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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D06F it is the complementary color #2A2F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D06F shade: #DAD06A, #EBE27D, #FCF490, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D06F shade: #D5D06F, #C4BE5C, #B3AC49, #A29A36 and #918823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D06F shade: #D6D171, #D6B671, #D69A71, #D67F71 and #D67171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D06F shade: #D6D171, #BFD671, #A4D671, #89D671 and #71D674

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D06F shade matches the following richer shades: #D6D171, #E5DE62 and #F3EC53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D06F shade: #D6D171, #C7C380, #B8B68E, #A9A99D and #9A9BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D06F shade: #D69B71, #D6B671, #D6D171, #C0D671 and #A5D671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D06F shade: #BDB637, #CCC651, #D6D171, #DFDB91 and #E8E6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D06F shade: #D5D06F, #71D680 and #A871D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D06F shade: #D5D06F, #71D6D1 and #D171D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D06F shade: #D5D06F, #71D680, #7176D6 and #D671C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D06F shade: #D5D06F, #71D69E, #7176D6 and #D671A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

Complementary color

CMYK 71 / 67 / 0 / 44

HEX #2A2F90

RGB 42 47 144

HSL 237.06, 0.55%, 0.36%

LAB 25.38, 31.28, -54.14

 

CMYK 0 / 5 / 51 / 15

HEX #DAD06A

RGB 218 208 106

HSL 54.64, 0.6%, 0.64%

LAB 82.41, -9.88, 51.31

 

CMYK 0 / 4 / 47 / 8

HEX #EBE27D

RGB 235 226 125

HSL 55.09, 0.73%, 0.71%

LAB 88.7, -10.43, 50.15

 

CMYK 0 / 3 / 43 / 1

HEX #FCF490

RGB 252 244 144

HSL 55.56, 0.95%, 0.78%

LAB 94.91, -10.89, 48.98

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

CMYK 0 / 3 / 53 / 23

HEX #C4BE5C

RGB 196 190 92

HSL 56.54, 0.47%, 0.56%

LAB 75.66, -10.92, 49.55

 

CMYK 0 / 4 / 59 / 30

HEX #B3AC49

RGB 179 172 73

HSL 56.04, 0.42%, 0.49%

LAB 69.16, -10.25, 50.62

 

CMYK 0 / 5 / 67 / 36

HEX #A29A36

RGB 162 154 54

HSL 55.56, 0.5%, 0.42%

LAB 62.56, -9.43, 51.48

 

CMYK 0 / 6 / 76 / 43

HEX #918823

RGB 145 136 35

HSL 55.09, 0.61%, 0.35%

LAB 55.84, -8.4, 51.86

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 0 / 15 / 47 / 16

HEX #D6B671

RGB 214 182 113

HSL 40.99, 0.55%, 0.64%

LAB 75.42, 2.58, 39.25

 

CMYK 0 / 28 / 47 / 16

HEX #D69A71

RGB 214 154 113

HSL 24.36, 0.55%, 0.64%

LAB 68.46, 17.59, 30.35

 

CMYK 0 / 41 / 47 / 16

HEX #D67F71

RGB 214 127 113

HSL 8.32, 0.55%, 0.64%

LAB 62.23, 32.13, 22.09

 

CMYK 0 / 47 / 47 / 16

HEX #D67171

RGB 214 113 113

HSL 0, 0.55%, 0.64%

LAB 59.25, 39.47, 18.05

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 11 / 0 / 47 / 16

HEX #BFD671

RGB 191 214 113

HSL 73.66, 0.55%, 0.64%

LAB 82.03, -22.98, 47.02

 

CMYK 23 / 0 / 47 / 16

HEX #A4D671

RGB 164 214 113

HSL 89.7, 0.55%, 0.64%

LAB 80.28, -33.14, 44.47

 

CMYK 36 / 0 / 47 / 16

HEX #89D671

RGB 137 214 113

HSL 105.74, 0.55%, 0.64%

LAB 78.81, -42.46, 42.33

 

CMYK 47 / 0 / 46 / 16

HEX #71D674

RGB 113 214 116

HSL 121.78, 0.55%, 0.64%

LAB 77.8, -49.32, 39.35

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 0 / 3 / 57 / 10

HEX #E5DE62

RGB 229 222 98

HSL 56.79, 0.72%, 0.64%

LAB 86.89, -13.06, 60.34

 

CMYK 0 / 3 / 66 / 5

HEX #F3EC53

RGB 243 236 83

HSL 57.38, 0.87%, 0.64%

LAB 91.54, -15.19, 71.81

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 0 / 2 / 36 / 22

HEX #C7C380

RGB 199 195 128

HSL 56.62, 0.39%, 0.64%

LAB 77.72, -8.66, 34.21

 

