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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5BC63 it is the complementary color #2A439C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5BC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5BC63 shade: #DABC5E, #EBCE71, #FCE084, #FFF297 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5BC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5BC63 shade: #D5BC63, #C4AA50, #B3983D, #A2862A and #917417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5BC63 shade: #D5BC62, #D59D62, #D57E62 and #D56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5BC63 shade: #D5BC62, #CFD562, #B0D562, #91D562 and #72D562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5BC63 shade matches the following richer shades: #D5BC62, #E5C552 and #F5CE42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5BC63 shade: #D5BC62, #C5B372, #B5AA82, #A5A192 and #9598A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5BC63 shade: #D57D62, #D59C62, #D5BA62, #D1D562 and #B3D562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5BC63 shade: #B59830, #CDAE41, #D5BC62, #DECA82 and #E7D8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5BC63 shade: #D5BC63, #66D562 and #8C62D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5BC63 shade: #D5BC63, #62D5BA and #BA62D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5BC63 shade: #D5BC63, #66D562, #627DD5 and #D162D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5BC63 shade: #D5BC63, #62D581, #627DD5 and #D562B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

Complementary color

CMYK 73 / 57 / 0 / 39

HEX #2A439C

RGB 42 67 156

HSL 226.84, 0.58%, 0.39%

LAB 31.59, 22.44, -51.35

 

CMYK 0 / 14 / 57 / 15

HEX #DABC5E

RGB 218 188 94

HSL 45.48, 0.63%, 0.61%

LAB 77.09, -0.55, 50.76

 

CMYK 0 / 12 / 52 / 8

HEX #EBCE71

RGB 235 206 113

HSL 45.74, 0.75%, 0.68%

LAB 83.44, -1.35, 49.55

 

CMYK 0 / 11 / 48 / 1

HEX #FCE084

RGB 252 224 132

HSL 46, 0.95%, 0.75%

LAB 89.71, -2.03, 48.32

 

CMYK 0 / 5 / 41 / 0

HEX #FFF297

RGB 255 242 151

HSL 52.5, 1%, 0.8%

LAB 94.74, -8.05, 45.42

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

CMYK 0 / 13 / 59 / 23

HEX #C4AA50

RGB 196 170 80

HSL 46.55, 0.5%, 0.54%

LAB 70.22, -1.41, 48.97

 

CMYK 0 / 15 / 66 / 30

HEX #B3983D

RGB 179 152 61

HSL 46.27, 0.49%, 0.47%

LAB 63.65, -0.42, 50.06

 

CMYK 0 / 17 / 74 / 36

HEX #A2862A

RGB 162 134 42

HSL 46, 0.59%, 0.4%

LAB 56.98, 0.79, 50.83

 

CMYK 0 / 20 / 84 / 43

HEX #917417

RGB 145 116 23

HSL 45.74, 0.73%, 0.33%

LAB 50.18, 2.27, 50.87

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC62

RGB 213 188 98

HSL 46.96, 0.58%, 0.61%

LAB 76.68, -2.32, 48.24

 

CMYK 0 / 26 / 54 / 16

HEX #D59D62

RGB 213 157 98

HSL 30.78, 0.58%, 0.61%

LAB 68.85, 14.19, 38.79

 

CMYK 0 / 41 / 54 / 16

HEX #D57E62

RGB 213 126 98

HSL 14.61, 0.58%, 0.61%

LAB 61.61, 30.9, 29.65

 

CMYK 0 / 54 / 54 / 16

HEX #D56262

RGB 213 98 98

HSL 0, 0.58%, 0.61%

LAB 55.85, 45.28, 22.1

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC62

RGB 213 188 98

HSL 46.96, 0.58%, 0.61%

LAB 76.68, -2.32, 48.24

 

CMYK 3 / 0 / 54 / 16

HEX #CFD562

RGB 207 213 98

HSL 63.13, 0.58%, 0.61%

LAB 82.77, -17.51, 55.21

 

CMYK 17 / 0 / 54 / 16

HEX #B0D562

RGB 176 213 98

HSL 79.3, 0.58%, 0.61%

LAB 80.57, -29.75, 52.1

 

CMYK 32 / 0 / 54 / 16

HEX #91D562

RGB 145 213 98

HSL 95.48, 0.58%, 0.61%

LAB 78.75, -41.1, 49.5

 

CMYK 46 / 0 / 54 / 16

HEX #72D562

RGB 114 213 98

HSL 111.65, 0.58%, 0.61%

LAB 77.31, -50.99, 47.44

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC62

RGB 213 188 98

HSL 46.96, 0.58%, 0.61%

LAB 76.68, -2.32, 48.24

 

CMYK 0 / 14 / 64 / 10

HEX #E5C552

RGB 229 197 82

HSL 46.94, 0.74%, 0.61%

LAB 80.29, -1.44, 60.07

 

