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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E75F it is the complementary color #2A18A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E75F shade: #DAE75A, #EBF96D, #FCFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E75F shade: #D5E75F, #C4D54C, #B3C339, #A2B126 and #919F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E75F shade: #D5E75F, #E7D45F, #E7AF5F, #E78B5F and #E7665F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E75F shade: #D5E75F, #B0E75F, #8BE75F, #67E75F and #5FE77B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E75F shade matches the following richer shades: #D5E75F and #E0F550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E75F shade: #D5E75F, #CAD86E, #BFC97C, #B4BA8B and #A9AB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E75F shade: #E7AE5F, #E7D25F, #D7E75F, #B3E75F and #8EE75F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E75F shade: #BCD41F, #CBE13B, #D5E75F, #DEEC83 and #E7F1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E75F shade: #D5E75F, #5FE78A and #C05FE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E75F shade: #D5E75F, #5FD7E7 and #E75FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E75F shade: #D5E75F, #5FE78A, #6F5FE7 and #E75FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E75F shade: #D5E75F, #5FE7B3, #6F5FE7 and #E75F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

Complementary color

CMYK 74 / 85 / 0 / 37

HEX #2A18A0

RGB 42 24 160

HSL 247.94, 0.74%, 0.36%

LAB 22.6, 49.3, -68.56

 

CMYK 6 / 0 / 61 / 9

HEX #DAE75A

RGB 218 231 90

HSL 65.53, 0.75%, 0.63%

LAB 88.35, -22.46, 65.11

 

CMYK 6 / 0 / 56 / 2

HEX #EBF96D

RGB 235 249 109

HSL 66, 0.92%, 0.7%

LAB 94.53, -22.98, 64.26

 

CMYK 1 / 0 / 50 / 0

HEX #FCFF80

RGB 252 255 128

HSL 61.42, 1%, 0.75%

LAB 97.54, -17.71, 59.65

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 8 / 0 / 64 / 16

HEX #C4D54C

RGB 196 213 76

HSL 67.45, 0.62%, 0.57%

LAB 81.75, -23.56, 63.3

 

CMYK 8 / 0 / 71 / 24

HEX #B3C339

RGB 179 195 57

HSL 66.96, 0.55%, 0.49%

LAB 75.39, -22.89, 63.69

 

CMYK 8 / 0 / 79 / 31

HEX #A2B126

RGB 162 177 38

HSL 66.47, 0.65%, 0.42%

LAB 68.94, -22.06, 63.46

 

CMYK 9 / 0 / 88 / 38

HEX #919F13

RGB 145 159 19

HSL 66, 0.79%, 0.35%

LAB 62.39, -21.02, 62.14

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 0 / 8 / 59 / 9

HEX #E7D45F

RGB 231 212 95

HSL 51.62, 0.74%, 0.64%

LAB 84.43, -7.43, 58.97

 

CMYK 0 / 24 / 59 / 9

HEX #E7AF5F

RGB 231 175 95

HSL 35.29, 0.74%, 0.64%

LAB 75.12, 11.79, 48.31

 

CMYK 0 / 40 / 59 / 9

HEX #E78B5F

RGB 231 139 95

HSL 19.41, 0.74%, 0.64%

LAB 66.73, 30.92, 38.22

 

CMYK 0 / 56 / 59 / 9

HEX #E7665F

RGB 231 102 95

HSL 3.09, 0.74%, 0.64%

LAB 59.27, 49.55, 28.82

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 24 / 0 / 59 / 9

HEX #B0E75F

RGB 176 231 95

HSL 84.26, 0.74%, 0.64%

LAB 85.61, -38.29, 59.2

 

CMYK 40 / 0 / 59 / 9

HEX #8BE75F

RGB 139 231 95

HSL 100.59, 0.74%, 0.64%

LAB 83.69, -51.01, 56.5

 

CMYK 55 / 0 / 59 / 9

HEX #67E75F

RGB 103 231 95

HSL 116.47, 0.74%, 0.64%

LAB 82.3, -61.18, 54.56

 

CMYK 59 / 0 / 47 / 9

HEX #5FE77B

RGB 95 231 123

HSL 132.35, 0.74%, 0.64%

LAB 82.39, -59.42, 41.59

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 9 / 0 / 67 / 4

HEX #E0F550

RGB 224 245 80

HSL 67.64, 0.89%, 0.64%

LAB 92.46, -27.33, 73.4

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 6 / 0 / 49 / 15

HEX #CAD86E

RGB 202 216 110

HSL 67.92, 0.58%, 0.64%

LAB 83.33, -19.94, 50.21

 

