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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E263 it is the complementary color #2A1D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E263 shade: #DAE25E, #EBF471, #FCFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E263 shade: #D5E263, #C4D050, #B3BE3D, #A2AC2A and #919A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E263 shade: #D5E263, #E2CD63, #E2AB63, #E28963 and #E26663

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E263 shade: #D5E263, #B3E263, #91E263, #6FE263 and #63E27A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E263 shade matches the following richer shades: #D5E263 and #E1F155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E263 shade: #D5E263, #C9D372, #BDC481, #B2B590 and #A6A79F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E263 shade: #E2AB63, #E2CD63, #D5E263, #B4E263 and #92E263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E263 shade: #BCCE25, #CCDC40, #D5E263, #DEE886 and #E8EFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E263 shade: #D5E263, #63E289 and #BC63E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E263 shade: #D5E263, #63D5E2 and #E263D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E263 shade: #D5E263, #63E289, #7063E2 and #E263BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E263 shade: #D5E263, #63E2AF, #7063E2 and #E26396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

Complementary color

CMYK 73 / 81 / 0 / 39

HEX #2A1D9C

RGB 42 29 156

HSL 246.14, 0.69%, 0.36%

LAB 22.9, 45.78, -65.61

 

CMYK 4 / 0 / 58 / 11

HEX #DAE25E

RGB 218 226 94

HSL 63.64, 0.69%, 0.63%

LAB 87.05, -19.76, 62.01

 

CMYK 4 / 0 / 54 / 4

HEX #EBF471

RGB 235 244 113

HSL 64.12, 0.86%, 0.7%

LAB 93.26, -20.28, 61.07

 

CMYK 1 / 0 / 48 / 0

HEX #FCFF84

RGB 252 255 132

HSL 61.46, 1%, 0.76%

LAB 97.58, -17.36, 57.88

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 6 / 0 / 62 / 18

HEX #C4D050

RGB 196 208 80

HSL 65.63, 0.58%, 0.56%

LAB 80.42, -20.86, 60.24

 

CMYK 6 / 0 / 68 / 25

HEX #B3BE3D

RGB 179 190 61

HSL 65.12, 0.51%, 0.49%

LAB 74.03, -20.21, 60.84

 

CMYK 6 / 0 / 76 / 33

HEX #A2AC2A

RGB 162 172 42

HSL 64.62, 0.61%, 0.42%

LAB 67.54, -19.39, 60.92

 

CMYK 6 / 0 / 85 / 40

HEX #919A17

RGB 145 154 23

HSL 64.12, 0.74%, 0.35%

LAB 60.95, -18.37, 60.05

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 0 / 9 / 56 / 11

HEX #E2CD63

RGB 226 205 99

HSL 50.08, 0.69%, 0.64%

LAB 82.23, -5.64, 54.55

 

CMYK 0 / 24 / 56 / 11

HEX #E2AB63

RGB 226 171 99

HSL 34.02, 0.69%, 0.64%

LAB 73.67, 12.15, 44.47

 

CMYK 0 / 39 / 56 / 11

HEX #E28963

RGB 226 137 99

HSL 17.95, 0.69%, 0.64%

LAB 65.72, 30.29, 34.68

 

CMYK 0 / 55 / 56 / 11

HEX #E26663

RGB 226 102 99

HSL 1.42, 0.69%, 0.64%

LAB 58.58, 48.08, 25.49

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 21 / 0 / 56 / 11

HEX #B3E263

RGB 179 226 99

HSL 82.2, 0.69%, 0.64%

LAB 84.42, -34.57, 56.15

 

CMYK 36 / 0 / 56 / 11

HEX #91E263

RGB 145 226 99

HSL 98.27, 0.69%, 0.64%

LAB 82.55, -46.59, 53.5

 

CMYK 51 / 0 / 56 / 11

HEX #6FE263

RGB 111 226 99

HSL 114.33, 0.69%, 0.64%

LAB 81.11, -56.81, 51.46

 

CMYK 56 / 0 / 46 / 11

HEX #63E27A

RGB 99 226 122

HSL 130.87, 0.69%, 0.64%

LAB 80.99, -56.78, 40.34

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 7 / 0 / 65 / 5

HEX #E1F155

RGB 225 241 85

HSL 66.15, 0.85%, 0.64%

LAB 91.49, -24.75, 70.57

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 5 / 0 / 46 / 17

HEX #C9D372

RGB 201 211 114

HSL 66.19, 0.52%, 0.64%

LAB 81.96, -17.48, 46.61

 

