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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E794 it is the complementary color #2A186B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E794 shade: #DAE78F, #EBF9A2, #FCFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E794 shade: #D5E794, #C4D581, #B3C36E, #A2B15B and #919F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E794 shade: #D4E692, #E6E292, #E6CB92, #E6B592 and #E69E92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E794 shade: #D4E692, #BDE692, #A7E692, #92E695 and #92E6AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E794 shade matches the following richer shades: #D4E692, #DAF188 and #E0FB7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E794 shade: #D4E692, #CEDB9D, #C8D1A8, #C2C6B3 and #BCBBBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E794 shade: #E6CC92, #E6E292, #D4E692, #BEE692 and #A7E692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E794 shade: #B9D74F, #C7DE71, #D4E692, #E1EEB4 and #EEF5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E794 shade: #D5E794, #92E6B5 and #D792E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E794 shade: #D5E794, #92D4E6 and #E692D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E794 shade: #D5E794, #92E6B5, #A592E6 and #E692C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E794 shade: #D5E794, #92E6CE, #A592E6 and #E692AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

Complementary color

CMYK 61 / 78 / 0 / 58

HEX #2A186B

RGB 42 24 107

HSL 253.01, 0.63%, 0.26%

LAB 16.54, 32.72, -45.15

 

CMYK 6 / 0 / 38 / 9

HEX #DAE78F

RGB 218 231 143

HSL 68.86, 0.65%, 0.73%

LAB 88.94, -17.66, 41.39

 

CMYK 6 / 0 / 35 / 2

HEX #EBF9A2

RGB 235 249 162

HSL 69.66, 0.88%, 0.81%

LAB 95.17, -17.85, 40.27

 

CMYK 1 / 0 / 29 / 0

HEX #FCFFB5

RGB 252 255 181

HSL 62.43, 1%, 0.85%

LAB 98.25, -12.18, 35.13

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

CMYK 8 / 0 / 39 / 16

HEX #C4D581

RGB 196 213 129

HSL 72.14, 0.5%, 0.67%

LAB 82.33, -18.81, 39.59

 

CMYK 8 / 0 / 44 / 24

HEX #B3C36E

RGB 179 195 110

HSL 71.29, 0.41%, 0.6%

LAB 75.91, -18.62, 40.76

 

CMYK 8 / 0 / 49 / 31

HEX #A2B15B

RGB 162 177 91

HSL 70.47, 0.36%, 0.53%

LAB 69.38, -18.36, 41.94

 

CMYK 9 / 0 / 55 / 38

HEX #919F48

RGB 145 159 72

HSL 69.66, 0.38%, 0.45%

LAB 62.75, -18.02, 43.08

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 0 / 2 / 37 / 10

HEX #E6E292

RGB 230 226 146

HSL 57.14, 0.63%, 0.74%

LAB 88.59, -10.25, 39.62

 

CMYK 0 / 12 / 37 / 10

HEX #E6CB92

RGB 230 203 146

HSL 40.71, 0.63%, 0.74%

LAB 82.71, 1.49, 31.93

 

CMYK 0 / 21 / 37 / 10

HEX #E6B592

RGB 230 181 146

HSL 25, 0.63%, 0.74%

LAB 77.25, 13.06, 24.61

 

CMYK 0 / 31 / 37 / 10

HEX #E69E92

RGB 230 158 146

HSL 8.57, 0.63%, 0.74%

LAB 71.79, 25.34, 17.13

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 18 / 0 / 37 / 10

HEX #BDE692

RGB 189 230 146

HSL 89.29, 0.63%, 0.74%

LAB 86.75, -27.55, 36.66

 

CMYK 27 / 0 / 37 / 10

HEX #A7E692

RGB 167 230 146

HSL 105, 0.63%, 0.74%

LAB 85.45, -35.2, 34.72

 

CMYK 37 / 0 / 35 / 10

HEX #92E695

RGB 146 230 149

HSL 122.14, 0.63%, 0.74%

LAB 84.42, -41.49, 31.64

 

CMYK 37 / 0 / 26 / 10

HEX #92E6AB

RGB 146 230 171

HSL 137.86, 0.63%, 0.74%

LAB 84.81, -37.76, 20.87

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 10 / 0 / 44 / 5

HEX #DAF188

RGB 218 241 136

HSL 73.14, 0.79%, 0.74%

LAB 91.5, -23.28, 48.03

 

CMYK 11 / 0 / 50 / 2

HEX #E0FB7D

RGB 224 251 125

HSL 72.86, 0.94%, 0.74%

LAB 94.45, -26.84, 56.87

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 6 / 0 / 28 / 14

HEX #CEDB9D

RGB 206 219 157

HSL 72.58, 0.46%, 0.74%

LAB 85.11, -14.48, 29.1

 

