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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E118 it is the complementary color #2A1EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E118 shade: #DAE113, #EBF326, #FCFF39, #FFFF4C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E118 shade: #D5E118, #C4CF05, #B3BD00, #A2AB00 and #919900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E118 shade: #D6E218, #E2B818, #E28118, #E24A18 and #E21818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E118 shade: #D6E218, #9FE218, #69E218, #32E218 and #18E234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E118 shade matches the following richer shades: #D6E218 and #E8F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E118 shade: #D6E218, #C4CE2C, #B2BA40, #A1A654 and #8F9169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E118 shade: #E28018, #E2B618, #D8E218, #A2E218 and #6CE218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E118 shade: #8F9710, #B3BD14, #D6E218, #E0EA39 and #E6EE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E118 shade: #D5E118, #18E24A and #9B18E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E118 shade: #D5E118, #18D8E2 and #E218D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E118 shade: #D5E118, #18E24A, #2218E2 and #E218B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E118 shade: #D5E118, #18E287, #2218E2 and #E21873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

Complementary color

CMYK 82 / 87 / 0 / 9

HEX #2A1EE7

RGB 42 30 231

HSL 243.58, 0.81%, 0.51%

LAB 32.24, 67.26, -94.37

 

CMYK 3 / 0 / 92 / 12

HEX #DAE113

RGB 218 225 19

HSL 62.04, 0.84%, 0.48%

LAB 86.41, -22.35, 83.56

 

CMYK 3 / 0 / 84 / 5

HEX #EBF326

RGB 235 243 38

HSL 62.34, 0.9%, 0.55%

LAB 92.53, -23.57, 85.87

 

CMYK 1 / 0 / 78 / 0

HEX #FCFF39

RGB 252 255 57

HSL 60.91, 1%, 0.61%

LAB 97.03, -21.8, 85.75

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 5 / 0 / 98 / 19

HEX #C4CF05

RGB 196 207 5

HSL 63.27, 0.95%, 0.42%

LAB 79.83, -23.04, 79.25

 

CMYK 5 / 0 / 100 / 26

HEX #B3BD00

RGB 179 189 0

HSL 63.17, 1%, 0.37%

LAB 73.53, -21.53, 74.49

 

CMYK 5 / 0 / 100 / 33

HEX #A2AB00

RGB 162 171 0

HSL 63.16, 1%, 0.34%

LAB 67.13, -19.94, 69.17

HEX #A2AB00

CMYK 5 / 0 / 100 / 40

HEX #919900

RGB 145 153 0

HSL 63.14, 1%, 0.3%

LAB 60.61, -18.32, 63.74

HEX #919900

CMYK 5 / 0 / 89 / 11

HEX #D6E218

RGB 214 226 24

HSL 63.56, 0.81%, 0.49%

LAB 86.38, -24.41, 82.72

 

CMYK 0 / 19 / 89 / 11

HEX #E2B818

RGB 226 184 24

HSL 47.52, 0.81%, 0.49%

LAB 76.38, 1.8, 75.34

 

CMYK 0 / 43 / 89 / 11

HEX #E28118

RGB 226 129 24

HSL 31.19, 0.81%, 0.49%

LAB 63.29, 30.98, 65.31

 

CMYK 0 / 67 / 89 / 11

HEX #E24A18

RGB 226 74 24

HSL 14.85, 0.81%, 0.49%

LAB 53.09, 57.04, 57.72

 

CMYK 0 / 89 / 89 / 11

HEX #E21818

RGB 226 24 24

HSL 0, 0.81%, 0.49%

LAB 48.12, 70.94, 54.13

 

CMYK 5 / 0 / 89 / 11

HEX #D6E218

RGB 214 226 24

HSL 63.56, 0.81%, 0.49%

LAB 86.38, -24.41, 82.72

 

CMYK 30 / 0 / 89 / 11

HEX #9FE218

RGB 159 226 24

HSL 79.9, 0.81%, 0.49%

LAB 82.82, -46.15, 78.37

 

CMYK 54 / 0 / 89 / 11

HEX #69E218

RGB 105 226 24

HSL 95.94, 0.81%, 0.49%

LAB 80.44, -63.6, 75.42

 

CMYK 78 / 0 / 89 / 11

HEX #32E218

RGB 50 226 24

HSL 112.28, 0.81%, 0.49%

LAB 79.12, -74.65, 73.78

 

CMYK 89 / 0 / 77 / 11

HEX #18E234

RGB 24 226 52

HSL 128.32, 0.81%, 0.49%

LAB 78.95, -75.8, 66.9

 

CMYK 5 / 0 / 89 / 11

HEX #D6E218

RGB 214 226 24

HSL 63.56, 0.81%, 0.49%

LAB 86.38, -24.41, 82.72

 

CMYK 6 / 0 / 98 / 4

HEX #E8F604

RGB 232 246 4

HSL 63.47, 0.97%, 0.49%

LAB 93.05, -26.7, 90.4

 

