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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E7A1 it is the complementary color #2A185E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E7A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E7A1 shade: #DAE79C, #EBF9AF, #FCFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E7A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E7A1 shade: #D5E7A1, #C4D58E, #B3C37B, #A2B168 and #919F55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E7A1 shade: #D5E7A2, #E7E6A2, #E7D3A2, #E7C1A2 and #E7AEA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E7A1 shade: #D5E7A2, #C2E7A2, #B0E7A2, #A2E7A6 and #A2E7B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E7A1 shade matches the following richer shades: #D5E7A2, #DAF098 and #DEFA8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E7A1 shade: #D5E7A2, #D1DDAB, #CCD4B5, #C7CABE and #C3C1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E7A1 shade: #E7D3A2, #E7E6A2, #D6E7A2, #C3E7A2 and #B1E7A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E7A1 shade: #B8D660, #C6DE81, #D5E7A2, #E4EFC3 and #F3F8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E7A1 shade: #D5E7A1, #A2E7C1 and #DDA2E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E7A1 shade: #D5E7A1, #A2D6E7 and #E7A2D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E7A1 shade: #D5E7A1, #A2E7C1, #B3A2E7 and #E7A2C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E7A1 shade: #D5E7A1, #A2E7D6, #B3A2E7 and #E7A2B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

Complementary color

CMYK 55 / 74 / 0 / 63

HEX #2A185E

RGB 42 24 94

HSL 255.43, 0.59%, 0.23%

LAB 15.24, 28.48, -38.69

 

CMYK 6 / 0 / 32 / 9

HEX #DAE79C

RGB 218 231 156

HSL 70.4, 0.61%, 0.76%

LAB 89.14, -16.1, 35.13

 

CMYK 6 / 0 / 30 / 2

HEX #EBF9AF

RGB 235 249 175

HSL 71.35, 0.86%, 0.83%

LAB 95.37, -16.24, 34.07

 

CMYK 1 / 0 / 24 / 0

HEX #FCFFC2

RGB 252 255 194

HSL 62.95, 1%, 0.88%

LAB 98.48, -10.5, 28.9

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

CMYK 8 / 0 / 33 / 16

HEX #C4D58E

RGB 196 213 142

HSL 74.37, 0.46%, 0.7%

LAB 82.53, -17.22, 33.25

 

CMYK 8 / 0 / 37 / 24

HEX #B3C37B

RGB 179 195 123

HSL 73.33, 0.38%, 0.62%

LAB 76.1, -17.1, 34.39

 

CMYK 8 / 0 / 41 / 31

HEX #A2B168

RGB 162 177 104

HSL 72.33, 0.32%, 0.55%

LAB 69.56, -16.94, 35.56

 

CMYK 9 / 0 / 47 / 38

HEX #919F55

RGB 145 159 85

HSL 71.35, 0.3%, 0.48%

LAB 62.9, -16.72, 36.77

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A2

RGB 213 231 162

HSL 75.65, 0.59%, 0.77%

LAB 88.88, -17.18, 31.68

 

CMYK 0 / 0 / 30 / 9

HEX #E7E6A2

RGB 231 230 162

HSL 59.13, 0.59%, 0.77%

LAB 89.95, -9.98, 33.35

 

CMYK 0 / 9 / 30 / 9

HEX #E7D3A2

RGB 231 211 162

HSL 42.61, 0.59%, 0.77%

LAB 85.09, -0.32, 26.83

 

CMYK 0 / 16 / 30 / 9

HEX #E7C1A2

RGB 231 193 162

HSL 26.96, 0.59%, 0.77%

LAB 80.59, 9.08, 20.67

 

CMYK 0 / 25 / 30 / 9

HEX #E7AEA2

RGB 231 174 162

HSL 10.43, 0.59%, 0.77%

LAB 75.99, 19.17, 14.26

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A2

RGB 213 231 162

HSL 75.65, 0.59%, 0.77%

LAB 88.88, -17.18, 31.68

 

CMYK 16 / 0 / 30 / 9

HEX #C2E7A2

RGB 194 231 162

HSL 92.17, 0.59%, 0.77%

LAB 87.6, -24.04, 29.74

 

CMYK 24 / 0 / 30 / 9

HEX #B0E7A2

RGB 176 231 162

HSL 107.83, 0.59%, 0.77%

LAB 86.5, -30.26, 28.07

 

CMYK 30 / 0 / 28 / 9

HEX #A2E7A6

RGB 162 231 166

HSL 123.48, 0.59%, 0.77%

LAB 85.8, -34.2, 24.94

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A2

RGB 213 231 162

HSL 75.65, 0.59%, 0.77%

LAB 88.88, -17.18, 31.68

 

CMYK 9 / 0 / 37 / 6

HEX #DAF098

RGB 218 240 152

HSL 75, 0.75%, 0.77%

LAB 91.46, -20.99, 40.16

 

CMYK 11 / 0 / 43 / 2

HEX #DEFA8F

RGB 222 250 143

HSL 75.7, 0.91%, 0.77%

LAB 94.26, -25.32, 48.18

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A2

RGB 213 231 162

HSL 75.65, 0.59%, 0.77%

LAB 88.88, -17.18, 31.68

 

