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Color name
HEX #D58F56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D58F56 it is the complementary color #2A70A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D58F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D58F56 shade: #DA8F51, #EBA164, #FCB377, #FFC58A and #FFD79D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D58F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D58F56 shade: #D58F56, #C47D43, #B36B30, #A2591D and #91470A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D58F56 shade: #D59058, #D56E58 and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D58F56 shade: #D59058, #D5B258, #D5D458, #B5D558 and #93D558

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D58F56 shade matches the following richer shades: #D59058, #E68E47 and #F78D36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D58F56 shade: #D59058, #C49269, #B3937A, #A2958A and #92979B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D58F56 shade: #D55864, #D56D58, #D58E58, #D5B058 and #D5D158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D58F56 shade: #AF662C, #CD7A37, #D59058, #DDA679 and #E6BC9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D58F56 shade: #D58F56, #86D558 and #5C58D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D58F56 shade: #D58F56, #58D58E and #8E58D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D58F56 shade: #D58F56, #86D558, #589FD5 and #A758D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D58F56 shade: #D58F56, #60D558, #589FD5 and #CD58D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

Complementary color

CMYK 75 / 34 / 0 / 34

HEX #2A70A9

RGB 42 112 169

HSL 206.93, 0.6%, 0.41%

LAB 45.56, -1.85, -36.73

 

CMYK 0 / 34 / 63 / 15

HEX #DA8F51

RGB 218 143 81

HSL 27.15, 0.65%, 0.59%

LAB 65.86, 22.53, 44.07

 

CMYK 0 / 31 / 57 / 8

HEX #EBA164

RGB 235 161 100

HSL 27.11, 0.77%, 0.66%

LAB 72.28, 21.25, 42.51

 

CMYK 0 / 29 / 53 / 1

HEX #FCB377

RGB 252 179 119

HSL 27.07, 0.96%, 0.73%

LAB 78.62, 20.12, 41.02

 

CMYK 0 / 23 / 46 / 0

HEX #FFC58A

RGB 255 197 138

HSL 30.26, 1%, 0.77%

LAB 83.46, 13.61, 37.48

 

CMYK 0 / 16 / 38 / 0

HEX #FFD79D

RGB 255 215 157

HSL 35.51, 1%, 0.81%

LAB 88.11, 6.25, 33.82

 

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

CMYK 0 / 36 / 66 / 23

HEX #C47D43

RGB 196 125 67

HSL 26.98, 0.52%, 0.52%

LAB 58.8, 22.19, 42.34

 

CMYK 0 / 40 / 73 / 30

HEX #B36B30

RGB 179 107 48

HSL 27.02, 0.58%, 0.45%

LAB 52.19, 23.78, 43.94

 

CMYK 0 / 45 / 82 / 36

HEX #A2591D

RGB 162 89 29

HSL 27.07, 0.7%, 0.37%

LAB 45.52, 25.62, 45.28

 

CMYK 0 / 51 / 93 / 43

HEX #91470A

RGB 145 71 10

HSL 27.11, 0.87%, 0.3%

LAB 38.81, 27.72, 45.65

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 48 / 59 / 16

HEX #D56E58

RGB 213 110 88

HSL 10.56, 0.6%, 0.59%

LAB 58.04, 38.49, 30.66

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 16 / 59 / 16

HEX #D5B258

RGB 213 178 88

HSL 43.2, 0.6%, 0.59%

LAB 73.99, 2.15, 49.91

 

CMYK 0 / 0 / 59 / 16

HEX #D5D458

RGB 213 212 88

HSL 59.52, 0.6%, 0.59%

LAB 82.88, -15.32, 59.89

 

CMYK 15 / 0 / 59 / 16

HEX #B5D558

RGB 181 213 88

HSL 75.36, 0.6%, 0.59%

LAB 80.8, -28.68, 56.94

 

CMYK 31 / 0 / 59 / 16

HEX #93D558

RGB 147 213 88

HSL 91.68, 0.6%, 0.59%

LAB 78.75, -41.4, 54.07

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 38 / 69 / 10

HEX #E68E47

RGB 230 142 71

HSL 26.79, 0.76%, 0.59%

LAB 66.99, 27.42, 50.68

 

CMYK 0 / 43 / 78 / 3

HEX #F78D36

RGB 247 141 54

HSL 27.05, 0.92%, 0.59%

LAB 68.82, 34.09, 60.84

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 26 / 46 / 23

HEX #C49269

RGB 196 146 105

HSL 27.03, 0.44%, 0.59%

LAB 64.41, 13.79, 29.04

 

CMYK 0 / 18 / 32 / 30

HEX #B3937A

RGB 179 147 122

HSL 26.32, 0.27%, 0.59%

LAB 63.22, 8.29, 17.75

 