CMYK 5 / 0 / 38 / 21

HEX #BFC97C

RGB 191 201 124

HSL 67.79, 0.42%, 0.64%

LAB 78.64, -15.33, 37.33

 

CMYK 3 / 0 / 25 / 27

HEX #B4BA8B

RGB 180 186 139

HSL 67.66, 0.25%, 0.64%

LAB 73.99, -9.96, 23.19

 

CMYK 1 / 0 / 10 / 33

HEX #A9AB9A

RGB 169 171 154

HSL 67.06, 0.09%, 0.64%

LAB 69.39, -3.79, 8.51

 

CMYK 0 / 25 / 59 / 9

HEX #E7AE5F

RGB 231 174 95

HSL 34.85, 0.74%, 0.64%

LAB 74.88, 12.32, 48.02

 

CMYK 0 / 9 / 59 / 9

HEX #E7D25F

RGB 231 210 95

HSL 50.74, 0.74%, 0.64%

LAB 83.92, -6.42, 58.39

 

CMYK 7 / 0 / 59 / 9

HEX #D7E75F

RGB 215 231 95

HSL 67.06, 0.74%, 0.64%

LAB 88.17, -23.31, 62.76

 

CMYK 23 / 0 / 59 / 9

HEX #B3E75F

RGB 179 231 95

HSL 82.94, 0.74%, 0.64%

LAB 85.79, -37.19, 59.44

 

CMYK 39 / 0 / 59 / 9

HEX #8EE75F

RGB 142 231 95

HSL 99.26, 0.74%, 0.64%

LAB 83.82, -50.05, 56.7

 

CMYK 11 / 0 / 85 / 17

HEX #BCD41F

RGB 188 212 31

HSL 67.96, 0.74%, 0.48%

LAB 80.67, -28.35, 76.08

 

CMYK 10 / 0 / 74 / 12

HEX #CBE13B

RGB 203 225 59

HSL 67.95, 0.73%, 0.56%

LAB 85.43, -27.38, 73.26

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 6 / 0 / 44 / 7

HEX #DEEC83

RGB 222 236 131

HSL 68, 0.73%, 0.72%

LAB 90.39, -19.86, 49.12

 

CMYK 4 / 0 / 31 / 5

HEX #E7F1A7

RGB 231 241 167

HSL 68.11, 0.73%, 0.8%

LAB 92.88, -14.81, 34.71

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 59 / 0 / 40 / 9

HEX #5FE78A

RGB 95 231 138

HSL 138.97, 0.74%, 0.64%

LAB 82.6, -57.05, 34.45

 

CMYK 17 / 59 / 0 / 9

HEX #C05FE7

RGB 192 95 231

HSL 282.79, 0.74%, 0.64%

LAB 57.23, 59.83, -52.95

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 59 / 7 / 0 / 9

HEX #5FD7E7

RGB 95 215 231

HSL 187.06, 0.74%, 0.64%

LAB 80.07, -28.94, -17.99

 

CMYK 0 / 59 / 7 / 9

HEX #E75FD7

RGB 231 95 215

HSL 307.06, 0.74%, 0.64%

LAB 61.72, 66.76, -36.53

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 59 / 0 / 40 / 9

HEX #5FE78A

RGB 95 231 138

HSL 138.97, 0.74%, 0.64%

LAB 82.6, -57.05, 34.45

 

CMYK 52 / 59 / 0 / 9

HEX #6F5FE7

RGB 111 95 231

HSL 247.06, 0.74%, 0.64%

LAB 48.68, 41.88, -67.15

 

CMYK 0 / 59 / 19 / 9

HEX #E75FBC

RGB 231 95 188

HSL 318.97, 0.74%, 0.64%

LAB 60.61, 62.71, -22.94

 

CMYK 8 / 0 / 59 / 9

HEX #D5E75F

RGB 213 231 95

HSL 67.94, 0.74%, 0.64%

LAB 88.03, -24.1, 62.56

 

CMYK 59 / 0 / 23 / 9

HEX #5FE7B3

RGB 95 231 179

HSL 157.06, 0.74%, 0.64%

LAB 83.36, -49.15, 14.38

 

CMYK 52 / 59 / 0 / 9

HEX #6F5FE7

RGB 111 95 231

HSL 247.06, 0.74%, 0.64%

LAB 48.68, 41.88, -67.15

 

CMYK 0 / 59 / 36 / 9

HEX #E75F93

RGB 231 95 147

HSL 337.06, 0.74%, 0.64%

LAB 59.23, 57.51, -1.35

 

Description

Color code: HEX #D5E75F | qconv.com Color code: HEX #D5E75F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 231 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 231 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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