #92006E

RGB 146 0 110

HSL 314.79, 1%, 0.29%

LAB 32.34, 59.83, -20.8

 

CMYK 0 / 99 / 13 / 17

HEX #D402B8

RGB 212 2 184

HSL 308, 0.98%, 0.42%

LAB 48.89, 81.5, -39.1

 

CMYK 0 / 99 / 40 / 17

HEX #D40280

RGB 212 2 128

HSL 324, 0.98%, 0.42%

LAB 46.44, 75.28, -9.33

 

CMYK 0 / 99 / 67 / 17

HEX #D40247

RGB 212 2 71

HSL 340.29, 0.98%, 0.42%

LAB 44.94, 71.27, 23.93

 

CMYK 0 / 99 / 93 / 17

HEX #D4020F

RGB 212 2 15

HSL 356.29, 0.98%, 0.42%

LAB 44.34, 69.65, 53.74

 

CMYK 0 / 99 / 99 / 17

HEX #D40202

RGB 212 2 2

HSL 0, 0.98%, 0.42%

LAB 44.3, 69.53, 57.84

 

CMYK 0 / 99 / 13 / 17

HEX #D402B8

RGB 212 2 184

HSL 308, 0.98%, 0.42%

LAB 48.89, 81.5, -39.1

 

CMYK 14 / 99 / 0 / 17

HEX #B702D4

RGB 183 2 212

HSL 291.71, 0.98%, 0.42%

LAB 45.45, 80.91, -61.15

 

CMYK 40 / 99 / 0 / 17

HEX #7F02D4

RGB 127 2 212

HSL 275.71, 0.98%, 0.42%

LAB 36.57, 74.02, -76.01

 

CMYK 67 / 99 / 0 / 17

HEX #4602D4

RGB 70 2 212

HSL 259.43, 0.98%, 0.42%

LAB 29.66, 69.93, -87.67

 

CMYK 94 / 99 / 0 / 17

HEX #0D02D4

RGB 13 2 212

HSL 243.14, 0.98%, 0.42%

LAB 26.4, 68.58, -93.2

 

CMYK 0 / 99 / 13 / 17

HEX #D402B8

RGB 212 2 184

HSL 308, 0.98%, 0.42%

LAB 48.89, 81.5, -39.1

 

CMYK 0 / 99 / 13 / 17

HEX #D402B8

RGB 212 2 184

HSL 308, 0.98%, 0.42%

LAB 48.89, 81.5, -39.1

 

CMYK 0 / 90 / 12 / 24

HEX #C313AC

RGB 195 19 172

HSL 307.84, 0.82%, 0.42%

LAB 45.7, 75.19, -37.27

 

CMYK 0 / 79 / 10 / 31

HEX #B1259F

RGB 177 37 159

HSL 307.71, 0.65%, 0.42%

LAB 43.02, 66.17, -33.95

 

CMYK 0 / 66 / 9 / 37

HEX #A03692

RGB 160 54 146

HSL 307.92, 0.5%, 0.42%

LAB 41.51, 54.4, -28.69

 

CMYK 0 / 50 / 7 / 44

HEX #8F4785

RGB 143 71 133

HSL 308.33, 0.34%, 0.42%

LAB 41.28, 39.25, -21.34

 

CMYK 41 / 99 / 0 / 17

HEX #7D02D4

RGB 125 2 212

HSL 275.14, 0.98%, 0.42%

LAB 36.28, 73.82, -76.49

 

CMYK 15 / 99 / 0 / 17

HEX #B502D4

RGB 181 2 212

HSL 291.14, 0.98%, 0.42%

LAB 45.11, 80.63, -61.71

 

CMYK 0 / 99 / 11 / 17

HEX #D402BC

RGB 212 2 188

HSL 306.86, 0.98%, 0.42%

LAB 49.09, 82.02, -41.11

 

CMYK 0 / 99 / 38 / 17

HEX #D40284

RGB 212 2 132

HSL 322.86, 0.98%, 0.42%

LAB 46.59, 75.65, -11.56

 

CMYK 0 / 99 / 64 / 17

HEX #D4024C

RGB 212 2 76

HSL 338.86, 0.98%, 0.42%

LAB 45.03, 71.52, 20.94

 

CMYK 0 / 99 / 13 / 49

HEX #820171

RGB 130 1 113

HSL 307.91, 0.98%, 0.26%

LAB 29.31, 56.9, -27.7

 

CMYK 0 / 99 / 13 / 33

HEX #AB0295

RGB 171 2 149

HSL 307.81, 0.98%, 0.34%

LAB 39.36, 69.48, -33.76

 

CMYK 0 / 99 / 13 / 17

HEX #D402B8

RGB 212 2 184

HSL 308, 0.98%, 0.42%

LAB 48.89, 81.5, -39.1

 

CMYK 0 / 99 / 13 / 1

HEX #FC03DC

RGB 252 3 220

HSL 307.71, 0.98%, 0.5%

LAB 57.97, 92.96, -45.01

 

CMYK 0 / 83 / 11 / 1

HEX #FD2CE1

RGB 253 44 225

HSL 308.04, 0.98%, 0.58%

LAB 60, 89.08, -44.62

 

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

CMYK 0 / 67 / 99 / 17

HEX #D44502

RGB 212 69 2

HSL 19.14, 0.98%, 0.42%

LAB 49.81, 54.08, 60.36

 

CMYK 99 / 0 / 28 / 17

HEX #02D499

RGB 2 212 153

HSL 163.14, 0.98%, 0.42%

LAB 75.7, -57.42, 17.13

 

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

CMYK 11 / 0 / 99 / 17

HEX #BCD402

RGB 188 212 2

HSL 66.86, 0.98%, 0.42%

LAB 80.62, -28.81, 79.86

 

CMYK 99 / 11 / 0 / 17

HEX #02BCD4

RGB 2 188 212

HSL 186.86, 0.98%, 0.42%

LAB 69.99, -30.62, -23.18

 

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

CMYK 0 / 67 / 99 / 17

HEX #D44502

RGB 212 69 2

HSL 19.14, 0.98%, 0.42%

LAB 49.81, 54.08, 60.36

 

CMYK 99 / 0 / 87 / 17

HEX #02D41B

RGB 2 212 27

HSL 127.14, 0.98%, 0.42%

LAB 74.3, -74.24, 68.93

 

CMYK 99 / 31 / 0 / 17

HEX #0292D4

RGB 2 146 212

HSL 198.86, 0.98%, 0.42%

LAB 57.39, -8.47, -42.73

 

CMYK 0 / 99 / 13 / 16

HEX #D602BA

RGB 214 2 186

HSL 307.92, 0.98%, 0.42%

LAB 49.36, 82.11, -39.51

 

CMYK 0 / 38 / 99 / 17

HEX #D48402

RGB 212 132 2

HSL 37.14, 0.98%, 0.42%

LAB 62.09, 23.21, 67.71

 

CMYK 99 / 0 / 87 / 17

HEX #02D41B

RGB 2 212 27

HSL 127.14, 0.98%, 0.42%

LAB 74.3, -74.24, 68.93

 

CMYK 99 / 61 / 0 / 17

HEX #0253D4

RGB 2 83 212

HSL 216.86, 0.98%, 0.42%

LAB 39.5, 30.98, -71.5

 

Description

Color code: HEX #D602BA | qconv.com Color code: HEX #D602BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 2 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 2 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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