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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E08B it is the complementary color #2A1F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E08B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E08B shade: #DAE086, #EBF299, #FCFFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E08B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E08B shade: #D5E08B, #C4CE78, #B3BC65, #A2AA52 and #91983F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E08B shade: #D5E08A, #E0D48A, #E0BD8A, #E0A68A and #E08F8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E08B shade: #D5E08A, #BEE08A, #A7E08A, #8FE08A and #8AE09C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E08B shade matches the following richer shades: #D5E08A, #DEEC7E and #E7F872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E08B shade: #D5E08A, #CCD496, #C3C8A2, #BABCAE and #B1B0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E08B shade: #E0BC8A, #E0D38A, #D6E08A, #BFE08A and #A8E08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E08B shade: #BDCF49, #C9D76A, #D5E08A, #E1E9AB and #ECF1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E08B shade: #D5E08B, #8AE0A5 and #C88AE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E08B shade: #D5E08B, #8AD6E0 and #E08AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E08B shade: #D5E08B, #8AE0A5, #948AE0 and #E08AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E08B shade: #D5E08B, #8AE0BF, #948AE0 and #E08AAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

Complementary color

CMYK 64 / 73 / 0 / 55

HEX #2A1F74

RGB 42 31 116

HSL 247.76, 0.58%, 0.29%

LAB 18.94, 31.56, -47.04

 

CMYK 3 / 0 / 40 / 12

HEX #DAE086

RGB 218 224 134

HSL 64, 0.59%, 0.7%

LAB 86.97, -15.21, 43.32

 

CMYK 3 / 0 / 37 / 5

HEX #EBF299

RGB 235 242 153

HSL 64.72, 0.77%, 0.77%

LAB 93.22, -15.48, 42.18

 

CMYK 1 / 0 / 33 / 0

HEX #FCFFAC

RGB 252 255 172

HSL 62.17, 1%, 0.84%

LAB 98.11, -13.27, 39.41

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

CMYK 5 / 0 / 42 / 19

HEX #C4CE78

RGB 196 206 120

HSL 66.98, 0.47%, 0.64%

LAB 80.31, -16.34, 41.54

 

CMYK 5 / 0 / 46 / 26

HEX #B3BC65

RGB 179 188 101

HSL 66.21, 0.39%, 0.57%

LAB 73.86, -16.04, 42.72

 

CMYK 5 / 0 / 52 / 33

HEX #A2AA52

RGB 162 170 82

HSL 65.45, 0.35%, 0.49%

LAB 67.31, -15.66, 43.88

 

CMYK 5 / 0 / 59 / 40

HEX #91983F

RGB 145 152 63

HSL 64.72, 0.41%, 0.42%

LAB 60.64, -15.17, 44.96

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08A

RGB 213 224 138

HSL 67.67, 0.58%, 0.71%

LAB 86.65, -16.69, 40.86

 

CMYK 0 / 5 / 38 / 12

HEX #E0D48A

RGB 224 212 138

HSL 51.63, 0.58%, 0.71%

LAB 84.36, -6.39, 38.1

 

CMYK 0 / 16 / 38 / 12

HEX #E0BD8A

RGB 224 189 138

HSL 35.58, 0.58%, 0.71%

LAB 78.51, 5.54, 30.44

 

CMYK 0 / 26 / 38 / 12

HEX #E0A68A

RGB 224 166 138

HSL 19.53, 0.58%, 0.71%

LAB 72.86, 17.79, 22.86

 

CMYK 0 / 36 / 38 / 12

HEX #E08F8A

RGB 224 143 138

HSL 3.49, 0.58%, 0.71%

LAB 67.52, 30.12, 15.52

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08A

RGB 213 224 138

HSL 67.67, 0.58%, 0.71%

LAB 86.65, -16.69, 40.86

 

CMYK 15 / 0 / 38 / 12

HEX #BEE08A

RGB 190 224 138

HSL 83.72, 0.58%, 0.71%

LAB 85.04, -25.35, 38.48

 

CMYK 25 / 0 / 38 / 12

HEX #A7E08A

RGB 167 224 138

HSL 99.77, 0.58%, 0.71%

LAB 83.63, -33.56, 36.38

 

CMYK 36 / 0 / 38 / 12

HEX #8FE08A

RGB 143 224 138

HSL 116.51, 0.58%, 0.71%

LAB 82.37, -41.46, 34.49

 

CMYK 38 / 0 / 30 / 12

HEX #8AE09C

RGB 138 224 156

HSL 132.56, 0.58%, 0.71%

LAB 82.44, -40.07, 25.33

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08A

RGB 213 224 138

HSL 67.67, 0.58%, 0.71%

LAB 86.65, -16.69, 40.86

 

CMYK 6 / 0 / 47 / 7

HEX #DEEC7E

RGB 222 236 126

HSL 67.64, 0.74%, 0.71%

LAB 90.33, -20.35, 51.42

 

CMYK 7 / 0 / 54 / 3

HEX #E7F872

RGB 231 248 114

HSL 67.61, 0.91%, 0.71%

LAB 94.03, -23.68, 61.43

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08A

RGB 213 224 138

HSL 67.67, 0.58%, 0.71%

LAB 86.65, -16.69, 40.86

 

