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Color name
HEX #D58D2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D58D2B it is the complementary color #2A72D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D58D2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D58D2B shade: #DA8D26, #EB9F39, #FCB14C, #FFC35F and #FFD572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D58D2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D58D2B shade: #D58D2B, #C47B18, #B36905, #A25700 and #914500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D58D2B shade: #D58D2A, #D55E2A, #D5302A and #D52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D58D2B shade: #D58D2A, #D5BB2A, #C1D52A, #93D52A and #65D52A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D58D2B shade matches the following richer shades: #D58D2A, #EA9015 and #FE9301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D58D2B shade: #D58D2A, #C0893F, #AC8653, #978368 and #82807D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D58D2B shade: #D5302A, #D55D2A, #D58B2A, #D5B82A and #C4D52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D58D2B shade: #905F1C, #B27623, #D58D2A, #DC9F4D and #E3B26F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D58D2B shade: #D58D2B, #52D52A and #472AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D58D2B shade: #D58D2B, #2AD58B and #8B2AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D58D2B shade: #D58D2B, #52D52A, #2A74D5 and #AD2AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D58D2B shade: #D58D2B, #2AD535, #2A74D5 and #D52ACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

Complementary color

CMYK 80 / 46 / 0 / 17

HEX #2A72D4

RGB 42 114 212

HSL 214.59, 0.67%, 0.5%

LAB 48.61, 13.12, -56.68

 

CMYK 0 / 35 / 83 / 15

HEX #DA8D26

RGB 218 141 38

HSL 34.33, 0.71%, 0.5%

LAB 65.04, 21.57, 62.08

 

CMYK 0 / 32 / 76 / 8

HEX #EB9F39

RGB 235 159 57

HSL 34.38, 0.82%, 0.57%

LAB 71.39, 19.83, 61.57

 

CMYK 0 / 30 / 70 / 1

HEX #FCB14C

RGB 252 177 76

HSL 34.43, 0.97%, 0.64%

LAB 77.67, 18.3, 60.59

 

CMYK 0 / 24 / 63 / 0

HEX #FFC35F

RGB 255 195 95

HSL 37.5, 1%, 0.69%

LAB 82.44, 11.22, 57.36

 

CMYK 0 / 16 / 55 / 0

HEX #FFD572

RGB 255 213 114

HSL 42.13, 1%, 0.72%

LAB 87.03, 3.26, 53.79

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

CMYK 0 / 37 / 88 / 23

HEX #C47B18

RGB 196 123 24

HSL 34.53, 0.78%, 0.43%

LAB 58.01, 21.49, 59.52

 

CMYK 0 / 41 / 97 / 30

HEX #B36905

RGB 179 105 5

HSL 34.48, 0.95%, 0.36%

LAB 51.49, 23.65, 58.06

 

CMYK 0 / 46 / 100 / 36

HEX #A25700

RGB 162 87 0

HSL 32.22, 1%, 0.32%

LAB 44.94, 26.1, 53.8

 

CMYK 0 / 52 / 100 / 43

HEX #914500

RGB 145 69 0

HSL 28.55, 1%, 0.28%

LAB 38.33, 28.63, 48.49

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2A

RGB 213 141 42

HSL 34.74, 0.67%, 0.5%

LAB 64.45, 19.56, 59.91

 

CMYK 0 / 56 / 80 / 16

HEX #D55E2A

RGB 213 94 42

HSL 18.25, 0.67%, 0.5%

LAB 54.36, 44.04, 50.57

 

CMYK 0 / 77 / 80 / 16

HEX #D5302A

RGB 213 48 42

HSL 2.11, 0.67%, 0.5%

LAB 47.53, 62.44, 43.96

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2A

RGB 213 141 42

HSL 34.74, 0.67%, 0.5%

LAB 64.45, 19.56, 59.91

 

CMYK 0 / 12 / 80 / 16

HEX #D5BB2A

RGB 213 187 42

HSL 50.88, 0.67%, 0.5%

LAB 75.98, -4.96, 70.17

 

CMYK 9 / 0 / 80 / 16

HEX #C1D52A

RGB 193 213 42

HSL 67.02, 0.67%, 0.5%

LAB 81.34, -26.44, 74.23

 

CMYK 31 / 0 / 80 / 16

HEX #93D52A

RGB 147 213 42

HSL 83.16, 0.67%, 0.5%

LAB 78.44, -44.48, 70.54

 

CMYK 53 / 0 / 80 / 16

HEX #65D52A

RGB 101 213 42

HSL 99.3, 0.67%, 0.5%

LAB 76.39, -59.4, 67.92

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2A

RGB 213 141 42

HSL 34.74, 0.67%, 0.5%

LAB 64.45, 19.56, 59.91

 

CMYK 0 / 38 / 91 / 8

HEX #EA9015

RGB 234 144 21

HSL 34.65, 0.84%, 0.5%

LAB 67.65, 26.37, 69.73

 

CMYK 0 / 42 / 100 / 0

HEX #FE9301

RGB 254 147 1

HSL 34.62, 0.99%, 0.5%

LAB 70.83, 32.86, 76.14

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2A

RGB 213 141 42

HSL 34.74, 0.67%, 0.5%

LAB 64.45, 19.56, 59.91

 

