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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D592AA it is the complementary color #2A6D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D592AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D592AA shade: #DA92A5, #EBA4B8, #FCB6CB, #FFC8DE and #FFDAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D592AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D592AA shade: #D592AA, #C48097, #B36E84, #A25C71 and #914A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D592AA shade: #D491A9, #D49197 and #D49191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D592AA shade: #D491A9, #D491BB, #D491CD, #C991D4 and #B791D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D592AA shade matches the following richer shades: #D491A9, #E184A5, #ED78A2 and #F96C9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D592AA shade: #D491A9, #C89DAC, #BBAAB0, #AFB6B3 and #A3C2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D592AA shade: #D491CD, #D491BB, #D491AA, #D49198 and #D49C91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D592AA shade: #BD557B, #C97392, #D491A9, #E0AFC0 and #EBCCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D592AA shade: #D592AA, #D4C991 and #91C4D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D592AA shade: #D592AA, #AAD491 and #91AAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D592AA shade: #D592AA, #D4C991, #91D4BB and #919CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D592AA shade: #D592AA, #CBD491, #91D4BB and #9A91D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

Complementary color

CMYK 61 / 0 / 22 / 57

HEX #2A6D55

RGB 42 109 85

HSL 158.51, 0.44%, 0.3%

LAB 41.35, -27.51, 7.16

 

CMYK 0 / 33 / 24 / 15

HEX #DA92A5

RGB 218 146 165

HSL 344.17, 0.49%, 0.71%

LAB 68.15, 29.79, 1.21

 

CMYK 0 / 30 / 22 / 8

HEX #EBA4B8

RGB 235 164 184

HSL 343.1, 0.64%, 0.78%

LAB 74.62, 29.04, 0.32

 

CMYK 0 / 28 / 19 / 1

HEX #FCB6CB

RGB 252 182 203

HSL 342, 0.92%, 0.85%

LAB 81, 28.34, -0.49

 

CMYK 0 / 22 / 13 / 0

HEX #FFC8DE

RGB 255 200 222

HSL 336, 1%, 0.89%

LAB 85.93, 22.86, -3.4

 

CMYK 0 / 15 / 5 / 0

HEX #FFDAF1

RGB 255 218 241

HSL 322.7, 1%, 0.93%

LAB 90.67, 16.58, -6.46

 

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

HEX #D592AA

CMYK 0 / 35 / 23 / 23

HEX #C48097

RGB 196 128 151

HSL 339.71, 0.37%, 0.64%

LAB 61.14, 29.5, -1.41

HEX #C48097

CMYK 0 / 39 / 26 / 30

HEX #B36E84

RGB 179 110 132

HSL 340.87, 0.31%, 0.57%

LAB 54.45, 30.33, -0.45

HEX #B36E84

CMYK 0 / 43 / 30 / 36

HEX #A25C71

RGB 162 92 113

HSL 342, 0.28%, 0.5%

LAB 47.66, 31.24, 0.67

HEX #A25C71

CMYK 0 / 49 / 35 / 43

HEX #914A5E

RGB 145 74 94

HSL 343.1, 0.32%, 0.43%

LAB 40.78, 32.19, 2

HEX #914A5E

CMYK 0 / 32 / 20 / 17

HEX #D491A9

RGB 212 145 169

HSL 338.51, 0.44%, 0.7%

LAB 67.36, 28.75, -2.27

 

CMYK 0 / 32 / 29 / 17

HEX #D49197

RGB 212 145 151

HSL 354.63, 0.44%, 0.7%

LAB 66.89, 26.16, 7.14

 

CMYK 0 / 32 / 32 / 17

HEX #D49191

RGB 212 145 145

HSL 0, 0.44%, 0.7%

LAB 66.74, 25.36, 10.3

 

CMYK 0 / 32 / 20 / 17

HEX #D491A9

RGB 212 145 169

HSL 338.51, 0.44%, 0.7%

LAB 67.36, 28.75, -2.27

 

CMYK 0 / 32 / 12 / 17

HEX #D491BB

RGB 212 145 187

HSL 322.39, 0.44%, 0.7%

LAB 67.9, 31.63, -11.56

 

CMYK 0 / 32 / 3 / 17

HEX #D491CD

RGB 212 145 205

HSL 306.27, 0.44%, 0.7%

LAB 68.5, 34.76, -20.68

 

CMYK 5 / 32 / 0 / 17

HEX #C991D4

RGB 201 145 212

HSL 290.15, 0.44%, 0.7%

LAB 67.59, 32.53, -26.06

 

CMYK 14 / 32 / 0 / 17

HEX #B791D4

RGB 183 145 212

HSL 274.03, 0.44%, 0.7%

LAB 65.8, 26.83, -28.96

 

CMYK 0 / 32 / 20 / 17

HEX #D491A9

RGB 212 145 169

HSL 338.51, 0.44%, 0.7%

LAB 67.36, 28.75, -2.27

 

CMYK 0 / 41 / 27 / 12

HEX #E184A5

RGB 225 132 165

HSL 338.71, 0.61%, 0.7%

LAB 65.92, 39.71, -1.95

 

CMYK 0 / 49 / 32 / 7

HEX #ED78A2

RGB 237 120 162

HSL 338.46, 0.76%, 0.7%

LAB 65, 49.49, -1.42

 

CMYK 0 / 57 / 37 / 2

HEX #F96C9E

RGB 249 108 158

HSL 338.72, 0.92%, 0.7%

LAB 64.43, 58.56, 0.23

 

