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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D40F it is the complementary color #2A2BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D40F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D40F shade: #DAD40A, #EBE61D, #FCF830, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D40F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D40F shade: #D5D40F, #C4C200, #B3B000, #A29E00 and #918C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D40F shade: #D7D60F, #D7A00F, #D76A0F, #D7340F and #D70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D40F shade: #D7D60F, #A2D70F, #6CD70F, #36D70F and #0FD71E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D40F shade matches the following richer shades: #D7D60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D40F shade: #D7D60F, #C4C321, #B1B134, #9F9E47 and #8C8C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D40F shade: #D7690F, #D79E0F, #D7D30F, #A5D70F and #6FD70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D40F shade: #89890A, #B0AF0C, #D7D60F, #EFEE1F and #F2F146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D40F shade: #D5D40F, #0FD734 and #830FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D40F shade: #D5D40F, #0FD7D3 and #D30FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D40F shade: #D5D40F, #0FD734, #0F12D7 and #D70FB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D40F shade: #D5D40F, #0FD76F, #0F12D7 and #D70F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

Complementary color

CMYK 83 / 82 / 0 / 6

HEX #2A2BF0

RGB 42 43 240

HSL 239.7, 0.87%, 0.55%

LAB 35.03, 64.76, -94.84

 

CMYK 0 / 3 / 95 / 15

HEX #DAD40A

RGB 218 212 10

HSL 58.27, 0.91%, 0.45%

LAB 82.92, -16.11, 81.88

 

CMYK 0 / 2 / 88 / 8

HEX #EBE61D

RGB 235 230 29

HSL 58.54, 0.84%, 0.52%

LAB 89.09, -17.51, 84.75

 

CMYK 0 / 2 / 81 / 1

HEX #FCF830

RGB 252 248 48

HSL 58.82, 0.97%, 0.59%

LAB 95.18, -18.74, 86.42

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

CMYK 0 / 1 / 100 / 23

HEX #C4C200

RGB 196 194 0

HSL 59.39, 1%, 0.38%

LAB 76.26, -16.68, 77.11

 

CMYK 0 / 2 / 100 / 30

HEX #B3B000

RGB 179 176 0

HSL 58.99, 1%, 0.35%

LAB 69.92, -15, 71.84

 

CMYK 0 / 2 / 100 / 36

HEX #A29E00

RGB 162 158 0

HSL 58.52, 1%, 0.32%

LAB 63.45, -13.28, 66.47

 

CMYK 0 / 3 / 100 / 43

HEX #918C00

RGB 145 140 0

HSL 57.93, 1%, 0.28%

LAB 56.86, -11.5, 60.99

 

CMYK 0 / 0 / 93 / 16

HEX #D7D60F

RGB 215 214 15

HSL 59.7, 0.87%, 0.45%

LAB 83.22, -18.31, 81.49

 

CMYK 0 / 26 / 93 / 16

HEX #D7A00F

RGB 215 160 15

HSL 43.5, 0.87%, 0.45%

LAB 69.2, 9.57, 70.98

 

CMYK 0 / 51 / 93 / 16

HEX #D76A0F

RGB 215 106 15

HSL 27.3, 0.87%, 0.45%

LAB 56.87, 38.26, 62.15

 

CMYK 0 / 76 / 93 / 16

HEX #D7340F

RGB 215 52 15

HSL 11.1, 0.87%, 0.45%

LAB 48.18, 61.27, 56.39

 

CMYK 0 / 93 / 93 / 16

HEX #D70F0F

RGB 215 15 15

HSL 0, 0.87%, 0.45%

LAB 45.39, 69.19, 54.69

 

CMYK 0 / 0 / 93 / 16

HEX #D7D60F

RGB 215 214 15

HSL 59.7, 0.87%, 0.45%

LAB 83.22, -18.31, 81.49

 

CMYK 25 / 0 / 93 / 16

HEX #A2D70F

RGB 162 215 15

HSL 75.9, 0.87%, 0.45%

LAB 79.79, -40.45, 77.24

 

CMYK 50 / 0 / 93 / 16

HEX #6CD70F

RGB 108 215 15

HSL 92.1, 0.87%, 0.45%

LAB 77.18, -59.04, 74.03

 

CMYK 75 / 0 / 93 / 16

HEX #36D70F

RGB 54 215 15

HSL 108.3, 0.87%, 0.45%

LAB 75.71, -71.12, 72.23

 

CMYK 93 / 0 / 86 / 16

HEX #0FD71E

RGB 15 215 30

HSL 124.5, 0.87%, 0.45%

LAB 75.32, -74.43, 69.24

 

CMYK 0 / 0 / 93 / 16

HEX #D7D60F

RGB 215 214 15

HSL 59.7, 0.87%, 0.45%

LAB 83.22, -18.31, 81.49

 

CMYK 0 / 0 / 93 / 16

HEX #D7D60F

RGB 215 214 15

HSL 59.7, 0.87%, 0.45%

LAB 83.22, -18.31, 81.49

 

