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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E1CF it is the complementary color #2A1E30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E1CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E1CF shade: #DAE1CA, #EBF3DD and #FCFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E1CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E1CF shade: #D5E1CF, #C4CFBC, #B3BDA9, #A2AB96 and #919983

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E1CF shade: #D5E1CF, #DAE1CF, #DFE1CF, #E1DFCF and #E1DACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E1CF shade: #D5E1CF, #D1E1CF, #CFE1D3, #CFE1D8 and #CFE1DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E1CF shade matches the following richer shades: #D5E1CF, #D3E7C9, #D1EDC3, #CFF4BD and #CDFAB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E1CF shade: #D5E1CF, #D7DBD6, #D9D5DC, #DCCEE2 and #DEC8E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E1CF shade: #DFE1CF, #DAE1CF, #D5E1CF, #D1E1CF and #CFE1D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E1CF shade: #A9C19D, #BFD1B6, #D5E1CF and #ECF1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E1CF shade: #D5E1CF, #CFE1DF and #E1CFDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E1CF shade: #D5E1CF, #CFD5E1 and #E1CFD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E1CF shade: #D5E1CF, #CFE1DF, #DBCFE1 and #E1CFD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E1CF shade: #D5E1CF, #CFDEE1, #DBCFE1 and #E1D2CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

Complementary color

CMYK 13 / 38 / 0 / 81

HEX #2A1E30

RGB 42 30 48

HSL 280, 0.23%, 0.15%

LAB 13.44, 10.06, -9.71

 

CMYK 3 / 0 / 10 / 12

HEX #DAE1CA

RGB 218 225 202

HSL 78.26, 0.28%, 0.84%

LAB 88.46, -6.37, 10.44

 

CMYK 3 / 0 / 9 / 5

HEX #EBF3DD

RGB 235 243 221

HSL 81.82, 0.48%, 0.91%

LAB 94.73, -6.46, 9.69

 

CMYK 1 / 0 / 6 / 0

HEX #FCFFF0

RGB 252 255 240

HSL 72, 1%, 0.97%

LAB 99.42, -3.56, 6.81

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 5 / 0 / 9 / 19

HEX #C4CFBC

RGB 196 207 188

HSL 94.74, 0.17%, 0.77%

LAB 81.83, -7.19, 8.15

 

CMYK 5 / 0 / 11 / 26

HEX #B3BDA9

RGB 179 189 169

HSL 90, 0.13%, 0.7%

LAB 75.35, -7.13, 8.92

 

CMYK 5 / 0 / 12 / 33

HEX #A2AB96

RGB 162 171 150

HSL 85.71, 0.11%, 0.63%

LAB 68.76, -7.06, 9.73

 

CMYK 5 / 0 / 14 / 40

HEX #919983

RGB 145 153 131

HSL 81.82, 0.1%, 0.56%

LAB 62.03, -7, 10.59

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 3 / 0 / 8 / 12

HEX #DAE1CF

RGB 218 225 207

HSL 83.33, 0.23%, 0.85%

LAB 88.57, -5.53, 7.98

 

CMYK 1 / 0 / 8 / 12

HEX #DFE1CF

RGB 223 225 207

HSL 66.67, 0.23%, 0.85%

LAB 88.94, -3.8, 8.56

 

CMYK 0 / 1 / 8 / 12

HEX #E1DFCF

RGB 225 223 207

HSL 53.33, 0.23%, 0.85%

LAB 88.58, -2.07, 8.07

 

CMYK 0 / 3 / 8 / 12

HEX #E1DACF

RGB 225 218 207

HSL 36.67, 0.23%, 0.85%

LAB 87.32, 0.51, 6.25

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 7 / 0 / 8 / 12

HEX #D1E1CF

RGB 209 225 207

HSL 113.33, 0.23%, 0.85%

LAB 87.93, -8.61, 6.97

 

CMYK 8 / 0 / 6 / 12

HEX #CFE1D3

RGB 207 225 211

HSL 133.33, 0.23%, 0.85%

LAB 87.88, -8.57, 4.79

 

CMYK 8 / 0 / 4 / 12

HEX #CFE1D8

RGB 207 225 216

HSL 150, 0.23%, 0.85%

LAB 88, -7.66, 2.34

 

CMYK 8 / 0 / 2 / 12

HEX #CFE1DD

RGB 207 225 221

HSL 166.67, 0.23%, 0.85%

LAB 88.13, -6.73, -0.11

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7C9

RGB 211 231 201

HSL 100, 0.38%, 0.85%

LAB 89.49, -11.99, 12.37

 

CMYK 12 / 0 / 18 / 7

HEX #D1EDC3

RGB 209 237 195

HSL 100, 0.54%, 0.85%

LAB 90.81, -16.66, 17.32

 

