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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E5C8 it is the complementary color #2A1A37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E5C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E5C8 shade: #DAE5C3, #EBF7D6, #FCFFE9, #FFFFFC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E5C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E5C8 shade: #D5E5C8, #C4D3B5, #B3C1A2, #A2AF8F and #919D7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E5C8 shade: #D5E5C8, #DDE5C8, #E5E5C8, #E5DDC8 and #E5D5C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E5C8 shade: #D5E5C8, #CDE5C8, #C8E5CA, #C8E5D2 and #C8E5DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E5C8 shade matches the following richer shades: #D5E5C8, #D4EBC1, #D3F2BA and #D3F9B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E5C8 shade: #D5E5C8, #D5DECE, #D6D8D5, #D7D1DB and #D7CAE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E5C8 shade: #E4E5C8, #DDE5C8, #D5E5C8, #CDE5C8 and #C8E5CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E5C8 shade: #AACA8F, #BFD8AB, #D5E5C8, #EAF2E4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E5C8 shade: #D5E5C8, #C8E5DE and #E5C8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E5C8 shade: #D5E5C8, #C8D5E5 and #E5C8D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E5C8 shade: #D5E5C8, #C8E5DE, #D8C8E5 and #E5C8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E5C8 shade: #D5E5C8, #C8E3E5, #D8C8E5 and #E5C9C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

Complementary color

CMYK 24 / 53 / 0 / 78

HEX #2A1A37

RGB 42 26 55

HSL 273.1, 0.36%, 0.16%

LAB 12.65, 14.86, -15.95

 

CMYK 5 / 0 / 15 / 10

HEX #DAE5C3

RGB 218 229 195

HSL 79.41, 0.4%, 0.83%

LAB 89.34, -9.54, 15.35

 

CMYK 5 / 0 / 13 / 3

HEX #EBF7D6

RGB 235 247 214

HSL 81.82, 0.67%, 0.9%

LAB 95.6, -9.61, 14.53

 

CMYK 1 / 0 / 9 / 0

HEX #FCFFE9

RGB 252 255 233

HSL 68.18, 1%, 0.96%

LAB 99.26, -4.71, 10.16

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 7 / 0 / 14 / 17

HEX #C4D3B5

RGB 196 211 181

HSL 90, 0.25%, 0.77%

LAB 82.73, -10.44, 13.15

 

CMYK 7 / 0 / 16 / 24

HEX #B3C1A2

RGB 179 193 162

HSL 87.1, 0.2%, 0.7%

LAB 76.27, -10.41, 14

 

CMYK 7 / 0 / 18 / 31

HEX #A2AF8F

RGB 162 175 143

HSL 84.38, 0.17%, 0.62%

LAB 69.7, -10.37, 14.9

 

CMYK 8 / 0 / 21 / 38

HEX #919D7C

RGB 145 157 124

HSL 81.82, 0.14%, 0.55%

LAB 63, -10.34, 15.86

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 3 / 0 / 13 / 10

HEX #DDE5C8

RGB 221 229 200

HSL 76.55, 0.36%, 0.84%

LAB 89.66, -7.68, 13.23

 

CMYK 0 / 0 / 13 / 10

HEX #E5E5C8

RGB 229 229 200

HSL 60, 0.36%, 0.84%

LAB 90.26, -4.86, 14.16

 

CMYK 0 / 3 / 13 / 10

HEX #E5DDC8

RGB 229 221 200

HSL 43.45, 0.36%, 0.84%

LAB 88.23, -0.77, 11.28

 

CMYK 0 / 7 / 13 / 10

HEX #E5D5C8

RGB 229 213 200

HSL 26.9, 0.36%, 0.84%

LAB 86.21, 3.37, 8.4

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 10 / 0 / 13 / 10

HEX #CDE5C8

RGB 205 229 200

HSL 109.66, 0.36%, 0.84%

LAB 88.54, -13.21, 11.48

 

CMYK 13 / 0 / 12 / 10

HEX #C8E5CA

RGB 200 229 202

HSL 124.14, 0.36%, 0.84%

LAB 88.25, -14.55, 9.97

 

CMYK 13 / 0 / 8 / 10

HEX #C8E5D2

RGB 200 229 210

HSL 140.69, 0.36%, 0.84%

LAB 88.43, -13.11, 6.05

 

CMYK 13 / 0 / 5 / 10

HEX #C8E5DA

RGB 200 229 218

HSL 157.24, 0.36%, 0.84%

LAB 88.63, -11.62, 2.14

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 10 / 0 / 18 / 8

HEX #D4EBC1

RGB 212 235 193

HSL 92.86, 0.51%, 0.84%

LAB 90.44, -14.96, 17.88

 

