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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E523 it is the complementary color #2A1ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E523 shade: #DAE51E, #EBF731, #FCFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E523 shade: #D5E523, #C4D310, #B3C100, #A2AF00 and #919D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E523 shade: #D5E523, #E5C123, #E58C23, #E55823 and #E52423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E523 shade: #D5E523, #A1E523, #6DE523, #38E523 and #23E543

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E523 shade matches the following richer shades: #D5E523 and #E5F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E523 shade: #D5E523, #C4D137, #B4BD4B, #A3A95F and #939673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E523 shade: #E58B23, #E5BE23, #D8E523, #A4E523 and #71E523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E523 shade: #97A313, #B9C817, #D5E523, #DCE948 and #E3ED6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E523 shade: #D5E523, #23E557 and #A423E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E523 shade: #D5E523, #23D8E5 and #E523D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E523 shade: #D5E523, #23E557, #3023E5 and #E523B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E523 shade: #D5E523, #23E591, #3023E5 and #E52377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

Complementary color

CMYK 81 / 88 / 0 / 14

HEX #2A1ADC

RGB 42 26 220

HSL 244.95, 0.79%, 0.48%

LAB 30.4, 65.59, -91.12

 

CMYK 5 / 0 / 87 / 10

HEX #DAE51E

RGB 218 229 30

HSL 63.32, 0.79%, 0.51%

LAB 87.5, -24.08, 82.76

 

CMYK 5 / 0 / 80 / 3

HEX #EBF731

RGB 235 247 49

HSL 63.64, 0.93%, 0.58%

LAB 93.63, -25.17, 84.34

 

CMYK 1 / 0 / 73 / 0

HEX #FCFF44

RGB 252 255 68

HSL 60.96, 1%, 0.63%

LAB 97.08, -21.4, 82.63

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 7 / 0 / 92 / 17

HEX #C4D310

RGB 196 211 16

HSL 64.62, 0.86%, 0.45%

LAB 80.94, -24.85, 78.99

 

CMYK 7 / 0 / 100 / 24

HEX #B3C100

RGB 179 193 0

HSL 64.35, 1%, 0.38%

LAB 74.65, -23.49, 75.32

 

CMYK 7 / 0 / 100 / 31

HEX #A2AF00

RGB 162 175 0

HSL 64.46, 1%, 0.34%

LAB 68.27, -21.94, 70.01

 

CMYK 8 / 0 / 100 / 38

HEX #919D00

RGB 145 157 0

HSL 64.59, 1%, 0.31%

LAB 61.77, -20.36, 64.6

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 0 / 16 / 85 / 10

HEX #E5C123

RGB 229 193 35

HSL 48.87, 0.79%, 0.52%

LAB 78.99, -1.34, 75.18

 

CMYK 0 / 39 / 85 / 10

HEX #E58C23

RGB 229 140 35

HSL 32.47, 0.79%, 0.52%

LAB 66.16, 26.67, 64.57

 

CMYK 0 / 62 / 85 / 10

HEX #E55823

RGB 229 88 35

HSL 16.39, 0.79%, 0.52%

LAB 55.85, 52.44, 55.91

 

CMYK 0 / 84 / 85 / 10

HEX #E52423

RGB 229 36 35

HSL 0.31, 0.79%, 0.52%

LAB 49.55, 69.77, 50.53

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 30 / 0 / 85 / 10

HEX #A1E523

RGB 161 229 35

HSL 81.03, 0.79%, 0.52%

LAB 83.83, -46.4, 77.24

 

CMYK 52 / 0 / 85 / 10

HEX #6DE523

RGB 109 229 35

HSL 97.11, 0.79%, 0.52%

LAB 81.52, -63.22, 74.33

 

CMYK 76 / 0 / 85 / 10

HEX #38E523

RGB 56 229 35

HSL 113.51, 0.79%, 0.52%

LAB 80.18, -74.31, 72.64

 

CMYK 85 / 0 / 71 / 10

HEX #23E543

RGB 35 229 67

HSL 129.9, 0.79%, 0.52%

LAB 80.07, -74.69, 63.02

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 8 / 0 / 94 / 2

HEX #E5F910

RGB 229 249 16

HSL 65.15, 0.95%, 0.52%

LAB 93.64, -29.21, 89.82

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 6 / 0 / 74 / 18

HEX #C4D137

RGB 196 209 55

HSL 65.06, 0.63%, 0.52%

LAB 80.52, -22.76, 69.75

 

