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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E020 it is the complementary color #2A1FDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E020 shade: #DAE01B, #EBF22E, #FCFF41, #FFFF54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E020 shade: #D5E020, #C4CE0D, #B3BC00, #A2AA00 and #919800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E020 shade: #D5E01F, #E0B71F, #E0831F, #E04F1F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E020 shade: #D5E01F, #A1E01F, #6DE01F, #39E01F and #1FE039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E020 shade matches the following richer shades: #D5E01F and #E8F50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E020 shade: #D5E01F, #C3CC33, #B1B748, #9EA35C and #8C8E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E020 shade: #E0831F, #E0B61F, #D7E01F, #A3E01F and #6FE01F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E020 shade: #909815, #B3BC1A, #D5E01F, #DCE543 and #E3EA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E020 shade: #D5E020, #1FE04F and #9D1FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E020 shade: #D5E020, #1FD7E0 and #E01FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E020 shade: #D5E020, #1FE04F, #281FE0 and #E01FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E020 shade: #D5E020, #1FE089, #281FE0 and #E01F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

Complementary color

CMYK 81 / 86 / 0 / 13

HEX #2A1FDF

RGB 42 31 223

HSL 243.44, 0.76%, 0.5%

LAB 31.35, 64.7, -91.27

 

CMYK 3 / 0 / 88 / 12

HEX #DAE01B

RGB 218 224 27

HSL 61.83, 0.78%, 0.49%

LAB 86.15, -21.74, 82.2

 

CMYK 3 / 0 / 81 / 5

HEX #EBF22E

RGB 235 242 46

HSL 62.14, 0.88%, 0.56%

LAB 92.29, -22.89, 83.92

 

CMYK 1 / 0 / 75 / 0

HEX #FCFF41

RGB 252 255 65

HSL 60.95, 1%, 0.63%

LAB 97.06, -21.52, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

CMYK 5 / 0 / 94 / 19

HEX #C4CE0D

RGB 196 206 13

HSL 63.11, 0.88%, 0.43%

LAB 79.56, -22.47, 78.27

 

CMYK 5 / 0 / 100 / 26

HEX #B3BC00

RGB 179 188 0

HSL 62.87, 1%, 0.37%

LAB 73.25, -21.04, 74.28

 

CMYK 5 / 0 / 100 / 33

HEX #A2AA00

RGB 162 170 0

HSL 62.82, 1%, 0.33%

LAB 66.85, -19.43, 68.96

 

CMYK 5 / 0 / 100 / 40

HEX #919800

RGB 145 152 0

HSL 62.76, 1%, 0.3%

LAB 60.32, -17.8, 63.53

 

CMYK 5 / 0 / 86 / 12

HEX #D5E01F

RGB 213 224 31

HSL 63.42, 0.76%, 0.5%

LAB 85.78, -23.73, 81.03

 

CMYK 0 / 18 / 86 / 12

HEX #E0B71F

RGB 224 183 31

HSL 47.25, 0.76%, 0.5%

LAB 75.95, 1.6, 73.45

 

CMYK 0 / 42 / 86 / 12

HEX #E0831F

RGB 224 131 31

HSL 31.09, 0.76%, 0.5%

LAB 63.49, 29.24, 63.36

 

CMYK 0 / 65 / 86 / 12

HEX #E04F1F

RGB 224 79 31

HSL 14.92, 0.76%, 0.5%

LAB 53.53, 54.47, 55.26

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 5 / 0 / 86 / 12

HEX #D5E01F

RGB 213 224 31

HSL 63.42, 0.76%, 0.5%

LAB 85.78, -23.73, 81.03

 

CMYK 28 / 0 / 86 / 12

HEX #A1E01F

RGB 161 224 31

HSL 79.59, 0.76%, 0.5%

LAB 82.37, -44.39, 76.81

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 75 / 0 / 86 / 12

HEX #39E01F

RGB 57 224 31

HSL 111.92, 0.76%, 0.5%

LAB 78.62, -72.85, 72.12

 

CMYK 86 / 0 / 75 / 12

HEX #1FE039

RGB 31 224 57

HSL 128.08, 0.76%, 0.5%

LAB 78.4, -74.38, 64.79

 

CMYK 5 / 0 / 86 / 12

HEX #D5E01F

RGB 213 224 31

HSL 63.42, 0.76%, 0.5%

LAB 85.78, -23.73, 81.03

 

CMYK 5 / 0 / 96 / 4

HEX #E8F50A

RGB 232 245 10

HSL 63.32, 0.92%, 0.5%

LAB 92.79, -26.18, 89.77

 