CMYK 0 / 1 / 83 / 23

HEX #C4C321

RGB 196 195 33

HSL 59.63, 0.71%, 0.45%

LAB 76.6, -16.65, 72.49

 

CMYK 0 / 0 / 71 / 31

HEX #B1B134

RGB 177 177 52

HSL 60, 0.55%, 0.45%

LAB 70.2, -14.99, 60.38

 

CMYK 0 / 1 / 55 / 38

HEX #9F9E47

RGB 159 158 71

HSL 59.32, 0.38%, 0.45%

LAB 63.57, -11.64, 44.8

 

CMYK 0 / 0 / 36 / 45

HEX #8C8C59

RGB 140 140 89

HSL 60, 0.22%, 0.45%

LAB 57.13, -8.22, 27.28

 

CMYK 0 / 51 / 93 / 16

HEX #D7690F

RGB 215 105 15

HSL 27, 0.87%, 0.45%

LAB 56.67, 38.77, 62.01

 

CMYK 0 / 27 / 93 / 16

HEX #D79E0F

RGB 215 158 15

HSL 42.9, 0.87%, 0.45%

LAB 68.7, 10.64, 70.61

 

CMYK 0 / 2 / 93 / 16

HEX #D7D30F

RGB 215 211 15

HSL 58.8, 0.87%, 0.45%

LAB 82.42, -16.84, 80.88

 

CMYK 23 / 0 / 93 / 16

HEX #A5D70F

RGB 165 215 15

HSL 75, 0.87%, 0.45%

LAB 79.97, -39.29, 77.46

 

CMYK 48 / 0 / 93 / 16

HEX #6FD70F

RGB 111 215 15

HSL 91.2, 0.87%, 0.45%

LAB 77.29, -58.15, 74.17

 

CMYK 0 / 0 / 93 / 46

HEX #89890A

RGB 137 137 10

HSL 60, 0.86%, 0.29%

LAB 55.31, -13.4, 57.86

 

CMYK 0 / 1 / 93 / 31

HEX #B0AF0C

RGB 176 175 12

HSL 59.63, 0.87%, 0.37%

LAB 69.41, -15.66, 69.91

 

CMYK 0 / 0 / 93 / 16

HEX #D7D60F

RGB 215 214 15

HSL 59.7, 0.87%, 0.45%

LAB 83.22, -18.31, 81.49

 

CMYK 0 / 0 / 87 / 6

HEX #EFEE1F

RGB 239 238 31

HSL 59.71, 0.87%, 0.53%

LAB 91.5, -19.68, 86.47

 

CMYK 0 / 0 / 71 / 5

HEX #F2F146

RGB 242 241 70

HSL 59.65, 0.87%, 0.61%

LAB 92.68, -18.67, 77.57

 

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

CMYK 93 / 0 / 76 / 16

HEX #0FD734

RGB 15 215 52

HSL 131.1, 0.87%, 0.45%

LAB 75.42, -73.19, 63.43

 

CMYK 39 / 93 / 0 / 16

HEX #830FD7

RGB 131 15 215

HSL 274.8, 0.87%, 0.45%

LAB 37.97, 73.4, -75.42

 

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

CMYK 93 / 0 / 2 / 16

HEX #0FD7D3

RGB 15 215 211

HSL 178.8, 0.87%, 0.45%

LAB 78.11, -43.05, -10.37

 

CMYK 2 / 93 / 0 / 16

HEX #D30FD7

RGB 211 15 215

HSL 298.8, 0.87%, 0.45%

LAB 50.8, 84.57, -54.01

 

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

CMYK 93 / 0 / 76 / 16

HEX #0FD734

RGB 15 215 52

HSL 131.1, 0.87%, 0.45%

LAB 75.42, -73.19, 63.43

 

CMYK 93 / 92 / 0 / 16

HEX #0F12D7

RGB 15 18 215

HSL 239.1, 0.87%, 0.45%

LAB 27.95, 66.02, -92.33

 

CMYK 0 / 93 / 17 / 16

HEX #D70FB2

RGB 215 15 178

HSL 311.1, 0.87%, 0.45%

LAB 49.5, 80.21, -34.58

 

CMYK 0 / 0 / 93 / 16

HEX #D5D40F

RGB 213 212 15

HSL 59.7, 0.87%, 0.45%

LAB 82.52, -18.18, 80.89

 

CMYK 93 / 0 / 48 / 16

HEX #0FD76F

RGB 15 215 111

HSL 148.8, 0.87%, 0.45%

LAB 75.98, -66.29, 39.09

 

CMYK 93 / 92 / 0 / 16

HEX #0F12D7

RGB 15 18 215

HSL 239.1, 0.87%, 0.45%

LAB 27.95, 66.02, -92.33

 

CMYK 0 / 93 / 45 / 16

HEX #D70F76

RGB 215 15 118

HSL 329.1, 0.87%, 0.45%

LAB 47.1, 73.9, -2.15

 

Description

Color code: HEX #D5D40F | qconv.com Color code: HEX #D5D40F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 212 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 212 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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