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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D59159 it is the complementary color #2A6EA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D59159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D59159 shade: #DA9154, #EBA367, #FCB57A, #FFC78D and #FFD9A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D59159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D59159 shade: #D59159, #C47F46, #B36D33, #A25B20 and #91490D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D59159 shade: #D59058, #D56F58 and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D59159 shade: #D59058, #D5B258, #D5D458, #B4D558 and #93D558

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D59159 shade matches the following richer shades: #D59058, #E68F47 and #F78D36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D59159 shade: #D59058, #C49269, #B3947A, #A2958A and #92979B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D59159 shade: #D55862, #D56F58, #D59058, #D5B258 and #D5D358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D59159 shade: #AF672C, #CD7B37, #D59058, #DDA679 and #E6BC9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D59159 shade: #D59159, #84D558 and #5E58D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D59159 shade: #D59159, #58D590 and #9058D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D59159 shade: #D59159, #84D558, #589DD5 and #A958D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D59159 shade: #D59159, #5ED558, #589DD5 and #CF58D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

Complementary color

CMYK 75 / 34 / 0 / 35

HEX #2A6EA6

RGB 42 110 166

HSL 207.1, 0.6%, 0.41%

LAB 44.8, -1.74, -36.17

 

CMYK 0 / 33 / 61 / 15

HEX #DA9154

RGB 218 145 84

HSL 27.31, 0.64%, 0.59%

LAB 66.36, 21.66, 43.13

 

CMYK 0 / 31 / 56 / 8

HEX #EBA367

RGB 235 163 103

HSL 27.27, 0.77%, 0.66%

LAB 72.78, 20.42, 41.59

 

CMYK 0 / 28 / 52 / 1

HEX #FCB57A

RGB 252 181 122

HSL 27.23, 0.96%, 0.73%

LAB 79.13, 19.32, 40.11

 

CMYK 0 / 22 / 45 / 0

HEX #FFC78D

RGB 255 199 141

HSL 30.53, 1%, 0.78%

LAB 83.98, 12.86, 36.62

 

CMYK 0 / 15 / 37 / 0

HEX #FFD9A0

RGB 255 217 160

HSL 36, 1%, 0.81%

LAB 88.65, 5.56, 33

 

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

CMYK 0 / 35 / 64 / 23

HEX #C47F46

RGB 196 127 70

HSL 27.14, 0.52%, 0.52%

LAB 59.3, 21.28, 41.39

 

CMYK 0 / 39 / 72 / 30

HEX #B36D33

RGB 179 109 51

HSL 27.19, 0.56%, 0.45%

LAB 52.69, 22.83, 43

 

CMYK 0 / 44 / 80 / 36

HEX #A25B20

RGB 162 91 32

HSL 27.23, 0.67%, 0.38%

LAB 46, 24.61, 44.43

 

CMYK 0 / 50 / 91 / 43

HEX #91490D

RGB 145 73 13

HSL 27.27, 0.84%, 0.31%

LAB 39.27, 26.67, 45.07

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 48 / 59 / 16

HEX #D56F58

RGB 213 111 88

HSL 11.04, 0.6%, 0.59%

LAB 58.24, 37.97, 30.92

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 16 / 59 / 16

HEX #D5B258

RGB 213 178 88

HSL 43.2, 0.6%, 0.59%

LAB 73.99, 2.15, 49.91

 

CMYK 0 / 0 / 59 / 16

HEX #D5D458

RGB 213 212 88

HSL 59.52, 0.6%, 0.59%

LAB 82.88, -15.32, 59.89

 

CMYK 15 / 0 / 59 / 16

HEX #B4D558

RGB 180 213 88

HSL 75.84, 0.6%, 0.59%

LAB 80.74, -29.07, 56.84

 

CMYK 31 / 0 / 59 / 16

HEX #93D558

RGB 147 213 88

HSL 91.68, 0.6%, 0.59%

LAB 78.75, -41.4, 54.07

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 38 / 69 / 10

HEX #E68F47

RGB 230 143 71

HSL 27.17, 0.76%, 0.59%

LAB 67.22, 26.89, 50.93

 

CMYK 0 / 43 / 78 / 3

HEX #F78D36

RGB 247 141 54

HSL 27.05, 0.92%, 0.59%

LAB 68.82, 34.09, 60.84

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 26 / 46 / 23

HEX #C49269

RGB 196 146 105

HSL 27.03, 0.44%, 0.59%

LAB 64.41, 13.79, 29.04

 

