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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C6BC it is the complementary color #2A3943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C6BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C6BC shade: #DAC6B7, #EBD8CA, #FCEADD, #FFFCF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C6BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C6BC shade: #D5C6BC, #C4B4A9, #B3A296, #A29083 and #917E70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C6BC shade: #D6C7BD, #D6C0BD and #D6BDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C6BC shade: #D6C7BD, #D6CEBD, #D6D4BD, #D1D6BD and #CAD6BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C6BC shade matches the following richer shades: #D6C7BD, #DEC5B4, #E7C4AC, #F0C2A3 and #F8C09A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C6BC shade: #D6C7BD, #CDC9C6, #C4CACE, #BCCCD7 and #B3CEE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C6BC shade: #D6BDC0, #D6C0BD, #D6C7BD, #D6CEBD and #D6D4BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C6BC shade: #B69C8A, #C6B1A4, #D6C7BD, #E6DDD7 and #F6F2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C6BC shade: #D5C6BC, #C7D6BD and #BDBDD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C6BC shade: #D5C6BC, #BDD6C7 and #C7BDD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C6BC shade: #D5C6BC, #C7D6BD, #BDCCD6 and #CCBDD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C6BC shade: #D5C6BC, #C0D6BD, #BDCCD6 and #D3BDD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

Complementary color

CMYK 37 / 15 / 0 / 74

HEX #2A3943

RGB 42 57 67

HSL 204, 0.23%, 0.21%

LAB 23.08, -3.2, -8.16

 

CMYK 0 / 9 / 16 / 15

HEX #DAC6B7

RGB 218 198 183

HSL 25.71, 0.32%, 0.79%

LAB 81.13, 4.58, 10.05

 

CMYK 0 / 8 / 14 / 8

HEX #EBD8CA

RGB 235 216 202

HSL 25.45, 0.45%, 0.86%

LAB 87.5, 4.27, 9.26

 

CMYK 0 / 7 / 12 / 1

HEX #FCEADD

RGB 252 234 221

HSL 25.16, 0.84%, 0.93%

LAB 93.78, 3.99, 8.5

 

CMYK 0 / 1 / 6 / 0

HEX #FFFCF0

RGB 255 252 240

HSL 48, 1%, 0.97%

LAB 98.9, -1.04, 6.08

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

CMYK 0 / 8 / 14 / 23

HEX #C4B4A9

RGB 196 180 169

HSL 24.44, 0.19%, 0.72%

LAB 74.34, 3.85, 7.66

 

CMYK 0 / 9 / 16 / 30

HEX #B3A296

RGB 179 162 150

HSL 24.83, 0.16%, 0.65%

LAB 67.74, 4.17, 8.48

 

CMYK 0 / 11 / 19 / 36

HEX #A29083

RGB 162 144 131

HSL 25.16, 0.14%, 0.57%

LAB 61.02, 4.53, 9.35

 

CMYK 0 / 13 / 23 / 43

HEX #917E70

RGB 145 126 112

HSL 25.45, 0.13%, 0.5%

LAB 54.14, 4.94, 10.3

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 10 / 12 / 16

HEX #D6C0BD

RGB 214 192 189

HSL 7.2, 0.23%, 0.79%

LAB 79.43, 7.27, 4.33

 

CMYK 0 / 12 / 12 / 16

HEX #D6BDBD

RGB 214 189 189

HSL 0, 0.23%, 0.79%

LAB 78.67, 8.87, 3.25

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 4 / 12 / 16

HEX #D6CEBD

RGB 214 206 189

HSL 40.8, 0.23%, 0.79%

LAB 82.97, -0.12, 9.43

 

CMYK 0 / 1 / 12 / 16

HEX #D6D4BD

RGB 214 212 189

HSL 55.2, 0.23%, 0.79%

LAB 84.51, -3.23, 11.63

 

CMYK 2 / 0 / 12 / 16

HEX #D1D6BD

RGB 209 214 189

HSL 72, 0.23%, 0.79%

LAB 84.65, -6.05, 11.77

 

CMYK 6 / 0 / 12 / 16

HEX #CAD6BD

RGB 202 214 189

HSL 88.8, 0.23%, 0.79%

LAB 84.13, -8.52, 10.96

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 11 / 19 / 13

HEX #DEC5B4

RGB 222 197 180

HSL 24.29, 0.39%, 0.79%

LAB 81.16, 6.11, 11.74

 

CMYK 0 / 15 / 26 / 9

HEX #E7C4AC

RGB 231 196 172

HSL 24.41, 0.55%, 0.79%

LAB 81.54, 8.84, 16.66

 