CMYK 15 / 0 / 23 / 4

HEX #CFF4BD

RGB 207 244 189

HSL 100.36, 0.71%, 0.85%

LAB 92.42, -21.73, 22.63

 

CMYK 18 / 0 / 27 / 2

HEX #CDFAB7

RGB 205 250 183

HSL 100.3, 0.87%, 0.85%

LAB 93.78, -26.21, 27.55

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 2 / 0 / 2 / 14

HEX #D7DBD6

RGB 215 219 214

HSL 108, 0.06%, 0.85%

LAB 86.98, -2.25, 1.97

 

CMYK 1 / 3 / 0 / 14

HEX #D9D5DC

RGB 217 213 220

HSL 274.29, 0.09%, 0.85%

LAB 85.76, 2.64, -2.97

 

CMYK 3 / 9 / 0 / 11

HEX #DCCEE2

RGB 220 206 226

HSL 282, 0.26%, 0.85%

LAB 84.41, 8.44, -8.13

 

CMYK 4 / 14 / 0 / 9

HEX #DEC8E8

RGB 222 200 232

HSL 281.25, 0.41%, 0.85%

LAB 83.27, 13.42, -13

 

CMYK 1 / 0 / 8 / 12

HEX #DFE1CF

RGB 223 225 207

HSL 66.67, 0.23%, 0.85%

LAB 88.94, -3.8, 8.56

 

CMYK 3 / 0 / 8 / 12

HEX #DAE1CF

RGB 218 225 207

HSL 83.33, 0.23%, 0.85%

LAB 88.57, -5.53, 7.98

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 7 / 0 / 8 / 12

HEX #D1E1CF

RGB 209 225 207

HSL 113.33, 0.23%, 0.85%

LAB 87.93, -8.61, 6.97

 

CMYK 8 / 0 / 6 / 12

HEX #CFE1D3

RGB 207 225 211

HSL 133.33, 0.23%, 0.85%

LAB 87.88, -8.57, 4.79

 

CMYK 12 / 0 / 19 / 24

HEX #A9C19D

RGB 169 193 157

HSL 100, 0.23%, 0.69%

LAB 75.46, -14.84, 15.44

 

CMYK 9 / 0 / 13 / 18

HEX #BFD1B6

RGB 191 209 182

HSL 100, 0.23%, 0.77%

LAB 81.87, -11, 11.34

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 2 / 0 / 3 / 5

HEX #ECF1E9

RGB 236 241 233

HSL 97.5, 0.22%, 0.93%

LAB 94.58, -3.07, 3.27

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 8 / 0 / 1 / 12

HEX #CFE1DF

RGB 207 225 223

HSL 173.33, 0.23%, 0.85%

LAB 88.18, -6.35, -1.09

 

CMYK 0 / 8 / 2 / 12

HEX #E1CFDC

RGB 225 207 220

HSL 316.67, 0.23%, 0.85%

LAB 84.89, 8.5, -4.17

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 8 / 5 / 0 / 12

HEX #CFD5E1

RGB 207 213 225

HSL 220, 0.23%, 0.85%

LAB 85.14, 0.25, -6.61

 

CMYK 0 / 8 / 5 / 12

HEX #E1CFD5

RGB 225 207 213

HSL 340, 0.23%, 0.85%

LAB 84.71, 7.27, -0.72

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 8 / 0 / 1 / 12

HEX #CFE1DF

RGB 207 225 223

HSL 173.33, 0.23%, 0.85%

LAB 88.18, -6.35, -1.09

 

CMYK 3 / 8 / 0 / 12

HEX #DBCFE1

RGB 219 207 225

HSL 280, 0.23%, 0.85%

LAB 84.55, 7.39, -7.39

 

CMYK 0 / 8 / 7 / 12

HEX #E1CFD2

RGB 225 207 210

HSL 350, 0.23%, 0.85%

LAB 84.63, 6.75, 0.77

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1CF

RGB 213 225 207

HSL 100, 0.23%, 0.85%

LAB 88.21, -7.25, 7.41

 

CMYK 8 / 1 / 0 / 12

HEX #CFDEE1

RGB 207 222 225

HSL 190, 0.23%, 0.85%

LAB 87.46, -4.42, -3.2

 

CMYK 3 / 8 / 0 / 12

HEX #DBCFE1

RGB 219 207 225

HSL 280, 0.23%, 0.85%

LAB 84.55, 7.39, -7.39

 

CMYK 0 / 7 / 8 / 12

HEX #E1D2CF

RGB 225 210 207

HSL 10, 0.23%, 0.85%

LAB 85.3, 4.67, 3.34

 

Description

Color code: HEX #D5E1CF | qconv.com Color code: HEX #D5E1CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 225 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 225 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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