CMYK 5 / 0 / 60 / 26

HEX #B4BD4B

RGB 180 189 75

HSL 64.74, 0.46%, 0.52%

LAB 73.94, -18.38, 55.01

 

CMYK 4 / 0 / 44 / 34

HEX #A3A95F

RGB 163 169 95

HSL 64.86, 0.3%, 0.52%

LAB 67.27, -13.42, 37.34

 

CMYK 2 / 0 / 23 / 41

HEX #939673

RGB 147 150 115

HSL 65.14, 0.14%, 0.52%

LAB 61, -7.2, 18.15

 

CMYK 0 / 39 / 85 / 10

HEX #E58B23

RGB 229 139 35

HSL 32.16, 0.79%, 0.52%

LAB 65.94, 27.2, 64.38

 

CMYK 0 / 17 / 85 / 10

HEX #E5BE23

RGB 229 190 35

HSL 47.94, 0.79%, 0.52%

LAB 78.23, 0.21, 74.56

 

CMYK 6 / 0 / 85 / 10

HEX #D8E523

RGB 216 229 35

HSL 64.02, 0.79%, 0.52%

LAB 87.37, -24.79, 81.64

 

CMYK 28 / 0 / 85 / 10

HEX #A4E523

RGB 164 229 35

HSL 80.1, 0.79%, 0.52%

LAB 83.99, -45.29, 77.44

 

CMYK 51 / 0 / 85 / 10

HEX #71E523

RGB 113 229 35

HSL 95.88, 0.79%, 0.52%

LAB 81.66, -62.11, 74.51

 

CMYK 7 / 0 / 88 / 36

HEX #97A313

RGB 151 163 19

HSL 65, 0.79%, 0.36%

LAB 64.02, -20.41, 63.66

 

CMYK 8 / 0 / 89 / 22

HEX #B9C817

RGB 185 200 23

HSL 65.08, 0.79%, 0.44%

LAB 77.09, -24.03, 74.57

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 6 / 0 / 69 / 9

HEX #DCE948

RGB 220 233 72

HSL 64.84, 0.79%, 0.6%

LAB 88.9, -23.68, 72.64

 

CMYK 4 / 0 / 54 / 7

HEX #E3ED6D

RGB 227 237 109

HSL 64.69, 0.78%, 0.68%

LAB 90.78, -20.38, 59.85

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 85 / 0 / 62 / 10

HEX #23E557

RGB 35 229 87

HSL 136.08, 0.79%, 0.52%

LAB 80.23, -72.71, 55.27

 

CMYK 28 / 85 / 0 / 10

HEX #A423E5

RGB 164 35 229

HSL 279.9, 0.79%, 0.52%

LAB 45.29, 76.44, -71.26

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 85 / 6 / 0 / 10

HEX #23D8E5

RGB 35 216 229

HSL 184.02, 0.79%, 0.52%

LAB 79.11, -37.19, -18.48

 

CMYK 0 / 85 / 6 / 10

HEX #E523D8

RGB 229 35 216

HSL 304.02, 0.79%, 0.52%

LAB 54.88, 85.05, -47.88

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 85 / 0 / 62 / 10

HEX #23E557

RGB 35 229 87

HSL 136.08, 0.79%, 0.52%

LAB 80.23, -72.71, 55.27

 

CMYK 79 / 85 / 0 / 10

HEX #3023E5

RGB 48 35 229

HSL 244.02, 0.79%, 0.52%

LAB 32.89, 65.12, -92.12

 

CMYK 0 / 85 / 23 / 10

HEX #E523B1

RGB 229 35 177

HSL 316.08, 0.79%, 0.52%

LAB 52.99, 79.97, -28.36

 

CMYK 7 / 0 / 85 / 10

HEX #D5E523

RGB 213 229 35

HSL 64.95, 0.79%, 0.52%

LAB 87.15, -26.02, 81.36

 

CMYK 85 / 0 / 37 / 10

HEX #23E591

RGB 35 229 145

HSL 154.02, 0.79%, 0.52%

LAB 80.98, -63.71, 28.55

 

CMYK 79 / 85 / 0 / 10

HEX #3023E5

RGB 48 35 229

HSL 244.02, 0.79%, 0.52%

LAB 32.89, 65.12, -92.12

 

CMYK 0 / 85 / 48 / 10

HEX #E52377

RGB 229 35 119

HSL 334.02, 0.79%, 0.52%

LAB 50.91, 74.17, 3.12

 

Description

Color code: HEX #D5E523 | qconv.com Color code: HEX #D5E523 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 229 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 229 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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