CMYK 0 / 16 / 73 / 4

HEX #F5CE42

RGB 245 206 66

HSL 46.93, 0.9%, 0.61%

LAB 83.94, -0.17, 70.65

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC62

RGB 213 188 98

HSL 46.96, 0.58%, 0.61%

LAB 76.68, -2.32, 48.24

 

CMYK 0 / 9 / 42 / 23

HEX #C5B372

RGB 197 179 114

HSL 46.99, 0.42%, 0.61%

LAB 73.11, -2.68, 35.49

 

CMYK 0 / 6 / 28 / 29

HEX #B5AA82

RGB 181 170 130

HSL 47.06, 0.26%, 0.61%

LAB 69.6, -2.38, 22.09

 

CMYK 0 / 2 / 12 / 35

HEX #A5A192

RGB 165 161 146

HSL 47.37, 0.1%, 0.61%

LAB 66.19, -1.24, 8.32

 

CMYK 8 / 6 / 0 / 36

HEX #9598A2

RGB 149 152 162

HSL 226.15, 0.07%, 0.61%

LAB 62.89, 0.94, -5.61

 

CMYK 0 / 41 / 54 / 16

HEX #D57D62

RGB 213 125 98

HSL 14.09, 0.58%, 0.61%

LAB 61.39, 31.43, 29.37

 

CMYK 0 / 27 / 54 / 16

HEX #D59C62

RGB 213 156 98

HSL 30.26, 0.58%, 0.61%

LAB 68.61, 14.73, 38.49

 

CMYK 0 / 13 / 54 / 16

HEX #D5BA62

RGB 213 186 98

HSL 45.91, 0.58%, 0.61%

LAB 76.16, -1.28, 47.63

 

CMYK 2 / 0 / 54 / 16

HEX #D1D562

RGB 209 213 98

HSL 62.09, 0.58%, 0.61%

LAB 82.93, -16.7, 55.43

 

CMYK 16 / 0 / 54 / 16

HEX #B3D562

RGB 179 213 98

HSL 77.74, 0.58%, 0.61%

LAB 80.77, -28.6, 52.38

 

CMYK 0 / 16 / 73 / 29

HEX #B59830

RGB 181 152 48

HSL 46.92, 0.58%, 0.45%

LAB 63.75, -0.25, 55.72

 

CMYK 0 / 15 / 68 / 20

HEX #CDAE41

RGB 205 174 65

HSL 46.71, 0.58%, 0.53%

LAB 71.98, -0.63, 57.85

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC62

RGB 213 188 98

HSL 46.96, 0.58%, 0.61%

LAB 76.68, -2.32, 48.24

 

CMYK 0 / 9 / 41 / 13

HEX #DECA82

RGB 222 202 130

HSL 46.96, 0.58%, 0.69%

LAB 81.5, -2.92, 38.45

 

CMYK 0 / 6 / 29 / 9

HEX #E7D8A3

RGB 231 216 163

HSL 46.76, 0.59%, 0.77%

LAB 86.38, -2.76, 28.05

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

CMYK 52 / 0 / 54 / 16

HEX #66D562

RGB 102 213 98

HSL 117.91, 0.58%, 0.61%

LAB 76.86, -54.31, 46.8

 

CMYK 34 / 54 / 0 / 16

HEX #8C62D5

RGB 140 98 213

HSL 261.91, 0.58%, 0.61%

LAB 50.82, 41.44, -53.37

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

CMYK 54 / 0 / 13 / 16

HEX #62D5BA

RGB 98 213 186

HSL 165.91, 0.58%, 0.61%

LAB 78.3, -39.13, 3.47

 

CMYK 13 / 54 / 0 / 16

HEX #BA62D5

RGB 186 98 213

HSL 285.91, 0.58%, 0.61%

LAB 56.07, 53.22, -44.71

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

CMYK 52 / 0 / 54 / 16

HEX #66D562

RGB 102 213 98

HSL 117.91, 0.58%, 0.61%

LAB 76.86, -54.31, 46.8

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 2 / 54 / 0 / 16

HEX #D162D5

RGB 209 98 213

HSL 297.91, 0.58%, 0.61%

LAB 59.06, 59.32, -39.79

 

CMYK 0 / 12 / 54 / 16

HEX #D5BC63

RGB 213 188 99

HSL 46.84, 0.58%, 0.61%

LAB 76.69, -2.24, 47.77

 

CMYK 54 / 0 / 39 / 16

HEX #62D581

RGB 98 213 129

HSL 136.17, 0.58%, 0.61%

LAB 77.14, -50.79, 31.86

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 0 / 54 / 15 / 16

HEX #D562B6

RGB 213 98 182

HSL 316.17, 0.58%, 0.61%

LAB 58.28, 55.3, -23.3

 

Description

Color code: HEX #D5BC63 | qconv.com Color code: HEX #D5BC63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 188 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 188 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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