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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E770 it is the complementary color #2A188F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E770 shade: #DAE76B, #EBF97E, #FCFF91, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E770 shade: #D5E770, #C4D55D, #B3C34A, #A2B137 and #919F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E770 shade: #D4E66F, #E6D86F, #E6B86F, #E6986F and #E6776F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E770 shade: #D4E66F, #B4E66F, #94E66F, #73E66F and #6FE68A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E770 shade matches the following richer shades: #D4E66F and #DEF461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E770 shade: #D4E66F, #CBD87C, #C1CB8A, #B8BD97 and #AEB0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E770 shade: #E6B86F, #E6D86F, #D4E66F, #B4E66F and #94E66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E770 shade: #BFDA28, #CAE04B, #D4E66F, #DEEC92 and #E9F2B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E770 shade: #D5E770, #6FE698 and #C86FE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E770 shade: #D5E770, #6FD4E6 and #E66FD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E770 shade: #D5E770, #6FE698, #816FE6 and #E66FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E770 shade: #D5E770, #6FE6BC, #816FE6 and #E66F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

Complementary color

CMYK 71 / 83 / 0 / 44

HEX #2A188F

RGB 42 24 143

HSL 249.08, 0.71%, 0.33%

LAB 20.55, 44.15, -61.47

 

CMYK 6 / 0 / 54 / 9

HEX #DAE76B

RGB 218 231 107

HSL 66.29, 0.72%, 0.66%

LAB 88.5, -21.19, 57.95

 

CMYK 6 / 0 / 49 / 2

HEX #EBF97E

RGB 235 249 126

HSL 66.83, 0.91%, 0.74%

LAB 94.7, -21.59, 56.9

 

CMYK 1 / 0 / 43 / 0

HEX #FCFF91

RGB 252 255 145

HSL 61.64, 1%, 0.78%

LAB 97.74, -16.17, 52.01

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

CMYK 8 / 0 / 56 / 16

HEX #C4D55D

RGB 196 213 93

HSL 68.5, 0.59%, 0.6%

LAB 81.9, -22.34, 56.25

 

CMYK 8 / 0 / 62 / 24

HEX #B3C34A

RGB 179 195 74

HSL 67.93, 0.5%, 0.53%

LAB 75.52, -21.85, 57.13

 

CMYK 8 / 0 / 69 / 31

HEX #A2B137

RGB 162 177 55

HSL 67.38, 0.53%, 0.45%

LAB 69.04, -21.23, 57.7

 

CMYK 9 / 0 / 77 / 38

HEX #919F24

RGB 145 159 36

HSL 66.83, 0.63%, 0.38%

LAB 62.46, -20.44, 57.69

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 0 / 6 / 52 / 10

HEX #E6D86F

RGB 230 216 111

HSL 52.94, 0.7%, 0.67%

LAB 85.55, -8.64, 52.9

 

CMYK 0 / 20 / 52 / 10

HEX #E6B86F

RGB 230 184 111

HSL 36.81, 0.7%, 0.67%

LAB 77.43, 7.9, 43.11

 

CMYK 0 / 34 / 52 / 10

HEX #E6986F

RGB 230 152 111

HSL 20.67, 0.7%, 0.67%

LAB 69.77, 24.92, 33.48

 

CMYK 0 / 48 / 52 / 10

HEX #E6776F

RGB 230 119 111

HSL 4.03, 0.7%, 0.67%

LAB 62.65, 42.15, 24.16

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 22 / 0 / 52 / 10

HEX #B4E66F

RGB 180 230 111

HSL 85.21, 0.7%, 0.67%

LAB 85.73, -34.89, 52.24

 

CMYK 36 / 0 / 52 / 10

HEX #94E66F

RGB 148 230 111

HSL 101.34, 0.7%, 0.67%

LAB 83.99, -46.01, 49.74

 

CMYK 50 / 0 / 52 / 10

HEX #73E66F

RGB 115 230 111

HSL 117.98, 0.7%, 0.67%

LAB 82.59, -55.83, 47.72

 

CMYK 52 / 0 / 40 / 10

HEX #6FE68A

RGB 111 230 138

HSL 133.61, 0.7%, 0.67%

LAB 82.81, -52.97, 34.82

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 9 / 0 / 60 / 4

HEX #DEF461

RGB 222 244 97

HSL 68.98, 0.87%, 0.67%

LAB 92.17, -26.58, 66.44

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 6 / 0 / 43 / 15

HEX #CBD87C

RGB 203 216 124

HSL 68.48, 0.54%, 0.67%

LAB 83.58, -18.14, 43.76

 

