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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5F439 it is the complementary color #2A0BC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5F439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5F439 shade: #DAF434, #EBFF47, #FCFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5F439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5F439 shade: #D5F439, #C4E226, #B3D013, #A2BE00 and #91AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5F439 shade: #D5F339, #F3E039, #F3AE39, #F37C39 and #F34A39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5F439 shade: #D5F339, #A2F339, #70F339, #3EF339 and #39F367

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5F439 shade matches the following richer shades: #D5F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5F439 shade: #D5F339, #C9E34A, #BED25B, #B3C16C and #A7B07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5F439 shade: #F3AC39, #F3DE39, #D8F339, #A6F339 and #74F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5F439 shade: #AECE0C, #CCF112, #D5F339, #DDF660 and #E5F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5F439 shade: #D5F439, #39F37B and #C539F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5F439 shade: #D5F439, #39D8F3 and #F339D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5F439 shade: #D5F439, #39F37B, #5539F3 and #F339B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5F439 shade: #D5F439, #39F3B2, #5539F3 and #F3397B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

Complementary color

CMYK 79 / 94 / 0 / 22

HEX #2A0BC6

RGB 42 11 198

HSL 249.95, 0.89%, 0.41%

LAB 26.18, 63.8, -85.35

 

CMYK 11 / 0 / 79 / 4

HEX #DAF434

RGB 218 244 52

HSL 68.13, 0.9%, 0.58%

LAB 91.62, -30.52, 81.35

 

CMYK 8 / 0 / 72 / 0

HEX #EBFF47

RGB 235 255 71

HSL 66.52, 1%, 0.64%

LAB 95.85, -28.08, 80.08

 

CMYK 1 / 0 / 65 / 0

HEX #FCFF5A

RGB 252 255 90

HSL 61.09, 1%, 0.68%

LAB 97.21, -20.35, 75.19

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

CMYK 13 / 0 / 83 / 11

HEX #C4E226

RGB 196 226 38

HSL 69.57, 0.76%, 0.52%

LAB 85.13, -31.46, 78.55

 

CMYK 14 / 0 / 91 / 18

HEX #B3D013

RGB 179 208 19

HSL 69.21, 0.83%, 0.45%

LAB 78.89, -30.42, 76.46

 

CMYK 15 / 0 / 100 / 25

HEX #A2BE00

RGB 162 190 0

HSL 68.84, 1%, 0.37%

LAB 72.57, -29.22, 73.22

 

CMYK 16 / 0 / 100 / 33

HEX #91AC00

RGB 145 172 0

HSL 69.42, 1%, 0.34%

LAB 66.16, -27.76, 67.88

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 0 / 8 / 77 / 5

HEX #F3E039

RGB 243 224 57

HSL 53.87, 0.89%, 0.59%

LAB 88.29, -10.45, 77.66

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 49 / 77 / 5

HEX #F37C39

RGB 243 124 57

HSL 21.61, 0.89%, 0.59%

LAB 64.78, 41.26, 55.43

 

CMYK 0 / 70 / 77 / 5

HEX #F34A39

RGB 243 74 57

HSL 5.48, 0.89%, 0.59%

LAB 56.33, 63.37, 46.81

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 33 / 0 / 77 / 5

HEX #A2F339

RGB 162 243 57

HSL 86.13, 0.89%, 0.59%

LAB 88.01, -50.99, 75.41

 

CMYK 54 / 0 / 77 / 5

HEX #70F339

RGB 112 243 57

HSL 102.26, 0.89%, 0.59%

LAB 85.93, -66.3, 72.71

 

CMYK 74 / 0 / 77 / 5

HEX #3EF339

RGB 62 243 57

HSL 118.39, 0.89%, 0.59%

LAB 84.7, -76.44, 71.1

 

CMYK 77 / 0 / 58 / 5

HEX #39F367

RGB 57 243 103

HSL 134.84, 0.89%, 0.59%

LAB 84.97, -72.83, 53.86

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 11 / 0 / 67 / 11

HEX #C9E34A

RGB 201 227 74

HSL 70.2, 0.73%, 0.59%

LAB 85.93, -28.35, 68.49

 