CMYK 0 / 32 / 20 / 17

HEX #D491A9

RGB 212 145 169

HSL 338.51, 0.44%, 0.7%

LAB 67.36, 28.75, -2.27

 

CMYK 0 / 22 / 14 / 22

HEX #C89DAC

RGB 200 157 172

HSL 339.07, 0.28%, 0.7%

LAB 69.02, 18.33, -1.66

 

CMYK 0 / 9 / 6 / 27

HEX #BBAAB0

RGB 187 170 176

HSL 338.82, 0.11%, 0.7%

LAB 71.18, 7.18, -0.86

 

CMYK 4 / 0 / 2 / 29

HEX #AFB6B3

RGB 175 182 179

HSL 154.29, 0.05%, 0.7%

LAB 73.43, -3.01, 0.67

 

CMYK 16 / 0 / 6 / 24

HEX #A3C2B7

RGB 163 194 183

HSL 158.71, 0.2%, 0.7%

LAB 75.94, -12.62, 2.04

 

CMYK 0 / 32 / 3 / 17

HEX #D491CD

RGB 212 145 205

HSL 306.27, 0.44%, 0.7%

LAB 68.5, 34.76, -20.68

 

CMYK 0 / 32 / 12 / 17

HEX #D491BB

RGB 212 145 187

HSL 322.39, 0.44%, 0.7%

LAB 67.9, 31.63, -11.56

 

CMYK 0 / 32 / 20 / 17

HEX #D491AA

RGB 212 145 170

HSL 337.61, 0.44%, 0.7%

LAB 67.39, 28.91, -2.79

 

CMYK 0 / 32 / 28 / 17

HEX #D49198

RGB 212 145 152

HSL 353.73, 0.44%, 0.7%

LAB 66.91, 26.29, 6.62

 

CMYK 0 / 26 / 32 / 17

HEX #D49C91

RGB 212 156 145

HSL 9.85, 0.44%, 0.7%

LAB 69.34, 19.39, 13.96

 

CMYK 0 / 55 / 35 / 26

HEX #BD557B

RGB 189 85 123

HSL 338.08, 0.44%, 0.54%

LAB 50.39, 45.78, -0.89

 

CMYK 0 / 43 / 27 / 21

HEX #C97392

RGB 201 115 146

HSL 338.37, 0.44%, 0.62%

LAB 58.75, 37.58, -1.98

 

CMYK 0 / 32 / 20 / 17

HEX #D491A9

RGB 212 145 169

HSL 338.51, 0.44%, 0.7%

LAB 67.36, 28.75, -2.27

 

CMYK 0 / 22 / 14 / 12

HEX #E0AFC0

RGB 224 175 192

HSL 339.18, 0.44%, 0.78%

LAB 76.26, 20.45, -1.79

 

CMYK 0 / 13 / 9 / 8

HEX #EBCCD7

RGB 235 204 215

HSL 338.71, 0.44%, 0.86%

LAB 84.87, 12.67, -1.44

 

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

HEX #D592AA

CMYK 0 / 5 / 32 / 17

HEX #D4C991

RGB 212 201 145

HSL 50.15, 0.44%, 0.7%

LAB 80.64, -4.6, 29.42

HEX #D4C991

CMYK 32 / 8 / 0 / 17

HEX #91C4D4

RGB 145 196 212

HSL 194.33, 0.44%, 0.7%

LAB 76.22, -12.79, -13.36

HEX #91C4D4

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

HEX #D592AA

CMYK 20 / 0 / 32 / 17

HEX #AAD491

RGB 170 212 145

HSL 97.61, 0.44%, 0.7%

LAB 80.56, -25.84, 28.78

HEX #AAD491

CMYK 32 / 20 / 0 / 17

HEX #91AAD4

RGB 145 170 212

HSL 217.61, 0.44%, 0.7%

LAB 69.13, 1.2, -24.11

HEX #91AAD4

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

HEX #D592AA

CMYK 0 / 5 / 32 / 17

HEX #D4C991

RGB 212 201 145

HSL 50.15, 0.44%, 0.7%

LAB 80.64, -4.6, 29.42

HEX #D4C991

CMYK 32 / 0 / 12 / 17

HEX #91D4BB

RGB 145 212 187

HSL 157.61, 0.44%, 0.7%

LAB 80.01, -26.48, 5.65

HEX #91D4BB

CMYK 32 / 26 / 0 / 17

HEX #919CD4

RGB 145 156 212

HSL 230.15, 0.44%, 0.7%

LAB 65.4, 9.06, -29.85

HEX #919CD4

CMYK 0 / 31 / 20 / 16

HEX #D592AA

RGB 213 146 170

HSL 338.51, 0.44%, 0.7%

LAB 67.73, 28.72, -2.28

HEX #D592AA

CMYK 4 / 0 / 32 / 17

HEX #CBD491

RGB 203 212 145

HSL 68.06, 0.44%, 0.7%

LAB 82.82, -13.68, 32.2

HEX #CBD491

CMYK 32 / 0 / 12 / 17

HEX #91D4BB

RGB 145 212 187

HSL 157.61, 0.44%, 0.7%

LAB 80.01, -26.48, 5.65

HEX #91D4BB

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

HEX #9A91D4

Description

Color code: HEX #D592AA | qconv.com Color code: HEX #D592AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 146 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 146 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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