CMYK 5 / 0 / 23 / 13

HEX #D1DDAB

RGB 209 221 171

HSL 74.4, 0.42%, 0.77%

LAB 86.11, -12.4, 23.25

 

CMYK 4 / 0 / 15 / 17

HEX #CCD4B5

RGB 204 212 181

HSL 75.48, 0.26%, 0.77%

LAB 83.58, -8.1, 14.43

 

CMYK 1 / 0 / 6 / 21

HEX #C7CABE

RGB 199 202 190

HSL 75, 0.1%, 0.77%

LAB 80.79, -3.19, 5.62

 

CMYK 3 / 4 / 0 / 22

HEX #C3C1C8

RGB 195 193 200

HSL 257.14, 0.06%, 0.77%

LAB 78.41, 2, -3.27

 

CMYK 0 / 9 / 30 / 9

HEX #E7D3A2

RGB 231 211 162

HSL 42.61, 0.59%, 0.77%

LAB 85.09, -0.32, 26.83

 

CMYK 0 / 0 / 30 / 9

HEX #E7E6A2

RGB 231 230 162

HSL 59.13, 0.59%, 0.77%

LAB 89.95, -9.98, 33.35

 

CMYK 7 / 0 / 30 / 9

HEX #D6E7A2

RGB 214 231 162

HSL 74.78, 0.59%, 0.77%

LAB 88.95, -16.81, 31.79

 

CMYK 16 / 0 / 30 / 9

HEX #C3E7A2

RGB 195 231 162

HSL 91.3, 0.59%, 0.77%

LAB 87.66, -23.69, 29.84

 

CMYK 23 / 0 / 30 / 9

HEX #B1E7A2

RGB 177 231 162

HSL 106.96, 0.59%, 0.77%

LAB 86.56, -29.92, 28.16

 

CMYK 14 / 0 / 55 / 16

HEX #B8D660

RGB 184 214 96

HSL 75.25, 0.59%, 0.61%

LAB 81.36, -27.31, 54.06

 

CMYK 11 / 0 / 42 / 13

HEX #C6DE81

RGB 198 222 129

HSL 75.48, 0.58%, 0.69%

LAB 84.91, -22.46, 42.89

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A2

RGB 213 231 162

HSL 75.65, 0.59%, 0.77%

LAB 88.88, -17.18, 31.68

 

CMYK 5 / 0 / 18 / 6

HEX #E4EFC3

RGB 228 239 195

HSL 75, 0.58%, 0.85%

LAB 92.65, -11.02, 20.09

 

CMYK 2 / 0 / 8 / 3

HEX #F3F8E3

RGB 243 248 227

HSL 74.29, 0.6%, 0.93%

LAB 96.71, -5.25, 9.51

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

CMYK 30 / 0 / 16 / 9

HEX #A2E7C1

RGB 162 231 193

HSL 146.96, 0.59%, 0.77%

LAB 86.35, -29.34, 11.67

 

CMYK 4 / 30 / 0 / 9

HEX #DDA2E7

RGB 221 162 231

HSL 291.3, 0.59%, 0.77%

LAB 74.18, 33.35, -26.23

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

CMYK 30 / 7 / 0 / 9

HEX #A2D6E7

RGB 162 214 231

HSL 194.78, 0.59%, 0.77%

LAB 82.67, -12.8, -13.79

 

CMYK 0 / 30 / 7 / 9

HEX #E7A2D6

RGB 231 162 214

HSL 314.78, 0.59%, 0.77%

LAB 74.63, 33.5, -16.17

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

CMYK 30 / 0 / 16 / 9

HEX #A2E7C1

RGB 162 231 193

HSL 146.96, 0.59%, 0.77%

LAB 86.35, -29.34, 11.67

 

CMYK 23 / 30 / 0 / 9

HEX #B3A2E7

RGB 179 162 231

HSL 254.78, 0.59%, 0.77%

LAB 70.31, 20.34, -32.5

 

CMYK 0 / 30 / 13 / 9

HEX #E7A2C8

RGB 231 162 200

HSL 326.96, 0.59%, 0.77%

LAB 74.19, 31.17, -9.15

 

CMYK 8 / 0 / 30 / 9

HEX #D5E7A1

RGB 213 231 161

HSL 75.43, 0.59%, 0.77%

LAB 88.86, -17.31, 32.17

 

CMYK 30 / 0 / 7 / 9

HEX #A2E7D6

RGB 162 231 214

HSL 165.22, 0.59%, 0.77%

LAB 86.84, -25.09, 1.37

 

CMYK 23 / 30 / 0 / 9

HEX #B3A2E7

RGB 179 162 231

HSL 254.78, 0.59%, 0.77%

LAB 70.31, 20.34, -32.5

 

CMYK 0 / 30 / 23 / 9

HEX #E7A2B3

RGB 231 162 179

HSL 345.22, 0.59%, 0.77%

LAB 73.6, 27.94, 1.54

 

Description

Color code: HEX #D5E7A1 | qconv.com Color code: HEX #D5E7A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 231 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 231 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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