CMYK 5 / 0 / 86 / 12

HEX #D5E01F

RGB 213 224 31

HSL 63.42, 0.76%, 0.5%

LAB 85.78, -23.73, 81.03

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 3 / 0 / 61 / 28

HEX #B1B748

RGB 177 183 72

HSL 63.24, 0.44%, 0.5%

LAB 72.02, -16.83, 54.15

 

CMYK 3 / 0 / 44 / 36

HEX #9EA35C

RGB 158 163 92

HSL 64.23, 0.28%, 0.5%

LAB 65.15, -12.68, 36.17

 

CMYK 1 / 0 / 20 / 44

HEX #8C8E71

RGB 140 142 113

HSL 64.14, 0.11%, 0.5%

LAB 58.14, -5.91, 15.24

 

CMYK 0 / 42 / 86 / 12

HEX #E0831F

RGB 224 131 31

HSL 31.09, 0.76%, 0.5%

LAB 63.49, 29.24, 63.36

 

CMYK 0 / 19 / 86 / 12

HEX #E0B61F

RGB 224 182 31

HSL 46.94, 0.76%, 0.5%

LAB 75.7, 2.12, 73.25

 

CMYK 4 / 0 / 86 / 12

HEX #D7E01F

RGB 215 224 31

HSL 62.8, 0.76%, 0.5%

LAB 85.94, -22.9, 81.21

 

CMYK 27 / 0 / 86 / 12

HEX #A3E01F

RGB 163 224 31

HSL 78.96, 0.76%, 0.5%

LAB 82.48, -43.64, 76.95

 

CMYK 50 / 0 / 86 / 12

HEX #6FE01F

RGB 111 224 31

HSL 95.13, 0.76%, 0.5%

LAB 80.06, -61.02, 73.92

 

CMYK 5 / 0 / 86 / 40

HEX #909815

RGB 144 152 21

HSL 63.66, 0.76%, 0.34%

LAB 60.28, -17.84, 59.93

 

CMYK 5 / 0 / 86 / 26

HEX #B3BC1A

RGB 179 188 26

HSL 63.33, 0.76%, 0.42%

LAB 73.3, -20.63, 70.74

 

CMYK 5 / 0 / 86 / 12

HEX #D5E01F

RGB 213 224 31

HSL 63.42, 0.76%, 0.5%

LAB 85.78, -23.73, 81.03

 

CMYK 4 / 0 / 71 / 10

HEX #DCE543

RGB 220 229 67

HSL 63.33, 0.76%, 0.58%

LAB 87.8, -22, 73.31

 

CMYK 3 / 0 / 56 / 8

HEX #E3EA67

RGB 227 234 103

HSL 63.21, 0.76%, 0.66%

LAB 89.93, -19.39, 61.52

 

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

CMYK 86 / 0 / 65 / 12

HEX #1FE04F

RGB 31 224 79

HSL 134.92, 0.76%, 0.5%

LAB 78.56, -72.41, 56.74

 

CMYK 30 / 86 / 0 / 12

HEX #9D1FE0

RGB 157 31 224

HSL 279.17, 0.76%, 0.5%

LAB 43.55, 75.41, -71.3

 

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

CMYK 86 / 4 / 0 / 12

HEX #1FD7E0

RGB 31 215 224

HSL 182.8, 0.76%, 0.5%

LAB 78.62, -38.48, -16.56

 

CMYK 0 / 86 / 4 / 12

HEX #E01FD7

RGB 224 31 215

HSL 302.8, 0.76%, 0.5%

LAB 53.74, 84.69, -49.18

 

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

CMYK 86 / 0 / 65 / 12

HEX #1FE04F

RGB 31 224 79

HSL 134.92, 0.76%, 0.5%

LAB 78.56, -72.41, 56.74

 

CMYK 82 / 86 / 0 / 12

HEX #281FE0

RGB 40 31 224

HSL 242.8, 0.76%, 0.5%

LAB 31.38, 64.9, -91.79

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 5 / 0 / 86 / 12

HEX #D5E020

RGB 213 224 32

HSL 63.44, 0.76%, 0.5%

LAB 85.79, -23.71, 80.84

 

CMYK 86 / 0 / 39 / 12

HEX #1FE089

RGB 31 224 137

HSL 152.95, 0.76%, 0.5%

LAB 79.28, -63.8, 30.35

 

CMYK 82 / 86 / 0 / 12

HEX #281FE0

RGB 40 31 224

HSL 242.8, 0.76%, 0.5%

LAB 31.38, 64.9, -91.79

 

CMYK 0 / 86 / 47 / 12

HEX #E01F76

RGB 224 31 118

HSL 332.95, 0.76%, 0.5%

LAB 49.66, 73.65, 1.8

 

Description

Color code: HEX #D5E020 | qconv.com Color code: HEX #D5E020 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 224 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 224 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 86 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 86% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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