CMYK 0 / 29 / 67 / 25

HEX #C0893F

RGB 192 137 63

HSL 34.42, 0.51%, 0.5%

LAB 61.18, 13.63, 46.85

 

CMYK 0 / 22 / 52 / 33

HEX #AC8653

RGB 172 134 83

HSL 34.38, 0.35%, 0.5%

LAB 58.46, 8.15, 32.86

 

CMYK 0 / 13 / 31 / 41

HEX #978368

RGB 151 131 104

HSL 34.47, 0.18%, 0.5%

LAB 55.9, 3.37, 17.42

 

CMYK 0 / 2 / 4 / 49

HEX #82807D

RGB 130 128 125

HSL 36, 0.02%, 0.5%

LAB 53.67, 0.17, 1.88

 

CMYK 0 / 77 / 80 / 16

HEX #D5302A

RGB 213 48 42

HSL 2.11, 0.67%, 0.5%

LAB 47.53, 62.44, 43.96

 

CMYK 0 / 56 / 80 / 16

HEX #D55D2A

RGB 213 93 42

HSL 17.89, 0.67%, 0.5%

LAB 54.18, 44.52, 50.39

 

CMYK 0 / 35 / 80 / 16

HEX #D58B2A

RGB 213 139 42

HSL 34.04, 0.67%, 0.5%

LAB 63.98, 20.64, 59.48

 

CMYK 0 / 14 / 80 / 16

HEX #D5B82A

RGB 213 184 42

HSL 49.82, 0.67%, 0.5%

LAB 75.2, -3.4, 69.48

 

CMYK 8 / 0 / 80 / 16

HEX #C4D52A

RGB 196 213 42

HSL 65.96, 0.67%, 0.5%

LAB 81.56, -25.2, 74.51

 

CMYK 0 / 34 / 81 / 44

HEX #905F1C

RGB 144 95 28

HSL 34.66, 0.67%, 0.34%

LAB 44.51, 14.1, 43.89

 

CMYK 0 / 34 / 80 / 30

HEX #B27623

RGB 178 118 35

HSL 34.83, 0.67%, 0.42%

LAB 54.6, 16.66, 51.98

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2A

RGB 213 141 42

HSL 34.74, 0.67%, 0.5%

LAB 64.45, 19.56, 59.91

 

CMYK 0 / 28 / 65 / 14

HEX #DC9F4D

RGB 220 159 77

HSL 34.41, 0.67%, 0.58%

LAB 69.86, 14.51, 50.65

 

CMYK 0 / 22 / 51 / 11

HEX #E3B26F

RGB 227 178 111

HSL 34.66, 0.67%, 0.66%

LAB 75.65, 9.84, 40.84

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

CMYK 62 / 0 / 80 / 16

HEX #52D52A

RGB 82 213 42

HSL 105.96, 0.67%, 0.5%

LAB 75.79, -64.19, 67.15

 

CMYK 67 / 80 / 0 / 16

HEX #472AD5

RGB 71 42 213

HSL 250.18, 0.67%, 0.5%

LAB 33.56, 59.17, -81.77

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

CMYK 80 / 0 / 35 / 16

HEX #2AD58B

RGB 42 213 139

HSL 154.04, 0.67%, 0.5%

LAB 76.04, -58.52, 25

 

CMYK 35 / 80 / 0 / 16

HEX #8B2AD5

RGB 139 42 213

HSL 274.04, 0.67%, 0.5%

LAB 41.13, 67.48, -69.04

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

CMYK 62 / 0 / 80 / 16

HEX #52D52A

RGB 82 213 42

HSL 105.96, 0.67%, 0.5%

LAB 75.79, -64.19, 67.15

 

CMYK 80 / 46 / 0 / 16

HEX #2A74D5

RGB 42 116 213

HSL 214.04, 0.67%, 0.5%

LAB 49.24, 12.24, -56.25

 

CMYK 19 / 80 / 0 / 16

HEX #AD2AD5

RGB 173 42 213

HSL 285.96, 0.67%, 0.5%

LAB 46.1, 73.02, -60.75

 

CMYK 0 / 34 / 80 / 16

HEX #D58D2B

RGB 213 141 43

HSL 34.59, 0.67%, 0.5%

LAB 64.46, 19.59, 59.55

 

CMYK 80 / 0 / 75 / 16

HEX #2AD535

RGB 42 213 53

HSL 123.86, 0.67%, 0.5%

LAB 75.04, -70.38, 62.81

 

CMYK 80 / 46 / 0 / 16

HEX #2A74D5

RGB 42 116 213

HSL 214.04, 0.67%, 0.5%

LAB 49.24, 12.24, -56.25

 

CMYK 0 / 80 / 5 / 16

HEX #D52ACA

RGB 213 42 202

HSL 303.86, 0.67%, 0.5%

LAB 51.91, 78.6, -44.75

 

Description

Color code: HEX #D58D2B | qconv.com Color code: HEX #D58D2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 141 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 141 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 80% 16% C M Y K

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Provide designers and agencies with accurate color values.

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