CMYK 13 / 0 / 23 / 5

HEX #D3F2BA

RGB 211 242 186

HSL 93.21, 0.68%, 0.84%

LAB 92.09, -19.84, 23.75

 

CMYK 15 / 0 / 28 / 2

HEX #D3F9B4

RGB 211 249 180

HSL 93.04, 0.85%, 0.84%

LAB 93.84, -24.12, 29.2

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 4 / 0 / 7 / 13

HEX #D5DECE

RGB 213 222 206

HSL 93.75, 0.2%, 0.84%

LAB 87.41, -5.89, 6.79

 

CMYK 1 / 0 / 1 / 15

HEX #D6D8D5

RGB 214 216 213

HSL 100, 0.04%, 0.84%

LAB 86.11, -1.22, 1.23

 

CMYK 2 / 5 / 0 / 14

HEX #D7D1DB

RGB 215 209 219

HSL 276, 0.12%, 0.84%

LAB 84.57, 3.88, -4.21

 

CMYK 5 / 11 / 0 / 11

HEX #D7CAE2

RGB 215 202 226

HSL 272.5, 0.29%, 0.84%

LAB 83.01, 8.89, -10.25

 

CMYK 0 / 0 / 13 / 10

HEX #E4E5C8

RGB 228 229 200

HSL 62.07, 0.36%, 0.84%

LAB 90.18, -5.22, 14.04

 

CMYK 3 / 0 / 13 / 10

HEX #DDE5C8

RGB 221 229 200

HSL 76.55, 0.36%, 0.84%

LAB 89.66, -7.68, 13.23

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 10 / 0 / 13 / 10

HEX #CDE5C8

RGB 205 229 200

HSL 109.66, 0.36%, 0.84%

LAB 88.54, -13.21, 11.48

 

CMYK 13 / 0 / 12 / 10

HEX #C8E5CA

RGB 200 229 202

HSL 124.14, 0.36%, 0.84%

LAB 88.25, -14.55, 9.97

 

CMYK 16 / 0 / 29 / 21

HEX #AACA8F

RGB 170 202 143

HSL 92.54, 0.36%, 0.68%

LAB 77.74, -21.24, 26.03

 

CMYK 12 / 0 / 21 / 15

HEX #BFD8AB

RGB 191 216 171

HSL 93.33, 0.37%, 0.76%

LAB 83.51, -16.37, 19.46

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 3 / 0 / 6 / 5

HEX #EAF2E4

RGB 234 242 228

HSL 94.29, 0.35%, 0.92%

LAB 94.57, -5.11, 5.82

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 13 / 0 / 3 / 10

HEX #C8E5DE

RGB 200 229 222

HSL 165.52, 0.36%, 0.84%

LAB 88.73, -10.85, 0.18

 

CMYK 0 / 13 / 2 / 10

HEX #E5C8E0

RGB 229 200 224

HSL 310.34, 0.36%, 0.84%

LAB 83.63, 14.29, -8.14

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 13 / 7 / 0 / 10

HEX #C8D5E5

RGB 200 213 229

HSL 213.1, 0.36%, 0.84%

LAB 84.75, -1.22, -9.37

 

CMYK 0 / 13 / 7 / 10

HEX #E5C8D5

RGB 229 200 213

HSL 333.1, 0.36%, 0.84%

LAB 83.32, 12.36, -2.71

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 13 / 0 / 3 / 10

HEX #C8E5DE

RGB 200 229 222

HSL 165.52, 0.36%, 0.84%

LAB 88.73, -10.85, 0.18

 

CMYK 6 / 13 / 0 / 10

HEX #D8C8E5

RGB 216 200 229

HSL 273.1, 0.36%, 0.84%

LAB 82.68, 10.87, -12.33

 

CMYK 0 / 13 / 10 / 10

HEX #E5C8CF

RGB 229 200 207

HSL 345.52, 0.36%, 0.84%

LAB 83.16, 11.34, 0.27

 

CMYK 7 / 0 / 13 / 10

HEX #D5E5C8

RGB 213 229 200

HSL 93.1, 0.36%, 0.84%

LAB 89.09, -10.47, 12.34

 

CMYK 13 / 1 / 0 / 10

HEX #C8E3E5

RGB 200 227 229

HSL 184.14, 0.36%, 0.84%

LAB 88.39, -8.46, -3.99

 

CMYK 6 / 13 / 0 / 10

HEX #D8C8E5

RGB 216 200 229

HSL 273.1, 0.36%, 0.84%

LAB 82.68, 10.87, -12.33

 

CMYK 0 / 12 / 13 / 10

HEX #E5C9C8

RGB 229 201 200

HSL 2.07, 0.36%, 0.84%

LAB 83.23, 9.66, 4.1

 

Description

Color code: HEX #D5E5C8 | qconv.com Color code: HEX #D5E5C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 229 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 229 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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