CMYK 0 / 1 / 23 / 28

HEX #B8B68E

RGB 184 182 142

HSL 57.14, 0.23%, 0.64%

LAB 73.28, -5.9, 20.67

 

CMYK 0 / 0 / 7 / 34

HEX #A9A99D

RGB 169 169 157

HSL 60, 0.07%, 0.64%

LAB 68.93, -2.19, 6.18

 

CMYK 10 / 10 / 0 / 33

HEX #9A9BAC

RGB 154 155 172

HSL 236.67, 0.1%, 0.64%

LAB 64.4, 3.08, -8.96

 

CMYK 0 / 28 / 47 / 16

HEX #D69B71

RGB 214 155 113

HSL 24.95, 0.55%, 0.64%

LAB 68.7, 17.05, 30.67

 

CMYK 0 / 15 / 47 / 16

HEX #D6B671

RGB 214 182 113

HSL 40.99, 0.55%, 0.64%

LAB 75.42, 2.58, 39.25

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 10 / 0 / 47 / 16

HEX #C0D671

RGB 192 214 113

HSL 73.07, 0.55%, 0.64%

LAB 82.1, -22.59, 47.12

 

CMYK 23 / 0 / 47 / 16

HEX #A5D671

RGB 165 214 113

HSL 89.11, 0.55%, 0.64%

LAB 80.34, -32.78, 44.56

 

CMYK 0 / 4 / 71 / 26

HEX #BDB637

RGB 189 182 55

HSL 56.87, 0.55%, 0.48%

LAB 72.59, -12.23, 61.95

 

CMYK 0 / 3 / 60 / 20

HEX #CCC651

RGB 204 198 81

HSL 57.07, 0.55%, 0.56%

LAB 78.36, -12.5, 57.77

 

CMYK 0 / 2 / 47 / 16

HEX #D6D171

RGB 214 209 113

HSL 57.03, 0.55%, 0.64%

LAB 82.43, -11.39, 47.9

 

CMYK 0 / 2 / 35 / 13

HEX #DFDB91

RGB 223 219 145

HSL 56.92, 0.55%, 0.72%

LAB 86.2, -9.54, 36.92

 

CMYK 0 / 1 / 24 / 9

HEX #E8E6B1

RGB 232 230 177

HSL 57.82, 0.54%, 0.8%

LAB 90.29, -7.65, 26.14

 

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

CMYK 47 / 0 / 40 / 16

HEX #71D680

RGB 113 214 128

HSL 128.91, 0.55%, 0.64%

LAB 77.97, -47.51, 33.56

 

CMYK 21 / 47 / 0 / 16

HEX #A871D6

RGB 168 113 214

HSL 272.67, 0.55%, 0.64%

LAB 57.07, 40.66, -43.83

 

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

CMYK 47 / 0 / 2 / 16

HEX #71D6D1

RGB 113 214 209

HSL 177.03, 0.55%, 0.64%

LAB 79.73, -30.7, -6.68

 

CMYK 2 / 47 / 0 / 16

HEX #D171D6

RGB 209 113 214

HSL 297.03, 0.55%, 0.64%

LAB 61.84, 52.24, -36

 

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

CMYK 47 / 0 / 40 / 16

HEX #71D680

RGB 113 214 128

HSL 128.91, 0.55%, 0.64%

LAB 77.97, -47.51, 33.56

 

CMYK 47 / 45 / 0 / 16

HEX #7176D6

RGB 113 118 214

HSL 237.03, 0.55%, 0.64%

LAB 53.3, 23.46, -50.11

 

CMYK 0 / 47 / 7 / 16

HEX #D671C7

RGB 214 113 199

HSL 308.91, 0.55%, 0.64%

LAB 61.85, 51.06, -27.48

 

CMYK 0 / 2 / 48 / 16

HEX #D5D06F

RGB 213 208 111

HSL 57.06, 0.55%, 0.64%

LAB 82.06, -11.47, 48.4

 

CMYK 47 / 0 / 26 / 16

HEX #71D69E

RGB 113 214 158

HSL 146.73, 0.55%, 0.64%

LAB 78.5, -42.17, 18.71

 

CMYK 47 / 45 / 0 / 16

HEX #7176D6

RGB 113 118 214

HSL 237.03, 0.55%, 0.64%

LAB 53.3, 23.46, -50.11

 

CMYK 0 / 47 / 21 / 16

HEX #D671A8

RGB 214 113 168

HSL 327.33, 0.55%, 0.64%

LAB 60.72, 46.18, -11.54

 

Description

Color code: HEX #D5D06F | qconv.com Color code: HEX #D5D06F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 208 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 208 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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