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Color name
HEX #D59B1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D59B1D it is the complementary color #2A64E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D59B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D59B1D shade: #DA9B18, #EBAD2B, #FCBF3E, #FFD151 and #FFE364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D59B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D59B1D shade: #D59B1D, #C4890A, #B37700, #A26500 and #915300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D59B1D shade: #D39A1D, #D3681D, #D3371D and #D31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D59B1D shade: #D39A1D, #D3CB1D, #AAD31D, #79D31D and #48D31D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D59B1D shade matches the following richer shades: #D39A1D and #E6A109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D59B1D shade: #D39A1D, #C09230, #AC8B44, #998457 and #857D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D59B1D shade: #D3381D, #D3691D, #D3991D, #D3CA1D and #ABD31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D59B1D shade: #8A6513, #AF7F18, #D39A1D, #E4AD35 and #E8BB5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D59B1D shade: #D59B1D, #32D31D and #501DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D59B1D shade: #D59B1D, #1DD399 and #991DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D59B1D shade: #D59B1D, #32D31D, #1D56D3 and #BE1DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D59B1D shade: #D59B1D, #1DD33E, #1D56D3 and #D31DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

Complementary color

CMYK 81 / 56 / 0 / 11

HEX #2A64E2

RGB 42 100 226

HSL 221.09, 0.76%, 0.53%

LAB 45.77, 27.34, -69.23

 

CMYK 0 / 29 / 89 / 15

HEX #DA9B18

RGB 218 155 24

HSL 40.52, 0.8%, 0.47%

LAB 68.32, 13.71, 68.74

 

CMYK 0 / 26 / 82 / 8

HEX #EBAD2B

RGB 235 173 43

HSL 40.63, 0.83%, 0.55%

LAB 74.65, 11.92, 69.56

 

CMYK 0 / 24 / 75 / 1

HEX #FCBF3E

RGB 252 191 62

HSL 40.74, 0.97%, 0.62%

LAB 80.91, 10.36, 69.45

 

CMYK 0 / 18 / 68 / 0

HEX #FFD151

RGB 255 209 81

HSL 44.14, 1%, 0.66%

LAB 85.73, 3.2, 66.97

 

CMYK 0 / 11 / 61 / 0

HEX #FFE364

RGB 255 227 100

HSL 49.16, 1%, 0.7%

LAB 90.38, -4.82, 63.95

 

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

CMYK 0 / 30 / 95 / 23

HEX #C4890A

RGB 196 137 10

HSL 40.97, 0.9%, 0.4%

LAB 61.35, 13.58, 65.07

 

CMYK 0 / 34 / 100 / 30

HEX #B37700

RGB 179 119 0

HSL 39.89, 1%, 0.35%

LAB 54.84, 15.8, 61.28

 

CMYK 0 / 38 / 100 / 36

HEX #A26500

RGB 162 101 0

HSL 37.41, 1%, 0.32%

LAB 48.25, 18.25, 55.9

 

CMYK 0 / 43 / 100 / 43

HEX #915300

RGB 145 83 0

HSL 34.34, 1%, 0.28%

LAB 41.54, 20.79, 50.45

 

CMYK 0 / 27 / 86 / 17

HEX #D39A1D

RGB 211 154 29

HSL 41.21, 0.76%, 0.47%

LAB 67.31, 11.29, 66.38

 

CMYK 0 / 51 / 86 / 17

HEX #D3681D

RGB 211 104 29

HSL 24.73, 0.76%, 0.47%

LAB 55.93, 37.94, 57.11

 

CMYK 0 / 74 / 86 / 17

HEX #D3371D

RGB 211 55 29

HSL 8.57, 0.76%, 0.47%

LAB 47.84, 59.29, 50.48

 

CMYK 0 / 86 / 86 / 17

HEX #D31D1D

RGB 211 29 29

HSL 0, 0.76%, 0.47%

LAB 45.38, 66.23, 48.45

 

CMYK 0 / 27 / 86 / 17

HEX #D39A1D

RGB 211 154 29

HSL 41.21, 0.76%, 0.47%

LAB 67.31, 11.29, 66.38

 

CMYK 0 / 4 / 86 / 17

HEX #D3CB1D

RGB 211 203 29

HSL 57.36, 0.76%, 0.47%

LAB 79.98, -14.33, 76.64

 

CMYK 19 / 0 / 86 / 17

HEX #AAD31D

RGB 170 211 29

HSL 73.52, 0.76%, 0.47%

LAB 79.17, -35.23, 74.74

 

CMYK 43 / 0 / 86 / 17

HEX #79D31D

RGB 121 211 29

HSL 89.67, 0.76%, 0.47%

LAB 76.52, -53.15, 71.44

 

CMYK 66 / 0 / 86 / 17

HEX #48D31D

RGB 72 211 29

HSL 105.82, 0.76%, 0.47%

LAB 74.86, -66.28, 69.35

 

CMYK 0 / 27 / 86 / 17

HEX #D39A1D

RGB 211 154 29

HSL 41.21, 0.76%, 0.47%

LAB 67.31, 11.29, 66.38

 

CMYK 0 / 30 / 96 / 10

HEX #E6A109

RGB 230 161 9

HSL 41.27, 0.92%, 0.47%

LAB 71.1, 15.5, 73.92

 

