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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D587EB it is the complementary color #2A7814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D587EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D587EB shade: #DA87E6, #EB99F9, #FCABFF, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D587EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D587EB shade: #D587EB, #C475D8, #B363C5, #A251B2 and #913F9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D587EB shade: #D689EB, #EB89E6, #EB89CC, #EB89B1 and #EB8997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D587EB shade: #D689EB, #BB89EB, #A189EB and #8989EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D587EB shade matches the following richer shades: #D689EB and #DC7EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D587EB shade: #D689EB, #CF94E0, #C9A0D5, #C3ABCA and #BDB6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D587EB shade: #A089EB, #BA89EB, #D489EB, #EB89E8 and #EB89CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D587EB shade: #BD43DF, #C966E5, #D689EB, #E2ADF1 and #EED0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D587EB shade: #D587EB, #EB898D and #89EBAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D587EB shade: #D587EB, #EBD489 and #89EBD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D587EB shade: #D587EB, #EB898D, #A0EB89 and #89EBE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D587EB shade: #D587EB, #EBA389, #A0EB89 and #89D1EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

Complementary color

CMYK 65 / 0 / 83 / 53

HEX #2A7814

RGB 42 120 20

HSL 106.8, 0.71%, 0.27%

LAB 44.2, -42.22, 43.73

 

CMYK 5 / 41 / 0 / 10

HEX #DA87E6

RGB 218 135 230

HSL 292.42, 0.66%, 0.72%

LAB 67.98, 46.58, -35.26

 

CMYK 6 / 39 / 0 / 2

HEX #EB99F9

RGB 235 153 249

HSL 291.25, 0.89%, 0.79%

LAB 74.37, 45.84, -35.59

 

CMYK 1 / 33 / 0 / 0

HEX #FCABFF

RGB 252 171 255

HSL 297.86, 1%, 0.84%

LAB 80.2, 42.72, -29.69

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

CMYK 9 / 46 / 0 / 15

HEX #C475D8

RGB 196 117 216

HSL 287.88, 0.56%, 0.65%

LAB 61.15, 46.85, -38.32

 

CMYK 9 / 50 / 0 / 23

HEX #B363C5

RGB 179 99 197

HSL 288.98, 0.46%, 0.58%

LAB 54.59, 47.6, -37.98

 

CMYK 9 / 54 / 0 / 30

HEX #A251B2

RGB 162 81 178

HSL 290.1, 0.39%, 0.51%

LAB 47.98, 48.28, -37.54

 

CMYK 9 / 60 / 0 / 38

HEX #913F9F

RGB 145 63 159

HSL 291.25, 0.43%, 0.44%

LAB 41.34, 48.81, -36.95

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 0 / 42 / 2 / 8

HEX #EB89E6

RGB 235 137 230

HSL 303.06, 0.71%, 0.73%

LAB 70.36, 50.6, -31.42

 

CMYK 0 / 42 / 13 / 8

HEX #EB89CC

RGB 235 137 204

HSL 318.98, 0.71%, 0.73%

LAB 69.41, 46.25, -18.5

 

CMYK 0 / 42 / 25 / 8

HEX #EB89B1

RGB 235 137 177

HSL 335.51, 0.71%, 0.73%

LAB 68.55, 42.22, -4.69

 

CMYK 0 / 42 / 36 / 8

HEX #EB8997

RGB 235 137 151

HSL 351.43, 0.71%, 0.73%

LAB 67.86, 38.87, 8.91

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 20 / 42 / 0 / 8

HEX #BB89EB

RGB 187 137 235

HSL 270.61, 0.71%, 0.73%

LAB 65.32, 37.53, -42.42

 

CMYK 31 / 42 / 0 / 8

HEX #A189EB

RGB 161 137 235

HSL 254.69, 0.71%, 0.73%

LAB 62.9, 30.31, -46.4

 

CMYK 42 / 42 / 0 / 8

HEX #8989EB

RGB 137 137 235

HSL 240, 0.71%, 0.73%

LAB 60.96, 24.09, -49.58

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 11 / 49 / 0 / 4

HEX #DC7EF6

RGB 220 126 246

HSL 287, 0.87%, 0.73%

LAB 67.12, 54.84, -45.4

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 8 / 34 / 0 / 12

HEX #CF94E0

RGB 207 148 224

HSL 286.58, 0.55%, 0.73%

LAB 69.35, 35.15, -29.94

 

CMYK 6 / 25 / 0 / 16

HEX #C9A0D5

RGB 201 160 213

HSL 286.42, 0.39%, 0.73%

LAB 71.12, 24.49, -21.22

 

