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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D59D71 it is the complementary color #2A628E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D59D71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D59D71 shade: #DA9D6C, #EBAF7F, #FCC192, #FFD3A5 and #FFE5B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D59D71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D59D71 shade: #D59D71, #C48B5E, #B3794B, #A26738 and #915525

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D59D71 shade: #D59D72, #D58372 and #D57272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D59D71 shade: #D59D72, #D5B872, #D5D372, #BCD572 and #A1D572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D59D71 shade matches the following richer shades: #D59D72, #E49B63 and #F29A54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D59D71 shade: #D59D72, #C69F80, #B7A18F, #A8A39E and #99A4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D59D71 shade: #D5727C, #D58272, #D59D72, #D5B772 and #D5D172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D59D71 shade: #BC7238, #CB8752, #D59D72, #DEB391 and #E8C9B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D59D71 shade: #D59D71, #96D572 and #7572D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D59D71 shade: #D59D71, #72D59D and #9D72D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D59D71 shade: #D59D71, #96D572, #72AAD5 and #B072D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D59D71 shade: #D59D71, #78D572, #72AAD5 and #CE72D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

Complementary color

CMYK 70 / 31 / 0 / 44

HEX #2A628E

RGB 42 98 142

HSL 206.4, 0.54%, 0.36%

LAB 39.88, -3.23, -29.63

 

CMYK 0 / 28 / 50 / 15

HEX #DA9D6C

RGB 218 157 108

HSL 26.73, 0.6%, 0.64%

LAB 69.54, 17.13, 34.51

 

CMYK 0 / 26 / 46 / 8

HEX #EBAF7F

RGB 235 175 127

HSL 26.67, 0.73%, 0.71%

LAB 75.98, 16.17, 33.11

 

CMYK 0 / 23 / 42 / 1

HEX #FCC192

RGB 252 193 146

HSL 26.6, 0.95%, 0.78%

LAB 82.33, 15.32, 31.81

 

CMYK 0 / 17 / 35 / 0

HEX #FFD3A5

RGB 255 211 165

HSL 30.67, 1%, 0.82%

LAB 87.27, 9.22, 28.58

 

CMYK 0 / 10 / 28 / 0

HEX #FFE5B8

RGB 255 229 184

HSL 38.03, 1%, 0.86%

LAB 92.02, 2.32, 25.22

 

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

CMYK 0 / 29 / 52 / 23

HEX #C48B5E

RGB 196 139 94

HSL 26.47, 0.46%, 0.57%

LAB 62.52, 16.57, 32.58

 

CMYK 0 / 32 / 58 / 30

HEX #B3794B

RGB 179 121 75

HSL 26.54, 0.41%, 0.5%

LAB 55.85, 17.74, 34.14

 

CMYK 0 / 36 / 65 / 36

HEX #A26738

RGB 162 103 56

HSL 26.6, 0.49%, 0.43%

LAB 49.09, 19.12, 35.81

 

CMYK 0 / 41 / 74 / 43

HEX #915525

RGB 145 85 37

HSL 26.67, 0.59%, 0.36%

LAB 42.23, 20.75, 37.49

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 38 / 46 / 16

HEX #D58372

RGB 213 131 114

HSL 10.3, 0.54%, 0.64%

LAB 63.01, 29.71, 22.56

 

CMYK 0 / 46 / 46 / 16

HEX #D57272

RGB 213 114 114

HSL 0, 0.54%, 0.64%

LAB 59.34, 38.68, 17.58

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 14 / 46 / 16

HEX #D5B872

RGB 213 184 114

HSL 42.42, 0.54%, 0.64%

LAB 75.85, 1.21, 39.26

 

CMYK 0 / 1 / 46 / 16

HEX #D5D372

RGB 213 211 114

HSL 58.79, 0.54%, 0.64%

LAB 82.89, -12.7, 47.96

 

CMYK 12 / 0 / 46 / 16

HEX #BCD572

RGB 188 213 114

HSL 75.15, 0.54%, 0.64%

LAB 81.56, -23.55, 45.91

 

CMYK 24 / 0 / 46 / 16

HEX #A1D572

RGB 161 213 114

HSL 91.52, 0.54%, 0.64%

LAB 79.83, -33.65, 43.39

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 32 / 57 / 11

HEX #E49B63

RGB 228 155 99

HSL 26.05, 0.7%, 0.64%

LAB 70.06, 21.52, 40.13

 

CMYK 0 / 36 / 65 / 5

HEX #F29A54

RGB 242 154 84

HSL 26.58, 0.86%, 0.64%

LAB 71.3, 26.72, 49.59

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 20 / 35 / 22

HEX #C69F80

RGB 198 159 128

HSL 26.57, 0.38%, 0.64%

LAB 68.29, 10.09, 21.65

 