CMYK 0 / 8 / 15 / 36

HEX #A2958A

RGB 162 149 138

HSL 27.5, 0.11%, 0.59%

LAB 62.52, 2.88, 7.53

 

CMYK 6 / 3 / 0 / 39

HEX #92979B

RGB 146 151 155

HSL 206.67, 0.04%, 0.59%

LAB 62.18, -1, -2.73

 

CMYK 0 / 59 / 53 / 16

HEX #D55864

RGB 213 88 100

HSL 354.24, 0.6%, 0.59%

LAB 54.08, 50.19, 18.55

 

CMYK 0 / 49 / 59 / 16

HEX #D56D58

RGB 213 109 88

HSL 10.08, 0.6%, 0.59%

LAB 57.84, 39, 30.4

 

CMYK 0 / 33 / 59 / 16

HEX #D58E58

RGB 213 142 88

HSL 25.92, 0.6%, 0.59%

LAB 65.12, 21.5, 39.44

 

CMYK 0 / 17 / 59 / 16

HEX #D5B058

RGB 213 176 88

HSL 42.24, 0.6%, 0.59%

LAB 73.48, 3.21, 49.32

 

CMYK 0 / 2 / 59 / 16

HEX #D5D158

RGB 213 209 88

HSL 58.08, 0.6%, 0.59%

LAB 82.08, -13.83, 59.02

 

CMYK 0 / 42 / 75 / 31

HEX #AF662C

RGB 175 102 44

HSL 26.56, 0.6%, 0.43%

LAB 50.45, 24.63, 43.89

 

CMYK 0 / 40 / 73 / 20

HEX #CD7A37

RGB 205 122 55

HSL 26.8, 0.6%, 0.51%

LAB 59.14, 26.94, 48.93

 

CMYK 0 / 32 / 59 / 16

HEX #D59058

RGB 213 144 88

HSL 26.88, 0.6%, 0.59%

LAB 65.59, 20.42, 40.01

 

CMYK 0 / 25 / 45 / 13

HEX #DDA679

RGB 221 166 121

HSL 27, 0.6%, 0.67%

LAB 72.25, 14.76, 31.14

 

CMYK 0 / 18 / 33 / 10

HEX #E6BC9A

RGB 230 188 154

HSL 26.84, 0.6%, 0.75%

LAB 79.11, 10.32, 22.88

 

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

CMYK 37 / 0 / 59 / 16

HEX #86D558

RGB 134 213 88

HSL 97.92, 0.6%, 0.59%

LAB 78.09, -45.85, 53.14

 

CMYK 57 / 59 / 0 / 16

HEX #5C58D5

RGB 92 88 213

HSL 241.92, 0.6%, 0.59%

LAB 44.32, 36.98, -64.07

 

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

CMYK 59 / 0 / 33 / 16

HEX #58D58E

RGB 88 213 142

HSL 145.92, 0.6%, 0.59%

LAB 77.05, -50.72, 24.97

 

CMYK 33 / 59 / 0 / 16

HEX #8E58D5

RGB 142 88 213

HSL 265.92, 0.6%, 0.59%

LAB 48.93, 47.42, -56.4

 

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

CMYK 37 / 0 / 59 / 16

HEX #86D558

RGB 134 213 88

HSL 97.92, 0.6%, 0.59%

LAB 78.09, -45.85, 53.14

 

CMYK 59 / 25 / 0 / 16

HEX #589FD5

RGB 88 159 213

HSL 205.92, 0.6%, 0.59%

LAB 63.07, -6.44, -34.26

 

CMYK 22 / 59 / 0 / 16

HEX #A758D5

RGB 167 88 213

HSL 277.92, 0.6%, 0.59%

LAB 51.84, 53.38, -51.58

 

CMYK 0 / 33 / 60 / 16

HEX #D58F56

RGB 213 143 86

HSL 26.93, 0.6%, 0.59%

LAB 65.33, 20.81, 40.73

 

CMYK 55 / 0 / 59 / 16

HEX #60D558

RGB 96 213 88

HSL 116.16, 0.6%, 0.59%

LAB 76.55, -57.04, 50.96

 

CMYK 59 / 25 / 0 / 16

HEX #589FD5

RGB 88 159 213

HSL 205.92, 0.6%, 0.59%

LAB 63.07, -6.44, -34.26

 

CMYK 4 / 59 / 0 / 16

HEX #CD58D5

RGB 205 88 213

HSL 296.16, 0.6%, 0.59%

LAB 56.84, 62.82, -43.32

 

Description

Color code: HEX #D58F56 | qconv.com Color code: HEX #D58F56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 143 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 143 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 60% 16% C M Y K

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Provide designers and agencies with accurate color values.

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