CMYK 5 / 0 / 89 / 11

HEX #D6E218

RGB 214 226 24

HSL 63.56, 0.81%, 0.49%

LAB 86.38, -24.41, 82.72

 

CMYK 5 / 0 / 79 / 19

HEX #C4CE2C

RGB 196 206 44

HSL 63.7, 0.65%, 0.49%

LAB 79.65, -21.74, 72.28

 

CMYK 4 / 0 / 66 / 27

HEX #B2BA40

RGB 178 186 64

HSL 63.93, 0.49%, 0.49%

LAB 72.86, -18.45, 58.44

 

CMYK 3 / 0 / 49 / 35

HEX #A1A654

RGB 161 166 84

HSL 63.66, 0.33%, 0.49%

LAB 66.13, -13.82, 41.48

 

CMYK 1 / 0 / 28 / 43

HEX #8F9169

RGB 143 145 105

HSL 63, 0.16%, 0.49%

LAB 59.08, -7.56, 21.05

 

CMYK 0 / 43 / 89 / 11

HEX #E28018

RGB 226 128 24

HSL 30.89, 0.81%, 0.49%

LAB 63.07, 31.51, 65.15

 

CMYK 0 / 19 / 89 / 11

HEX #E2B618

RGB 226 182 24

HSL 46.93, 0.81%, 0.49%

LAB 75.88, 2.85, 74.95

 

CMYK 4 / 0 / 89 / 11

HEX #D8E218

RGB 216 226 24

HSL 62.97, 0.81%, 0.49%

LAB 86.53, -23.58, 82.91

 

CMYK 28 / 0 / 89 / 11

HEX #A2E218

RGB 162 226 24

HSL 79.01, 0.81%, 0.49%

LAB 82.99, -45.04, 78.57

 

CMYK 52 / 0 / 89 / 11

HEX #6CE218

RGB 108 226 24

HSL 95.05, 0.81%, 0.49%

LAB 80.54, -62.78, 75.55

 

CMYK 5 / 0 / 89 / 41

HEX #8F9710

RGB 143 151 16

HSL 63.56, 0.81%, 0.33%

LAB 59.9, -17.9, 60.64

 

CMYK 5 / 0 / 89 / 26

HEX #B3BD14

RGB 179 189 20

HSL 63.55, 0.81%, 0.41%

LAB 73.56, -21.25, 72.07

 

CMYK 5 / 0 / 89 / 11

HEX #D6E218

RGB 214 226 24

HSL 63.56, 0.81%, 0.49%

LAB 86.38, -24.41, 82.72

 

CMYK 4 / 0 / 76 / 8

HEX #E0EA39

RGB 224 234 57

HSL 63.39, 0.81%, 0.57%

LAB 89.39, -23.2, 78.1

 

CMYK 3 / 0 / 61 / 7

HEX #E6EE5E

RGB 230 238 94

HSL 63.33, 0.81%, 0.65%

LAB 91.13, -20.76, 66.72

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 89 / 0 / 67 / 11

HEX #18E24A

RGB 24 226 74

HSL 134.85, 0.81%, 0.49%

LAB 79.09, -74, 59.31

 

CMYK 31 / 89 / 0 / 11

HEX #9B18E2

RGB 155 24 226

HSL 278.91, 0.81%, 0.49%

LAB 42.93, 76.97, -73.46

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 89 / 4 / 0 / 11

HEX #18D8E2

RGB 24 216 226

HSL 182.97, 0.81%, 0.49%

LAB 78.92, -38.69, -17.18

 

CMYK 0 / 89 / 4 / 11

HEX #E218D8

RGB 226 24 216

HSL 302.97, 0.81%, 0.49%

LAB 53.79, 86.21, -49.65

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 89 / 0 / 67 / 11

HEX #18E24A

RGB 24 226 74

HSL 134.85, 0.81%, 0.49%

LAB 79.09, -74, 59.31

 

CMYK 85 / 89 / 0 / 11

HEX #2218E2

RGB 34 24 226

HSL 242.97, 0.81%, 0.49%

LAB 30.6, 67.6, -94.24

 

CMYK 0 / 89 / 22 / 11

HEX #E218B0

RGB 226 24 176

HSL 314.85, 0.81%, 0.49%

LAB 51.79, 81.02, -29.68

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 89 / 0 / 40 / 11

HEX #18E287

RGB 24 226 135

HSL 152.97, 0.81%, 0.49%

LAB 79.8, -65.31, 32.05

 

CMYK 85 / 89 / 0 / 11

HEX #2218E2

RGB 34 24 226

HSL 242.97, 0.81%, 0.49%

LAB 30.6, 67.6, -94.24

 

CMYK 0 / 89 / 49 / 11

HEX #E21873

RGB 226 24 115

HSL 332.97, 0.81%, 0.49%

LAB 49.57, 75.02, 3.54

 

Description

Color code: HEX #D5E118 | qconv.com Color code: HEX #D5E118 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 225 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 225 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 89 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 89% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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