CMYK 0 / 27 / 86 / 17

HEX #D39A1D

RGB 211 154 29

HSL 41.21, 0.76%, 0.47%

LAB 67.31, 11.29, 66.38

 

CMYK 0 / 24 / 75 / 25

HEX #C09230

RGB 192 146 48

HSL 40.83, 0.6%, 0.47%

LAB 63.32, 7.9, 55.69

 

CMYK 0 / 19 / 60 / 33

HEX #AC8B44

RGB 172 139 68

HSL 40.96, 0.43%, 0.47%

LAB 59.57, 4.1, 42.01

 

CMYK 0 / 14 / 43 / 40

HEX #998457

RGB 153 132 87

HSL 40.91, 0.28%, 0.47%

LAB 56.05, 1.5, 27.22

 

CMYK 0 / 6 / 20 / 48

HEX #857D6A

RGB 133 125 106

HSL 42.22, 0.11%, 0.47%

LAB 52.61, -0.31, 11.46

 

CMYK 0 / 73 / 86 / 17

HEX #D3381D

RGB 211 56 29

HSL 8.9, 0.76%, 0.47%

LAB 47.96, 58.96, 50.58

 

CMYK 0 / 50 / 86 / 17

HEX #D3691D

RGB 211 105 29

HSL 25.05, 0.76%, 0.47%

LAB 56.13, 37.43, 57.28

 

CMYK 0 / 27 / 86 / 17

HEX #D3991D

RGB 211 153 29

HSL 40.88, 0.76%, 0.47%

LAB 67.07, 11.83, 66.18

 

CMYK 0 / 4 / 86 / 17

HEX #D3CA1D

RGB 211 202 29

HSL 57.03, 0.76%, 0.47%

LAB 79.72, -13.82, 76.43

 

CMYK 19 / 0 / 86 / 17

HEX #ABD31D

RGB 171 211 29

HSL 73.19, 0.76%, 0.47%

LAB 79.23, -34.83, 74.82

 

CMYK 0 / 27 / 86 / 46

HEX #8A6513

RGB 138 101 19

HSL 41.34, 0.76%, 0.31%

LAB 45.3, 7.48, 47.65

 

CMYK 0 / 27 / 86 / 31

HEX #AF7F18

RGB 175 127 24

HSL 40.93, 0.76%, 0.39%

LAB 56.45, 9.94, 57.19

 

CMYK 0 / 27 / 86 / 17

HEX #D39A1D

RGB 211 154 29

HSL 41.21, 0.76%, 0.47%

LAB 67.31, 11.29, 66.38

 

CMYK 0 / 24 / 77 / 11

HEX #E4AD35

RGB 228 173 53

HSL 41.14, 0.76%, 0.55%

LAB 73.96, 9.26, 65.28

 

CMYK 0 / 19 / 61 / 9

HEX #E8BB5A

RGB 232 187 90

HSL 40.99, 0.76%, 0.63%

LAB 78.13, 5.53, 54.18

 

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

CMYK 76 / 0 / 86 / 17

HEX #32D31D

RGB 50 211 29

HSL 113.08, 0.76%, 0.47%

LAB 74.42, -70.09, 68.79

 

CMYK 62 / 86 / 0 / 17

HEX #501DD3

RGB 80 29 211

HSL 256.81, 0.76%, 0.47%

LAB 32.45, 64.36, -82.43

 

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

CMYK 86 / 0 / 27 / 17

HEX #1DD399

RGB 29 211 153

HSL 160.88, 0.76%, 0.47%

LAB 75.54, -55.86, 16.94

 

CMYK 27 / 86 / 0 / 17

HEX #991DD3

RGB 153 29 211

HSL 280.88, 0.76%, 0.47%

LAB 41.77, 72.76, -66.76

 

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

CMYK 76 / 0 / 86 / 17

HEX #32D31D

RGB 50 211 29

HSL 113.08, 0.76%, 0.47%

LAB 74.42, -70.09, 68.79

 

CMYK 86 / 59 / 0 / 17

HEX #1D56D3

RGB 29 86 211

HSL 221.21, 0.76%, 0.47%

LAB 40.61, 29.72, -69.1

 

CMYK 10 / 86 / 0 / 17

HEX #BE1DD3

RGB 190 29 211

HSL 293.08, 0.76%, 0.47%

LAB 47.66, 78.55, -56.95

 

CMYK 0 / 27 / 86 / 16

HEX #D59B1D

RGB 213 155 29

HSL 41.09, 0.76%, 0.47%

LAB 67.78, 11.63, 66.86

 

CMYK 86 / 0 / 71 / 17

HEX #1DD33E

RGB 29 211 62

HSL 130.88, 0.76%, 0.47%

LAB 74.32, -70.35, 58.86

 

CMYK 86 / 59 / 0 / 17

HEX #1D56D3

RGB 29 86 211

HSL 221.21, 0.76%, 0.47%

LAB 40.61, 29.72, -69.1

 

CMYK 0 / 86 / 16 / 17

HEX #D31DB2

RGB 211 29 178

HSL 310.88, 0.76%, 0.47%

LAB 49.43, 77.53, -34.75

 

Description

Color code: HEX #D59B1D | qconv.com Color code: HEX #D59B1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 155 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 155 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 86% 16% C M Y K

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Provide designers and agencies with accurate color values.

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