CMYK 0 / 12 / 22 / 28

HEX #B7A18F

RGB 183 161 143

HSL 27, 0.22%, 0.64%

LAB 67.68, 5.15, 12.32

 

CMYK 0 / 3 / 6 / 34

HEX #A8A39E

RGB 168 163 158

HSL 30, 0.05%, 0.64%

LAB 67.27, 0.89, 3.22

 

CMYK 12 / 5 / 0 / 32

HEX #99A4AD

RGB 153 164 173

HSL 207, 0.11%, 0.64%

LAB 66.78, -2.03, -5.99

 

CMYK 0 / 46 / 42 / 16

HEX #D5727C

RGB 213 114 124

HSL 353.94, 0.54%, 0.64%

LAB 59.56, 39.72, 12.12

 

CMYK 0 / 39 / 46 / 16

HEX #D58272

RGB 213 130 114

HSL 9.7, 0.54%, 0.64%

LAB 62.78, 30.25, 22.26

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 14 / 46 / 16

HEX #D5B772

RGB 213 183 114

HSL 41.82, 0.54%, 0.64%

LAB 75.59, 1.74, 38.94

 

CMYK 0 / 2 / 46 / 16

HEX #D5D172

RGB 213 209 114

HSL 57.58, 0.54%, 0.64%

LAB 82.36, -11.7, 47.31

 

CMYK 0 / 39 / 70 / 26

HEX #BC7238

RGB 188 114 56

HSL 26.36, 0.54%, 0.48%

LAB 55.08, 24.18, 43.46

 

CMYK 0 / 33 / 60 / 20

HEX #CB8752

RGB 203 135 82

HSL 26.28, 0.54%, 0.56%

LAB 62.2, 20.7, 38.77

 

CMYK 0 / 26 / 46 / 16

HEX #D59D72

RGB 213 157 114

HSL 26.06, 0.54%, 0.64%

LAB 69.09, 15.66, 30.62

 

CMYK 0 / 19 / 35 / 13

HEX #DEB391

RGB 222 179 145

HSL 26.49, 0.54%, 0.72%

LAB 75.96, 10.88, 23.26

 

CMYK 0 / 13 / 24 / 9

HEX #E8C9B1

RGB 232 201 177

HSL 26.18, 0.54%, 0.8%

LAB 82.97, 7.28, 16.02

 

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

CMYK 30 / 0 / 46 / 16

HEX #96D572

RGB 150 213 114

HSL 98.18, 0.54%, 0.64%

LAB 79.21, -37.53, 42.48

 

CMYK 45 / 46 / 0 / 16

HEX #7572D5

RGB 117 114 213

HSL 241.82, 0.54%, 0.64%

LAB 52.53, 26.51, -50.76

 

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

CMYK 46 / 0 / 26 / 16

HEX #72D59D

RGB 114 213 157

HSL 146.06, 0.54%, 0.64%

LAB 78.23, -41.67, 18.86

 

CMYK 26 / 46 / 0 / 16

HEX #9D72D5

RGB 157 114 213

HSL 266.06, 0.54%, 0.64%

LAB 56.09, 36.84, -44.88

 

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

CMYK 30 / 0 / 46 / 16

HEX #96D572

RGB 150 213 114

HSL 98.18, 0.54%, 0.64%

LAB 79.21, -37.53, 42.48

 

CMYK 46 / 20 / 0 / 16

HEX #72AAD5

RGB 114 170 213

HSL 206.06, 0.54%, 0.64%

LAB 67.38, -6.81, -27.51

 

CMYK 17 / 46 / 0 / 16

HEX #B072D5

RGB 176 114 213

HSL 277.58, 0.54%, 0.64%

LAB 58.1, 42.13, -41.57

 

CMYK 0 / 26 / 47 / 16

HEX #D59D71

RGB 213 157 113

HSL 26.4, 0.54%, 0.64%

LAB 69.08, 15.56, 31.13

 

CMYK 44 / 0 / 46 / 16

HEX #78D572

RGB 120 213 114

HSL 116.36, 0.54%, 0.64%

LAB 77.75, -47.18, 40.35

 

CMYK 46 / 20 / 0 / 16

HEX #72AAD5

RGB 114 170 213

HSL 206.06, 0.54%, 0.64%

LAB 67.38, -6.81, -27.51

 

CMYK 3 / 46 / 0 / 16

HEX #CE72D5

RGB 206 114 213

HSL 295.76, 0.54%, 0.64%

LAB 61.62, 50.69, -35.81

 

Description

Color code: HEX #D59D71 | qconv.com Color code: HEX #D59D71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 157 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 157 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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