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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E3A9 it is the complementary color #2A1C56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E3A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E3A9 shade: #DAE3A4, #EBF5B7, #FCFFCA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E3A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E3A9 shade: #D5E3A9, #C4D196, #B3BF83, #A2AD70 and #919B5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E3A9 shade: #D5E3AA, #E3E1AA, #E3D2AA, #E3C3AA and #E3B3AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E3A9 shade: #D5E3AA, #C6E3AA, #B6E3AA, #AAE3AD and #AAE3BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E3A9 shade matches the following richer shades: #D5E3AA, #DAECA1, #DFF598 and #E3FE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E3A9 shade: #D5E3AA, #D1DAB3, #CCD1BC, #C7C8C5 and #C2BFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E3A9 shade: #E3D2AA, #E3E1AA, #D6E3AA, #C6E3AA and #B7E3AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E3A9 shade: #B7CF6B, #C6D98B, #D5E3AA, #E4EDC9 and #F4F7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E3A9 shade: #D5E3A9, #AAE3C3 and #D9AAE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E3A9 shade: #D5E3A9, #AAD6E3 and #E3AAD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E3A9 shade: #D5E3A9, #AAE3C3, #B7AAE3 and #E3AACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E3A9 shade: #D5E3A9, #AAE3D4, #B7AAE3 and #E3AAB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

Complementary color

CMYK 51 / 67 / 0 / 66

HEX #2A1C56

RGB 42 28 86

HSL 254.48, 0.51%, 0.22%

LAB 15.46, 23.29, -32.97

 

CMYK 4 / 0 / 28 / 11

HEX #DAE3A4

RGB 218 227 164

HSL 68.57, 0.53%, 0.77%

LAB 88.22, -13.08, 29.84

 

CMYK 4 / 0 / 25 / 4

HEX #EBF5B7

RGB 235 245 183

HSL 69.68, 0.76%, 0.84%

LAB 94.48, -13.21, 28.82

 

CMYK 1 / 0 / 21 / 0

HEX #FCFFCA

RGB 252 255 202

HSL 63.4, 1%, 0.9%

LAB 98.62, -9.4, 25.06

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

CMYK 6 / 0 / 28 / 18

HEX #C4D196

RGB 196 209 150

HSL 73.22, 0.39%, 0.7%

LAB 81.59, -14.15, 27.87

 

CMYK 6 / 0 / 31 / 25

HEX #B3BF83

RGB 179 191 131

HSL 72, 0.32%, 0.63%

LAB 75.13, -14.03, 28.95

 

CMYK 6 / 0 / 35 / 32

HEX #A2AD70

RGB 162 173 112

HSL 70.82, 0.27%, 0.56%

LAB 68.56, -13.89, 30.1

 

CMYK 6 / 0 / 40 / 39

HEX #919B5D

RGB 145 155 93

HSL 69.68, 0.25%, 0.49%

LAB 61.87, -13.7, 31.3

 

CMYK 6 / 0 / 25 / 11

HEX #D5E3AA

RGB 213 227 170

HSL 74.74, 0.5%, 0.78%

LAB 87.96, -14.1, 26.35

 

CMYK 0 / 1 / 25 / 11

HEX #E3E1AA

RGB 227 225 170

HSL 57.89, 0.5%, 0.78%

LAB 88.49, -7.93, 27.24

 

CMYK 0 / 7 / 25 / 11

HEX #E3D2AA

RGB 227 210 170

HSL 42.11, 0.5%, 0.78%

LAB 84.65, -0.26, 21.99

 

CMYK 0 / 14 / 25 / 11

HEX #E3C3AA

RGB 227 195 170

HSL 26.32, 0.5%, 0.78%

LAB 80.89, 7.58, 16.76

 

CMYK 0 / 21 / 25 / 11

HEX #E3B3AA

RGB 227 179 170

HSL 9.47, 0.5%, 0.78%

LAB 76.96, 16.08, 11.24

 

CMYK 6 / 0 / 25 / 11

HEX #D5E3AA

RGB 213 227 170

HSL 74.74, 0.5%, 0.78%

LAB 87.96, -14.1, 26.35

 

CMYK 13 / 0 / 25 / 11

HEX #C6E3AA

RGB 198 227 170

HSL 90.53, 0.5%, 0.78%

LAB 86.92, -19.5, 24.76

 

CMYK 20 / 0 / 25 / 11

HEX #B6E3AA

RGB 182 227 170

HSL 107.37, 0.5%, 0.78%

LAB 85.9, -25.06, 23.19

 

CMYK 25 / 0 / 24 / 11

HEX #AAE3AD

RGB 170 227 173

HSL 123.16, 0.5%, 0.78%

LAB 85.25, -28.57, 20.63

 

CMYK 25 / 0 / 17 / 11

HEX #AAE3BC

RGB 170 227 188

HSL 138.95, 0.5%, 0.78%

LAB 85.56, -25.9, 13.23

 

CMYK 6 / 0 / 25 / 11

HEX #D5E3AA

RGB 213 227 170

HSL 74.74, 0.5%, 0.78%

LAB 87.96, -14.1, 26.35

 

CMYK 8 / 0 / 32 / 7

HEX #DAECA1

RGB 218 236 161

HSL 74.4, 0.66%, 0.78%

LAB 90.54, -17.93, 34.46

 

CMYK 9 / 0 / 38 / 4

HEX #DFF598

RGB 223 245 152

HSL 74.19, 0.82%, 0.78%

LAB 93.13, -21.55, 42.39

 