CMYK 4 / 0 / 20 / 18

HEX #C8D1A8

RGB 200 209 168

HSL 73.17, 0.31%, 0.74%

LAB 82.22, -10.05, 19.35

 

CMYK 2 / 0 / 10 / 22

HEX #C2C6B3

RGB 194 198 179

HSL 72.63, 0.14%, 0.74%

LAB 79.11, -4.76, 9.04

 

CMYK 1 / 1 / 0 / 26

HEX #BCBBBD

RGB 188 187 189

HSL 270, 0.01%, 0.74%

LAB 76.01, 0.72, -0.89

 

CMYK 0 / 11 / 37 / 10

HEX #E6CC92

RGB 230 204 146

HSL 41.43, 0.63%, 0.74%

LAB 82.96, 0.97, 32.26

 

CMYK 0 / 2 / 37 / 10

HEX #E6E292

RGB 230 226 146

HSL 57.14, 0.63%, 0.74%

LAB 88.59, -10.25, 39.62

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 17 / 0 / 37 / 10

HEX #BEE692

RGB 190 230 146

HSL 88.57, 0.63%, 0.74%

LAB 86.81, -27.19, 36.76

 

CMYK 27 / 0 / 37 / 10

HEX #A7E692

RGB 167 230 146

HSL 105, 0.63%, 0.74%

LAB 85.45, -35.2, 34.72

 

CMYK 14 / 0 / 63 / 16

HEX #B9D74F

RGB 185 215 79

HSL 73.24, 0.63%, 0.58%

LAB 81.55, -28.73, 61.64

 

CMYK 10 / 0 / 49 / 13

HEX #C7DE71

RGB 199 222 113

HSL 72.66, 0.62%, 0.66%

LAB 84.78, -23.75, 50.47

 

CMYK 8 / 0 / 37 / 10

HEX #D4E692

RGB 212 230 146

HSL 72.86, 0.63%, 0.74%

LAB 88.29, -19.09, 38.97

 

CMYK 5 / 0 / 24 / 7

HEX #E1EEB4

RGB 225 238 180

HSL 73.45, 0.63%, 0.82%

LAB 91.89, -13.79, 26.71

 

CMYK 3 / 0 / 13 / 4

HEX #EEF5D6

RGB 238 245 214

HSL 73.55, 0.61%, 0.9%

LAB 95.3, -7.57, 14.14

 

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

CMYK 37 / 0 / 21 / 10

HEX #92E6B5

RGB 146 230 181

HSL 145, 0.63%, 0.74%

LAB 85.02, -35.89, 15.95

 

CMYK 7 / 37 / 0 / 10

HEX #D792E6

RGB 215 146 230

HSL 289.29, 0.63%, 0.74%

LAB 69.98, 39.88, -32.2

 

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

CMYK 37 / 8 / 0 / 10

HEX #92D4E6

RGB 146 212 230

HSL 192.86, 0.63%, 0.74%

LAB 81.24, -16.38, -15.49

 

CMYK 0 / 37 / 8 / 10

HEX #E692D4

RGB 230 146 212

HSL 312.86, 0.63%, 0.74%

LAB 70.96, 41.3, -20.62

 

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

CMYK 37 / 0 / 21 / 10

HEX #92E6B5

RGB 146 230 181

HSL 145, 0.63%, 0.74%

LAB 85.02, -35.89, 15.95

 

CMYK 28 / 37 / 0 / 10

HEX #A592E6

RGB 165 146 230

HSL 253.57, 0.63%, 0.74%

LAB 65.18, 25.04, -40.03

 

CMYK 0 / 37 / 15 / 10

HEX #E692C3

RGB 230 146 195

HSL 325, 0.63%, 0.74%

LAB 70.4, 38.51, -12.06

 

CMYK 8 / 0 / 36 / 9

HEX #D5E794

RGB 213 231 148

HSL 73.01, 0.63%, 0.74%

LAB 88.66, -18.96, 38.46

 

CMYK 37 / 0 / 10 / 10

HEX #92E6CE

RGB 146 230 206

HSL 162.86, 0.63%, 0.74%

LAB 85.59, -30.79, 3.65

 

CMYK 28 / 37 / 0 / 10

HEX #A592E6

RGB 165 146 230

HSL 253.57, 0.63%, 0.74%

LAB 65.18, 25.04, -40.03

 

CMYK 0 / 37 / 26 / 10

HEX #E692AA

RGB 230 146 170

HSL 342.86, 0.63%, 0.74%

LAB 69.67, 34.81, 0.79

 

Description

Color code: HEX #D5E794 | qconv.com Color code: HEX #D5E794 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 231 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 231 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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