CMYK 5 / 0 / 32 / 20

HEX #C1CB8A

RGB 193 203 138

HSL 69.23, 0.38%, 0.67%

LAB 79.55, -13.85, 31.34

 

CMYK 3 / 0 / 20 / 26

HEX #B8BD97

RGB 184 189 151

HSL 67.89, 0.22%, 0.67%

LAB 75.34, -8.23, 18.67

 

CMYK 1 / 0 / 6 / 31

HEX #AEB0A5

RGB 174 176 165

HSL 70.91, 0.07%, 0.67%

LAB 71.4, -2.72, 5.38

 

CMYK 0 / 20 / 52 / 10

HEX #E6B86F

RGB 230 184 111

HSL 36.81, 0.7%, 0.67%

LAB 77.43, 7.9, 43.11

 

CMYK 0 / 6 / 52 / 10

HEX #E6D86F

RGB 230 216 111

HSL 52.94, 0.7%, 0.67%

LAB 85.55, -8.64, 52.9

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 22 / 0 / 52 / 10

HEX #B4E66F

RGB 180 230 111

HSL 85.21, 0.7%, 0.67%

LAB 85.73, -34.89, 52.24

 

CMYK 36 / 0 / 52 / 10

HEX #94E66F

RGB 148 230 111

HSL 101.34, 0.7%, 0.67%

LAB 83.99, -46.01, 49.74

 

CMYK 12 / 0 / 82 / 15

HEX #BFDA28

RGB 191 218 40

HSL 69.1, 0.71%, 0.51%

LAB 82.58, -29.69, 75.76

 

CMYK 10 / 0 / 67 / 12

HEX #CAE04B

RGB 202 224 75

HSL 68.86, 0.71%, 0.59%

LAB 85.19, -26.48, 67.38

 

CMYK 8 / 0 / 52 / 10

HEX #D4E66F

RGB 212 230 111

HSL 69.08, 0.7%, 0.67%

LAB 87.84, -22.73, 55.26

 

CMYK 6 / 0 / 38 / 7

HEX #DEEC92

RGB 222 236 146

HSL 69.33, 0.7%, 0.75%

LAB 90.6, -18.25, 42.08

 

CMYK 4 / 0 / 25 / 5

HEX #E9F2B5

RGB 233 242 181

HSL 68.85, 0.7%, 0.83%

LAB 93.52, -12.73, 28.52

 

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

CMYK 52 / 0 / 34 / 10

HEX #6FE698

RGB 111 230 152

HSL 140.67, 0.7%, 0.67%

LAB 83.04, -50.59, 28.02

 

CMYK 13 / 52 / 0 / 10

HEX #C86FE6

RGB 200 111 230

HSL 284.87, 0.7%, 0.67%

LAB 61.1, 53.84, -46.19

 

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

CMYK 52 / 8 / 0 / 10

HEX #6FD4E6

RGB 111 212 230

HSL 189.08, 0.7%, 0.67%

LAB 79.72, -24.66, -17.94

 

CMYK 0 / 52 / 8 / 10

HEX #E66FD4

RGB 230 111 212

HSL 309.08, 0.7%, 0.67%

LAB 64.12, 58.84, -31.13

 

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

CMYK 52 / 0 / 34 / 10

HEX #6FE698

RGB 111 230 152

HSL 140.67, 0.7%, 0.67%

LAB 83.04, -50.59, 28.02

 

CMYK 44 / 52 / 0 / 10

HEX #816FE6

RGB 129 111 230

HSL 249.08, 0.7%, 0.67%

LAB 53.76, 36, -58.32

 

CMYK 0 / 52 / 18 / 10

HEX #E66FBC

RGB 230 111 188

HSL 321.18, 0.7%, 0.67%

LAB 63.2, 55.13, -19

 

CMYK 8 / 0 / 52 / 9

HEX #D5E770

RGB 213 231 112

HSL 69.08, 0.71%, 0.67%

LAB 88.19, -22.73, 55.23

 

CMYK 52 / 0 / 18 / 10

HEX #6FE6BC

RGB 111 230 188

HSL 158.82, 0.7%, 0.67%

LAB 83.76, -43.41, 10.3

 

CMYK 44 / 52 / 0 / 10

HEX #816FE6

RGB 129 111 230

HSL 249.08, 0.7%, 0.67%

LAB 53.76, 36, -58.32

 

CMYK 0 / 52 / 34 / 10

HEX #E66F98

RGB 230 111 152

HSL 339.33, 0.7%, 0.67%

LAB 62.05, 50.33, -0.14

 

Description

Color code: HEX #D5E770 | qconv.com Color code: HEX #D5E770 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 231 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 231 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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