CMYK 11 / 0 / 44 / 0

HEX #E3FE8F

RGB 227 254 143

HSL 74.59, 0.98%, 0.78%

LAB 95.66, -25.35, 50

 

CMYK 6 / 0 / 25 / 11

HEX #D5E3AA

RGB 213 227 170

HSL 74.74, 0.5%, 0.78%

LAB 87.96, -14.1, 26.35

 

CMYK 4 / 0 / 18 / 15

HEX #D1DAB3

RGB 209 218 179

HSL 73.85, 0.35%, 0.78%

LAB 85.48, -9.68, 18.2

 

CMYK 2 / 0 / 10 / 18

HEX #CCD1BC

RGB 204 209 188

HSL 74.29, 0.19%, 0.78%

LAB 82.95, -5.41, 9.83

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C5

RGB 199 200 197

HSL 80, 0.03%, 0.78%

LAB 80.45, -0.89, 1.37

 

CMYK 6 / 7 / 0 / 19

HEX #C2BFCE

RGB 194 191 206

HSL 252, 0.13%, 0.78%

LAB 77.99, 3.88, -7.15

 

CMYK 0 / 7 / 25 / 11

HEX #E3D2AA

RGB 227 210 170

HSL 42.11, 0.5%, 0.78%

LAB 84.65, -0.26, 21.99

 

CMYK 0 / 1 / 25 / 11

HEX #E3E1AA

RGB 227 225 170

HSL 57.89, 0.5%, 0.78%

LAB 88.49, -7.93, 27.24

 

CMYK 6 / 0 / 25 / 11

HEX #D6E3AA

RGB 214 227 170

HSL 73.68, 0.5%, 0.78%

LAB 88.03, -13.73, 26.46

 

CMYK 13 / 0 / 25 / 11

HEX #C6E3AA

RGB 198 227 170

HSL 90.53, 0.5%, 0.78%

LAB 86.92, -19.5, 24.76

 

CMYK 19 / 0 / 25 / 11

HEX #B7E3AA

RGB 183 227 170

HSL 106.32, 0.5%, 0.78%

LAB 85.96, -24.72, 23.29

 

CMYK 12 / 0 / 48 / 19

HEX #B7CF6B

RGB 183 207 107

HSL 74.4, 0.51%, 0.62%

LAB 79.47, -23.29, 46.67

 

CMYK 9 / 0 / 36 / 15

HEX #C6D98B

RGB 198 217 139

HSL 74.62, 0.51%, 0.7%

LAB 83.7, -18.83, 36.35

 

CMYK 6 / 0 / 25 / 11

HEX #D5E3AA

RGB 213 227 170

HSL 74.74, 0.5%, 0.78%

LAB 87.96, -14.1, 26.35

 

CMYK 4 / 0 / 15 / 7

HEX #E4EDC9

RGB 228 237 201

HSL 75, 0.5%, 0.86%

LAB 92.26, -9.1, 16.44

 

CMYK 1 / 0 / 6 / 3

HEX #F4F7E8

RGB 244 247 232

HSL 72, 0.48%, 0.94%

LAB 96.65, -3.58, 6.85

 

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

CMYK 25 / 0 / 14 / 11

HEX #AAE3C3

RGB 170 227 195

HSL 146.32, 0.5%, 0.78%

LAB 85.72, -24.59, 9.78

 

CMYK 4 / 25 / 0 / 11

HEX #D9AAE3

RGB 217 170 227

HSL 289.47, 0.5%, 0.78%

LAB 75.48, 26.98, -22.1

 

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

CMYK 25 / 6 / 0 / 11

HEX #AAD6E3

RGB 170 214 227

HSL 193.68, 0.5%, 0.78%

LAB 83.01, -11.41, -11.11

 

CMYK 0 / 25 / 6 / 11

HEX #E3AAD6

RGB 227 170 214

HSL 313.68, 0.5%, 0.78%

LAB 76.03, 27.88, -14.1

 

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

CMYK 25 / 0 / 14 / 11

HEX #AAE3C3

RGB 170 227 195

HSL 146.32, 0.5%, 0.78%

LAB 85.72, -24.59, 9.78

 

CMYK 19 / 25 / 0 / 11

HEX #B7AAE3

RGB 183 170 227

HSL 253.68, 0.5%, 0.78%

LAB 72.47, 16.19, -26.97

 

CMYK 0 / 25 / 11 / 11

HEX #E3AACA

RGB 227 170 202

HSL 326.32, 0.5%, 0.78%

LAB 75.67, 25.83, -8.09

 

CMYK 6 / 0 / 26 / 11

HEX #D5E3A9

RGB 213 227 169

HSL 74.48, 0.51%, 0.78%

LAB 87.94, -14.24, 26.84

 

CMYK 25 / 0 / 7 / 11

HEX #AAE3D4

RGB 170 227 212

HSL 164.21, 0.5%, 0.78%

LAB 86.13, -21.2, 1.42

 

CMYK 19 / 25 / 0 / 11

HEX #B7AAE3

RGB 183 170 227

HSL 253.68, 0.5%, 0.78%

LAB 72.47, 16.19, -26.97

 

CMYK 0 / 25 / 19 / 11

HEX #E3AAB9

RGB 227 170 185

HSL 344.21, 0.5%, 0.78%

LAB 75.19, 23.11, 0.51

 

Description

Color code: HEX #D5E3A9 | qconv.com Color code: HEX #D5E3A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 227 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 227 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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