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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5FC20 it is the complementary color #2A03DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5FC20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5FC20 shade: #DAFC1B, #EBFF2E, #FCFF41, #FFFF54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5FC20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5FC20 shade: #D5FC20, #C4EA0D, #B3D800, #A2C600 and #91B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5FC20 shade: #D5FC22, #FCE822, #FCAD22, #FC7222 and #FC3722

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5FC20 shade: #D5FC22, #9AFC22, #60FC22, #25FC22 and #22FC5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5FC20 shade matches the following richer shades: #D5FC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5FC20 shade: #D5FC22, #C9E934, #BED746, #B2C558 and #A6B36B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5FC20 shade: #FCAC22, #FCE622, #D7FC22, #9DFC22 and #63FC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5FC20 shade: #A5C803, #C7F104, #D5FC22, #DDFC4B and #E4FD73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5FC20 shade: #D5FC20, #22FC72 and #C922FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5FC20 shade: #D5FC20, #22D7FC and #FC22D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5FC20 shade: #D5FC20, #22FC72, #4622FC and #FC22AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5FC20 shade: #D5FC20, #22FCB3, #4622FC and #FC226B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

Complementary color

CMYK 81 / 99 / 0 / 13

HEX #2A03DF

RGB 42 3 223

HSL 250.64, 0.97%, 0.44%

LAB 29.12, 71.49, -94.98

 

CMYK 13 / 0 / 89 / 1

HEX #DAFC1B

RGB 218 252 27

HSL 69.07, 0.97%, 0.55%

LAB 93.71, -34.83, 88.22

 

CMYK 8 / 0 / 82 / 0

HEX #EBFF2E

RGB 235 255 46

HSL 65.74, 1%, 0.59%

LAB 95.74, -29, 86.85

 

CMYK 1 / 0 / 75 / 0

HEX #FCFF41

RGB 252 255 65

HSL 60.95, 1%, 0.63%

LAB 97.06, -21.52, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

CMYK 16 / 0 / 94 / 8

HEX #C4EA0D

RGB 196 234 13

HSL 70.32, 0.89%, 0.48%

LAB 87.3, -35.62, 84.23

 

CMYK 17 / 0 / 100 / 15

HEX #B3D800

RGB 179 216 0

HSL 70.28, 1%, 0.42%

LAB 81.12, -34.37, 80.16

 

CMYK 18 / 0 / 100 / 22

HEX #A2C600

RGB 162 198 0

HSL 70.91, 1%, 0.39%

LAB 74.87, -32.97, 74.95

 

CMYK 19 / 0 / 100 / 29

HEX #91B400

RGB 145 180 0

HSL 71.67, 1%, 0.35%

LAB 68.51, -31.56, 69.65

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC22

RGB 213 252 34

HSL 70.73, 0.97%, 0.56%

LAB 93.4, -36.66, 86.7

 

CMYK 0 / 8 / 87 / 1

HEX #FCE822

RGB 252 232 34

HSL 54.5, 0.97%, 0.56%

LAB 91.02, -11.28, 85.99

 

CMYK 0 / 31 / 87 / 1

HEX #FCAD22

RGB 252 173 34

HSL 38.26, 0.97%, 0.56%

LAB 76.5, 18.92, 74.4

 

CMYK 0 / 55 / 87 / 1

HEX #FC7222

RGB 252 114 34

HSL 22.02, 0.97%, 0.56%

LAB 64.04, 48.86, 64.49

 

CMYK 0 / 78 / 87 / 1

HEX #FC3722

RGB 252 55 34

HSL 5.78, 0.97%, 0.56%

LAB 55.63, 71.49, 57.83

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC22

RGB 213 252 34

HSL 70.73, 0.97%, 0.56%

LAB 93.4, -36.66, 86.7

 

CMYK 39 / 0 / 87 / 1

HEX #9AFC22

RGB 154 252 34

HSL 86.97, 0.97%, 0.56%

LAB 90.14, -58.16, 82.67

 

CMYK 62 / 0 / 87 / 1

HEX #60FC22

RGB 96 252 34

HSL 102.94, 0.97%, 0.56%

LAB 88.08, -74.15, 80.08

 

CMYK 85 / 0 / 87 / 1

HEX #25FC22

RGB 37 252 34

HSL 119.17, 0.97%, 0.56%

LAB 87.06, -82.92, 78.81

 

CMYK 87 / 0 / 64 / 1

HEX #22FC5A

RGB 34 252 90

HSL 135.41, 0.97%, 0.56%

LAB 87.34, -79.31, 61.97

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC22

RGB 213 252 34

HSL 70.73, 0.97%, 0.56%

LAB 93.4, -36.66, 86.7

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC22

RGB 213 252 34

HSL 70.73, 0.97%, 0.56%

LAB 93.4, -36.66, 86.7

 