CMYK 4 / 0 / 29 / 17

HEX #CCD496

RGB 204 212 150

HSL 67.74, 0.42%, 0.71%

LAB 82.98, -12.65, 29.84

 

CMYK 3 / 0 / 19 / 22

HEX #C3C8A2

RGB 195 200 162

HSL 67.89, 0.26%, 0.71%

LAB 79.34, -8.18, 18.47

 

CMYK 1 / 0 / 7 / 26

HEX #BABCAE

RGB 186 188 174

HSL 68.57, 0.09%, 0.71%

LAB 75.74, -3.22, 6.83

 

CMYK 5 / 5 / 0 / 27

HEX #B1B0BA

RGB 177 176 186

HSL 246, 0.07%, 0.71%

LAB 72.19, 2.27, -4.97

 

CMYK 0 / 16 / 38 / 12

HEX #E0BC8A

RGB 224 188 138

HSL 34.88, 0.58%, 0.71%

LAB 78.26, 6.07, 30.11

 

CMYK 0 / 6 / 38 / 12

HEX #E0D38A

RGB 224 211 138

HSL 50.93, 0.58%, 0.71%

LAB 84.11, -5.88, 37.77

 

CMYK 4 / 0 / 38 / 12

HEX #D6E08A

RGB 214 224 138

HSL 66.98, 0.58%, 0.71%

LAB 86.72, -16.31, 40.97

 

CMYK 15 / 0 / 38 / 12

HEX #BFE08A

RGB 191 224 138

HSL 83.02, 0.58%, 0.71%

LAB 85.11, -24.98, 38.58

 

CMYK 25 / 0 / 38 / 12

HEX #A8E08A

RGB 168 224 138

HSL 99.07, 0.58%, 0.71%

LAB 83.69, -33.21, 36.46

 

CMYK 9 / 0 / 65 / 19

HEX #BDCF49

RGB 189 207 73

HSL 68.06, 0.58%, 0.55%

LAB 79.57, -23.69, 62.06

 

CMYK 7 / 0 / 51 / 16

HEX #C9D76A

RGB 201 215 106

HSL 67.71, 0.58%, 0.63%

LAB 82.94, -20.21, 51.61

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08A

RGB 213 224 138

HSL 67.67, 0.58%, 0.71%

LAB 86.65, -16.69, 40.86

 

CMYK 3 / 0 / 27 / 9

HEX #E1E9AB

RGB 225 233 171

HSL 67.74, 0.58%, 0.79%

LAB 90.43, -12.55, 29.32

 

CMYK 2 / 0 / 16 / 5

HEX #ECF1CB

RGB 236 241 203

HSL 67.89, 0.58%, 0.87%

LAB 93.91, -7.98, 17.82

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

CMYK 38 / 0 / 26 / 12

HEX #8AE0A5

RGB 138 224 165

HSL 138.84, 0.58%, 0.71%

LAB 82.61, -38.46, 20.89

 

CMYK 11 / 38 / 0 / 12

HEX #C88AE0

RGB 200 138 224

HSL 283.26, 0.58%, 0.71%

LAB 66.4, 38.44, -34.56

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

CMYK 38 / 4 / 0 / 12

HEX #8AD6E0

RGB 138 214 224

HSL 186.98, 0.58%, 0.71%

LAB 81.22, -20.95, -12.36

 

CMYK 0 / 38 / 4 / 12

HEX #E08AD6

RGB 224 138 214

HSL 306.98, 0.58%, 0.71%

LAB 68.66, 43.92, -25.3

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

CMYK 38 / 0 / 26 / 12

HEX #8AE0A5

RGB 138 224 165

HSL 138.84, 0.58%, 0.71%

LAB 82.61, -38.46, 20.89

 

CMYK 34 / 38 / 0 / 12

HEX #948AE0

RGB 148 138 224

HSL 246.98, 0.58%, 0.71%

LAB 61.53, 23.37, -42.53

 

CMYK 0 / 38 / 12 / 12

HEX #E08AC5

RGB 224 138 197

HSL 318.84, 0.58%, 0.71%

LAB 68.06, 41.04, -16.76

 

CMYK 5 / 0 / 38 / 12

HEX #D5E08B

RGB 213 224 139

HSL 67.76, 0.58%, 0.71%

LAB 86.66, -16.58, 40.38

 

CMYK 38 / 0 / 15 / 12

HEX #8AE0BF

RGB 138 224 191

HSL 156.98, 0.58%, 0.71%

LAB 83.17, -33.34, 8.02

 

CMYK 34 / 38 / 0 / 12

HEX #948AE0

RGB 148 138 224

HSL 246.98, 0.58%, 0.71%

LAB 61.53, 23.37, -42.53

 

CMYK 0 / 38 / 24 / 12

HEX #E08AAB

RGB 224 138 171

HSL 336.98, 0.58%, 0.71%

LAB 67.25, 37.05, -3.4

 

Description

Color code: HEX #D5E08B | qconv.com Color code: HEX #D5E08B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 224 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 224 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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