CMYK 0 / 19 / 32 / 6

HEX #F0C2A3

RGB 240 194 163

HSL 24.16, 0.72%, 0.79%

LAB 81.7, 12.12, 21.81

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09A

RGB 248 192 154

HSL 24.26, 0.87%, 0.79%

LAB 81.83, 15.17, 26.87

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 2 / 3 / 20

HEX #CDC9C6

RGB 205 201 198

HSL 25.71, 0.07%, 0.79%

LAB 81.2, 0.85, 1.98

 

CMYK 5 / 2 / 0 / 19

HEX #C4CACE

RGB 196 202 206

HSL 204, 0.09%, 0.79%

LAB 80.98, -1.29, -2.71

 

CMYK 13 / 5 / 0 / 16

HEX #BCCCD7

RGB 188 204 215

HSL 204.44, 0.25%, 0.79%

LAB 81.17, -3.21, -7.31

 

CMYK 20 / 8 / 0 / 12

HEX #B3CEE0

RGB 179 206 224

HSL 204, 0.42%, 0.79%

LAB 81.35, -5.2, -11.93

 

CMYK 0 / 12 / 10 / 16

HEX #D6BDC0

RGB 214 189 192

HSL 352.8, 0.23%, 0.79%

LAB 78.75, 9.37, 1.74

 

CMYK 0 / 10 / 12 / 16

HEX #D6C0BD

RGB 214 192 189

HSL 7.2, 0.23%, 0.79%

LAB 79.43, 7.27, 4.33

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 4 / 12 / 16

HEX #D6CEBD

RGB 214 206 189

HSL 40.8, 0.23%, 0.79%

LAB 82.97, -0.12, 9.43

 

CMYK 0 / 1 / 12 / 16

HEX #D6D4BD

RGB 214 212 189

HSL 55.2, 0.23%, 0.79%

LAB 84.51, -3.23, 11.63

 

CMYK 0 / 14 / 24 / 29

HEX #B69C8A

RGB 182 156 138

HSL 24.55, 0.23%, 0.63%

LAB 66.18, 6.76, 12.98

 

CMYK 0 / 11 / 17 / 22

HEX #C6B1A4

RGB 198 177 164

HSL 22.94, 0.23%, 0.71%

LAB 73.63, 5.41, 9.39

 

CMYK 0 / 7 / 12 / 16

HEX #D6C7BD

RGB 214 199 189

HSL 24, 0.23%, 0.79%

LAB 81.19, 3.56, 6.88

 

CMYK 0 / 4 / 7 / 10

HEX #E6DDD7

RGB 230 221 215

HSL 24, 0.23%, 0.87%

LAB 88.66, 2.04, 4.02

 

CMYK 0 / 2 / 2 / 4

HEX #F6F2F0

RGB 246 242 240

HSL 20, 0.25%, 0.95%

LAB 95.74, 0.99, 1.42

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

CMYK 7 / 0 / 12 / 16

HEX #C7D6BD

RGB 199 214 189

HSL 96, 0.23%, 0.79%

LAB 83.92, -9.57, 10.63

 

CMYK 12 / 12 / 0 / 16

HEX #BDBDD6

RGB 189 189 214

HSL 240, 0.23%, 0.79%

LAB 77.32, 4.9, -12.5

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

CMYK 12 / 0 / 7 / 16

HEX #BDD6C7

RGB 189 214 199

HSL 144, 0.23%, 0.79%

LAB 83.46, -11.19, 4.58

 

CMYK 7 / 12 / 0 / 16

HEX #C7BDD6

RGB 199 189 214

HSL 264, 0.23%, 0.79%

LAB 78.11, 8.2, -11.25

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

CMYK 7 / 0 / 12 / 16

HEX #C7D6BD

RGB 199 214 189

HSL 96, 0.23%, 0.79%

LAB 83.92, -9.57, 10.63

 

CMYK 12 / 5 / 0 / 16

HEX #BDCCD6

RGB 189 204 214

HSL 204, 0.23%, 0.79%

LAB 81.21, -3.09, -6.71

 

CMYK 5 / 12 / 0 / 16

HEX #CCBDD6

RGB 204 189 214

HSL 276, 0.23%, 0.79%

LAB 78.51, 9.87, -10.6

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BC

RGB 213 198 188

HSL 24, 0.23%, 0.79%

LAB 80.83, 3.56, 6.89

 

CMYK 10 / 0 / 12 / 16

HEX #C0D6BD

RGB 192 214 189

HSL 112.8, 0.23%, 0.79%

LAB 83.43, -11.99, 9.86

 

CMYK 12 / 5 / 0 / 16

HEX #BDCCD6

RGB 189 204 214

HSL 204, 0.23%, 0.79%

LAB 81.21, -3.09, -6.71

 

CMYK 1 / 12 / 0 / 16

HEX #D3BDD6

RGB 211 189 214

HSL 292.8, 0.23%, 0.79%

LAB 79.1, 12.23, -9.66

 

Description

Color code: HEX #D5C6BC | qconv.com Color code: HEX #D5C6BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 198 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 198 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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