CMYK 14 / 0 / 78 / 9

HEX #C9E934

RGB 201 233 52

HSL 70.61, 0.8%, 0.56%

LAB 87.46, -32.22, 77.18

 

CMYK 12 / 0 / 67 / 16

HEX #BED746

RGB 190 215 70

HSL 70.34, 0.64%, 0.56%

LAB 81.83, -27.31, 65.58

 

CMYK 10 / 0 / 55 / 23

HEX #B2C558

RGB 178 197 88

HSL 70.46, 0.48%, 0.56%

LAB 76.13, -22.15, 51.6

 

CMYK 7 / 0 / 40 / 30

HEX #A6B36B

RGB 166 179 107

HSL 70.83, 0.32%, 0.56%

LAB 70.46, -16.01, 35.22

 

CMYK 0 / 32 / 87 / 1

HEX #FCAC22

RGB 252 172 34

HSL 37.98, 0.97%, 0.56%

LAB 76.26, 19.44, 74.22

 

CMYK 0 / 9 / 87 / 1

HEX #FCE622

RGB 252 230 34

HSL 53.94, 0.97%, 0.56%

LAB 90.51, -10.3, 85.58

 

CMYK 15 / 0 / 87 / 1

HEX #D7FC22

RGB 215 252 34

HSL 70.18, 0.97%, 0.56%

LAB 93.53, -35.88, 86.86

 

CMYK 38 / 0 / 87 / 1

HEX #9DFC22

RGB 157 252 34

HSL 86.15, 0.97%, 0.56%

LAB 90.28, -57.16, 82.84

 

CMYK 61 / 0 / 87 / 1

HEX #63FC22

RGB 99 252 34

HSL 102.11, 0.97%, 0.56%

LAB 88.16, -73.49, 80.18

 

CMYK 18 / 0 / 99 / 22

HEX #A5C803

RGB 165 200 3

HSL 70.66, 0.97%, 0.4%

LAB 75.65, -32.64, 75.31

 

CMYK 17 / 0 / 98 / 5

HEX #C7F104

RGB 199 241 4

HSL 70.63, 0.97%, 0.48%

LAB 89.42, -37.67, 86.67

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC22

RGB 213 252 34

HSL 70.73, 0.97%, 0.56%

LAB 93.4, -36.66, 86.7

 

CMYK 12 / 0 / 70 / 1

HEX #DDFC4B

RGB 221 252 75

HSL 70.51, 0.97%, 0.64%

LAB 94.1, -32.02, 76.73

 

CMYK 10 / 0 / 55 / 1

HEX #E4FD73

RGB 228 253 115

HSL 70.87, 0.97%, 0.72%

LAB 95.15, -27.12, 62.23

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

CMYK 87 / 0 / 55 / 1

HEX #22FC72

RGB 34 252 114

HSL 142.02, 0.97%, 0.56%

LAB 87.57, -76.45, 51.95

 

CMYK 20 / 87 / 0 / 1

HEX #C922FC

RGB 201 34 252

HSL 285.96, 0.97%, 0.56%

LAB 52.5, 86.28, -72.23

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

CMYK 87 / 15 / 0 / 1

HEX #22D7FC

RGB 34 215 252

HSL 190.18, 0.97%, 0.56%

LAB 79.6, -29.62, -30.01

 

CMYK 0 / 87 / 15 / 1

HEX #FC22D7

RGB 252 34 215

HSL 310.18, 0.97%, 0.56%

LAB 58.74, 89.35, -40.96

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

CMYK 87 / 0 / 55 / 1

HEX #22FC72

RGB 34 252 114

HSL 142.02, 0.97%, 0.56%

LAB 87.57, -76.45, 51.95

 

CMYK 72 / 87 / 0 / 1

HEX #4622FC

RGB 70 34 252

HSL 249.91, 0.97%, 0.56%

LAB 36.88, 72.73, -98.47

 

CMYK 0 / 87 / 32 / 1

HEX #FC22AC

RGB 252 34 172

HSL 322.02, 0.97%, 0.56%

LAB 56.9, 84.41, -19.07

 

CMYK 15 / 0 / 87 / 1

HEX #D5FC20

RGB 213 252 32

HSL 70.64, 0.97%, 0.56%

LAB 93.39, -36.71, 87.04

 

CMYK 87 / 0 / 29 / 1

HEX #22FCB3

RGB 34 252 179

HSL 159.91, 0.97%, 0.56%

LAB 88.55, -65.01, 21.48

 

CMYK 72 / 87 / 0 / 1

HEX #4622FC

RGB 70 34 252

HSL 249.91, 0.97%, 0.56%

LAB 36.88, 72.73, -98.47

 

CMYK 0 / 87 / 58 / 1

HEX #FC226B

RGB 252 34 107

HSL 339.91, 0.97%, 0.56%

LAB 54.97, 79.03, 16.73

 

Description

Color code: HEX #D5FC20 | qconv.com Color code: HEX #D5FC20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 252 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 252 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 87 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 87% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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