CMYK 10 / 0 / 57 / 18

HEX #BED25B

RGB 190 210 91

HSL 70.08, 0.57%, 0.59%

LAB 80.63, -23.44, 55.58

 

CMYK 7 / 0 / 44 / 24

HEX #B3C16C

RGB 179 193 108

HSL 69.88, 0.41%, 0.59%

LAB 75.33, -17.83, 41.04

 

CMYK 5 / 0 / 29 / 31

HEX #A7B07D

RGB 167 176 125

HSL 70.59, 0.24%, 0.59%

LAB 70, -11.74, 25.13

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DE39

RGB 243 222 57

HSL 53.23, 0.89%, 0.59%

LAB 87.77, -9.46, 77.19

 

CMYK 11 / 0 / 77 / 5

HEX #D8F339

RGB 216 243 57

HSL 68.71, 0.89%, 0.59%

LAB 91.23, -30.67, 79.57

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 52 / 0 / 77 / 5

HEX #74F339

RGB 116 243 57

HSL 100.97, 0.89%, 0.59%

LAB 86.06, -65.25, 72.88

 

CMYK 16 / 0 / 94 / 19

HEX #AECE0C

RGB 174 206 12

HSL 69.9, 0.89%, 0.43%

LAB 77.97, -31.64, 76.47

 

CMYK 15 / 0 / 93 / 5

HEX #CCF112

RGB 204 241 18

HSL 69.96, 0.89%, 0.51%

LAB 89.76, -35.55, 85.86

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 10 / 0 / 61 / 4

HEX #DDF660

RGB 221 246 96

HSL 70, 0.89%, 0.67%

LAB 92.63, -27.98, 67.33

 

CMYK 8 / 0 / 46 / 3

HEX #E5F887

RGB 229 248 135

HSL 70.09, 0.89%, 0.75%

LAB 94.12, -22.56, 51.91

 

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

CMYK 77 / 0 / 49 / 5

HEX #39F37B

RGB 57 243 123

HSL 141.29, 0.89%, 0.59%

LAB 85.2, -70.1, 44.94

 

CMYK 19 / 77 / 0 / 5

HEX #C539F3

RGB 197 57 243

HSL 285.16, 0.89%, 0.59%

LAB 53.24, 78.31, -66.03

 

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

CMYK 77 / 11 / 0 / 5

HEX #39D8F3

RGB 57 216 243

HSL 188.71, 0.89%, 0.59%

LAB 79.87, -31.13, -24.77

 

CMYK 0 / 77 / 11 / 5

HEX #F339D8

RGB 243 57 216

HSL 308.71, 0.89%, 0.59%

LAB 58.92, 82.9, -41.35

 

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

CMYK 77 / 0 / 49 / 5

HEX #39F37B

RGB 57 243 123

HSL 141.29, 0.89%, 0.59%

LAB 85.2, -70.1, 44.94

 

CMYK 65 / 77 / 0 / 5

HEX #5539F3

RGB 85 57 243

HSL 249.03, 0.89%, 0.59%

LAB 40.13, 62.18, -88

 

CMYK 0 / 77 / 27 / 5

HEX #F339B2

RGB 243 57 178

HSL 320.97, 0.89%, 0.59%

LAB 57.27, 78.07, -22.14

 

CMYK 13 / 0 / 77 / 4

HEX #D5F439

RGB 213 244 57

HSL 69.95, 0.89%, 0.59%

LAB 91.3, -32.32, 79.55

 

CMYK 77 / 0 / 27 / 5

HEX #39F3B2

RGB 57 243 178

HSL 159.03, 0.89%, 0.59%

LAB 86.1, -59.93, 18.63

 

CMYK 65 / 77 / 0 / 5

HEX #5539F3

RGB 85 57 243

HSL 249.03, 0.89%, 0.59%

LAB 40.13, 62.18, -88

 

CMYK 0 / 77 / 49 / 5

HEX #F3397B

RGB 243 57 123

HSL 338.71, 0.89%, 0.59%

LAB 55.49, 72.68, 7.63

 

Description

Color code: HEX #D5F439 | qconv.com Color code: HEX #D5F439 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 244 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 244 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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