CMYK 0 / 17 / 32 / 30

HEX #B3947A

RGB 179 148 122

HSL 27.37, 0.27%, 0.59%

LAB 63.48, 7.73, 18.1

 

CMYK 0 / 8 / 15 / 36

HEX #A2958A

RGB 162 149 138

HSL 27.5, 0.11%, 0.59%

LAB 62.52, 2.88, 7.53

 

CMYK 6 / 3 / 0 / 39

HEX #92979B

RGB 146 151 155

HSL 206.67, 0.04%, 0.59%

LAB 62.18, -1, -2.73

 

CMYK 0 / 59 / 54 / 16

HEX #D55862

RGB 213 88 98

HSL 355.2, 0.6%, 0.59%

LAB 54.03, 50.03, 19.67

 

CMYK 0 / 48 / 59 / 16

HEX #D56F58

RGB 213 111 88

HSL 11.04, 0.6%, 0.59%

LAB 58.24, 37.97, 30.92

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 16 / 59 / 16

HEX #D5B258

RGB 213 178 88

HSL 43.2, 0.6%, 0.59%

LAB 73.99, 2.15, 49.91

 

CMYK 0 / 1 / 59 / 16

HEX #D5D358

RGB 213 211 88

HSL 59.04, 0.6%, 0.59%

LAB 82.61, -14.83, 59.6

 

CMYK 0 / 41 / 75 / 31

HEX #AF672C

RGB 175 103 44

HSL 27.02, 0.6%, 0.43%

LAB 50.68, 24.08, 44.13

 

CMYK 0 / 40 / 73 / 20

HEX #CD7B37

RGB 205 123 55

HSL 27.2, 0.6%, 0.51%

LAB 59.36, 26.41, 49.17

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 25 / 45 / 13

HEX #DDA679

RGB 221 166 121

HSL 27, 0.6%, 0.67%

LAB 72.25, 14.76, 31.14

 

CMYK 0 / 18 / 33 / 10

HEX #E6BC9A

RGB 230 188 154

HSL 26.84, 0.6%, 0.75%

LAB 79.11, 10.32, 22.88

 

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

CMYK 38 / 0 / 59 / 16

HEX #84D558

RGB 132 213 88

HSL 98.88, 0.6%, 0.59%

LAB 77.99, -46.51, 53

 

CMYK 56 / 59 / 0 / 16

HEX #5E58D5

RGB 94 88 213

HSL 242.88, 0.6%, 0.59%

LAB 44.47, 37.34, -63.83

 

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

CMYK 59 / 0 / 32 / 16

HEX #58D590

RGB 88 213 144

HSL 146.88, 0.6%, 0.59%

LAB 77.09, -50.34, 23.98

 

CMYK 32 / 59 / 0 / 16

HEX #9058D5

RGB 144 88 213

HSL 266.88, 0.6%, 0.59%

LAB 49.15, 47.89, -56.04

 

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

CMYK 38 / 0 / 59 / 16

HEX #84D558

RGB 132 213 88

HSL 98.88, 0.6%, 0.59%

LAB 77.99, -46.51, 53

 

CMYK 59 / 26 / 0 / 16

HEX #589DD5

RGB 88 157 213

HSL 206.88, 0.6%, 0.59%

LAB 62.5, -5.31, -35.15

 

CMYK 21 / 59 / 0 / 16

HEX #A958D5

RGB 169 88 213

HSL 278.88, 0.6%, 0.59%

LAB 52.08, 53.87, -51.17

 

CMYK 0 / 32 / 58 / 16

HEX #D59159

RGB 213 145 89

HSL 27.1, 0.6%, 0.59%

LAB 65.84, 19.95, 39.79

 

CMYK 56 / 0 / 59 / 16

HEX #5ED558

RGB 94 213 88

HSL 117.12, 0.6%, 0.59%

LAB 76.48, -57.54, 50.87

 

CMYK 59 / 26 / 0 / 16

HEX #589DD5

RGB 88 157 213

HSL 206.88, 0.6%, 0.59%

LAB 62.5, -5.31, -35.15

 

CMYK 3 / 59 / 0 / 16

HEX #CF58D5

RGB 207 88 213

HSL 297.12, 0.6%, 0.59%

LAB 57.12, 63.32, -42.86

 

Description

Color code: HEX #D59159 | qconv.com Color code: HEX #D59159 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 145 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 145 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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