CMYK 4 / 0 / 34 / 23

HEX #BDC481

RGB 189 196 129

HSL 66.27, 0.36%, 0.64%

LAB 77.21, -12.98, 32.88

 

CMYK 2 / 0 / 20 / 29

HEX #B2B590

RGB 178 181 144

HSL 64.86, 0.2%, 0.64%

LAB 72.58, -7.37, 18.55

 

CMYK 1 / 0 / 5 / 35

HEX #A6A79F

RGB 166 167 159

HSL 67.5, 0.04%, 0.64%

LAB 68.2, -1.84, 4

 

CMYK 0 / 24 / 56 / 11

HEX #E2AB63

RGB 226 171 99

HSL 34.02, 0.69%, 0.64%

LAB 73.67, 12.15, 44.47

 

CMYK 0 / 9 / 56 / 11

HEX #E2CD63

RGB 226 205 99

HSL 50.08, 0.69%, 0.64%

LAB 82.23, -5.64, 54.55

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 20 / 0 / 56 / 11

HEX #B4E263

RGB 180 226 99

HSL 81.73, 0.69%, 0.64%

LAB 84.48, -34.19, 56.23

 

CMYK 35 / 0 / 56 / 11

HEX #92E263

RGB 146 226 99

HSL 97.8, 0.69%, 0.64%

LAB 82.6, -46.26, 53.57

 

CMYK 9 / 0 / 82 / 19

HEX #BCCE25

RGB 188 206 37

HSL 66.39, 0.7%, 0.48%

LAB 79.02, -25.31, 73.34

 

CMYK 7 / 0 / 71 / 14

HEX #CCDC40

RGB 204 220 64

HSL 66.15, 0.69%, 0.56%

LAB 84.17, -24.36, 70.41

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 4 / 0 / 42 / 9

HEX #DEE886

RGB 222 232 134

HSL 66.12, 0.68%, 0.72%

LAB 89.38, -17.6, 46.41

 

CMYK 3 / 0 / 29 / 6

HEX #E8EFA9

RGB 232 239 169

HSL 66, 0.69%, 0.8%

LAB 92.47, -13.2, 33.17

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 56 / 0 / 39 / 11

HEX #63E289

RGB 99 226 137

HSL 137.95, 0.69%, 0.64%

LAB 81.21, -54.4, 33.15

 

CMYK 17 / 56 / 0 / 11

HEX #BC63E2

RGB 188 99 226

HSL 282.05, 0.69%, 0.64%

LAB 57.18, 55.89, -50.26

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 56 / 6 / 0 / 11

HEX #63D5E2

RGB 99 213 226

HSL 186.14, 0.69%, 0.64%

LAB 79.46, -28.63, -16.23

 

CMYK 0 / 56 / 6 / 11

HEX #E263D5

RGB 226 99 213

HSL 306.14, 0.69%, 0.64%

LAB 61.56, 63.39, -35.7

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 56 / 0 / 39 / 11

HEX #63E289

RGB 99 226 137

HSL 137.95, 0.69%, 0.64%

LAB 81.21, -54.4, 33.15

 

CMYK 50 / 56 / 0 / 11

HEX #7063E2

RGB 112 99 226

HSL 246.14, 0.69%, 0.64%

LAB 49.33, 38.24, -63.28

 

CMYK 0 / 56 / 17 / 11

HEX #E263BC

RGB 226 99 188

HSL 317.95, 0.69%, 0.64%

LAB 60.54, 59.52, -23.11

 

CMYK 6 / 0 / 56 / 11

HEX #D5E263

RGB 213 226 99

HSL 66.14, 0.69%, 0.64%

LAB 86.72, -21.39, 59.38

 

CMYK 56 / 0 / 23 / 11

HEX #63E2AF

RGB 99 226 175

HSL 155.91, 0.69%, 0.64%

LAB 81.91, -47.1, 14.46

 

CMYK 50 / 56 / 0 / 11

HEX #7063E2

RGB 112 99 226

HSL 246.14, 0.69%, 0.64%

LAB 49.33, 38.24, -63.28

 

CMYK 0 / 56 / 34 / 11

HEX #E26396

RGB 226 99 150

HSL 335.91, 0.69%, 0.64%

LAB 59.25, 54.47, -3.16

 

Description

Color code: HEX #D5E263 | qconv.com Color code: HEX #D5E263 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 226 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 226 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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