CMYK 3 / 15 / 0 / 21

HEX #C3ABCA

RGB 195 171 202

HSL 286.45, 0.23%, 0.73%

LAB 72.89, 14.29, -12.56

 

CMYK 1 / 4 / 0 / 25

HEX #BDB6BE

RGB 189 182 190

HSL 292.5, 0.06%, 0.73%

LAB 74.82, 3.95, -3.18

 

CMYK 32 / 42 / 0 / 8

HEX #A089EB

RGB 160 137 235

HSL 254.08, 0.71%, 0.73%

LAB 62.81, 30.04, -46.54

 

CMYK 21 / 42 / 0 / 8

HEX #BA89EB

RGB 186 137 235

HSL 270, 0.71%, 0.73%

LAB 65.22, 37.25, -42.58

 

CMYK 10 / 42 / 0 / 8

HEX #D489EB

RGB 212 137 235

HSL 285.92, 0.71%, 0.73%

LAB 67.94, 44.75, -38.14

 

CMYK 0 / 42 / 1 / 8

HEX #EB89E8

RGB 235 137 232

HSL 301.84, 0.71%, 0.73%

LAB 70.44, 50.95, -32.4

 

CMYK 0 / 42 / 12 / 8

HEX #EB89CE

RGB 235 137 206

HSL 317.76, 0.71%, 0.73%

LAB 69.48, 46.57, -19.5

 

CMYK 15 / 70 / 0 / 13

HEX #BD43DF

RGB 189 67 223

HSL 286.92, 0.71%, 0.57%

LAB 52.02, 69.62, -56.8

 

CMYK 12 / 55 / 0 / 10

HEX #C966E5

RGB 201 102 229

HSL 286.77, 0.71%, 0.65%

LAB 59.51, 58.33, -48.15

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 6 / 28 / 0 / 5

HEX #E2ADF1

RGB 226 173 241

HSL 286.76, 0.71%, 0.81%

LAB 77.52, 30.94, -26.49

 

CMYK 4 / 16 / 0 / 3

HEX #EED0F7

RGB 238 208 247

HSL 286.15, 0.71%, 0.89%

LAB 87, 17.26, -15.24

 

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

CMYK 0 / 42 / 40 / 8

HEX #EB898D

RGB 235 137 141

HSL 357.55, 0.71%, 0.73%

LAB 67.63, 37.72, 14.19

 

CMYK 42 / 0 / 26 / 8

HEX #89EBAD

RGB 137 235 173

HSL 142.04, 0.71%, 0.73%

LAB 85.88, -42.17, 21.25

 

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

CMYK 0 / 10 / 42 / 8

HEX #EBD489

RGB 235 212 137

HSL 45.92, 0.71%, 0.73%

LAB 85.28, -2.17, 39.97

 

CMYK 42 / 0 / 10 / 8

HEX #89EBD4

RGB 137 235 212

HSL 165.92, 0.71%, 0.73%

LAB 86.75, -34.17, 2.13

 

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

CMYK 0 / 42 / 40 / 8

HEX #EB898D

RGB 235 137 141

HSL 357.55, 0.71%, 0.73%

LAB 67.63, 37.72, 14.19

 

CMYK 32 / 0 / 42 / 8

HEX #A0EB89

RGB 160 235 137

HSL 105.92, 0.71%, 0.73%

LAB 86.35, -41.02, 40.31

 

CMYK 42 / 0 / 1 / 8

HEX #89EBE8

RGB 137 235 232

HSL 178.16, 0.71%, 0.73%

LAB 87.27, -29.52, -7.6

 

CMYK 9 / 43 / 0 / 8

HEX #D587EB

RGB 213 135 235

HSL 286.8, 0.71%, 0.73%

LAB 67.63, 46.09, -38.61

 

CMYK 0 / 31 / 42 / 8

HEX #EBA389

RGB 235 163 137

HSL 15.92, 0.71%, 0.73%

LAB 73.33, 23.58, 24.24

 

CMYK 32 / 0 / 42 / 8

HEX #A0EB89

RGB 160 235 137

HSL 105.92, 0.71%, 0.73%

LAB 86.35, -41.02, 40.31

 

CMYK 42 / 11 / 0 / 8

HEX #89D1EB

RGB 137 209 235

HSL 195.92, 0.71%, 0.73%

LAB 80.13, -15.88, -19.87

 

Description

Color code: HEX #D587EB | qconv.com Color code: HEX #D587EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 135 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 135 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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