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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D57BDC it is the complementary color #2A8423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D57BDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D57BDC shade: #DA7BD7, #EB8DEA, #FC9FFD, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D57BDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D57BDC shade: #D57BDC, #C469C9, #B357B6, #A245A3 and #913390

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D57BDC shade: #D57ADC, #DC7AC8, #DC7AAE, #DC7A94 and #DC7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D57BDC shade: #D57ADC, #BA7ADC, #A07ADC, #867ADC and #7A7ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D57BDC shade matches the following richer shades: #D57ADC, #E06CE9 and #EC5FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D57BDC shade: #D57ADC, #C988CE, #BD95C0, #B2A3B3 and #A6B1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D57BDC shade: #9F7ADC, #B97ADC, #D47ADC, #DC7ACA and #DC7AB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D57BDC shade: #C039CA, #CA59D3, #D57ADC, #DF9BE4 and #E9BBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D57BDC shade: #D57BDC, #DC857A and #7ADCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D57BDC shade: #D57BDC, #DCD47A and #7ADCD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D57BDC shade: #D57BDC, #DC857A, #82DC7A and #7AD0DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D57BDC shade: #D57BDC, #DCA37A, #82DC7A and #7AB3DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

Complementary color

CMYK 68 / 0 / 73 / 48

HEX #2A8423

RGB 42 132 35

HSL 115.67, 0.58%, 0.33%

LAB 48.41, -45.49, 42.45

 

CMYK 0 / 44 / 1 / 15

HEX #DA7BD7

RGB 218 123 215

HSL 301.89, 0.56%, 0.67%

LAB 64.94, 50, -31.65

 

CMYK 0 / 40 / 0 / 8

HEX #EB8DEA

RGB 235 141 234

HSL 300.64, 0.7%, 0.74%

LAB 71.32, 49.27, -32.14

 

CMYK 0 / 37 / 0 / 1

HEX #FC9FFD

RGB 252 159 253

HSL 299.36, 0.96%, 0.81%

LAB 77.63, 48.55, -32.57

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

CMYK 2 / 48 / 0 / 21

HEX #C469C9

RGB 196 105 201

HSL 296.88, 0.47%, 0.6%

LAB 58.09, 50.15, -34.63

 

CMYK 2 / 52 / 0 / 29

HEX #B357B6

RGB 179 87 182

HSL 298.11, 0.39%, 0.53%

LAB 51.58, 50.78, -34.05

 

CMYK 1 / 58 / 0 / 36

HEX #A245A3

RGB 162 69 163

HSL 299.36, 0.41%, 0.45%

LAB 45.06, 51.26, -33.31

 

CMYK 0 / 65 / 1 / 43

HEX #913390

RGB 145 51 144

HSL 300.64, 0.48%, 0.38%

LAB 38.55, 51.43, -32.29

 

CMYK 3 / 45 / 0 / 14

HEX #D57ADC

RGB 213 122 220

HSL 295.71, 0.58%, 0.67%

LAB 64.35, 49.95, -35.41

 

CMYK 0 / 45 / 9 / 14

HEX #DC7AC8

RGB 220 122 200

HSL 312.24, 0.58%, 0.67%

LAB 64.41, 48.53, -24.05

 

CMYK 0 / 45 / 21 / 14

HEX #DC7AAE

RGB 220 122 174

HSL 328.16, 0.58%, 0.67%

LAB 63.5, 44.45, -10.72

 

CMYK 0 / 45 / 33 / 14

HEX #DC7A94

RGB 220 122 148

HSL 344.08, 0.58%, 0.67%

LAB 62.74, 40.91, 2.99

 

CMYK 0 / 45 / 45 / 14

HEX #DC7A7A

RGB 220 122 122

HSL 0, 0.58%, 0.67%

LAB 62.12, 37.94, 16.97

 

CMYK 3 / 45 / 0 / 14

HEX #D57ADC

RGB 213 122 220

HSL 295.71, 0.58%, 0.67%

LAB 64.35, 49.95, -35.41

 

CMYK 15 / 45 / 0 / 14

HEX #BA7ADC

RGB 186 122 220

HSL 279.18, 0.58%, 0.67%

LAB 61.24, 42.15, -40.49

 

CMYK 27 / 45 / 0 / 14

HEX #A07ADC

RGB 160 122 220

HSL 263.27, 0.58%, 0.67%

LAB 58.56, 34.84, -44.89

 

CMYK 39 / 45 / 0 / 14

HEX #867ADC

RGB 134 122 220

HSL 247.35, 0.58%, 0.67%

LAB 56.24, 27.94, -48.72

 

CMYK 45 / 45 / 0 / 14

HEX #7A7ADC

RGB 122 122 220

HSL 240, 0.58%, 0.67%

LAB 55.3, 24.97, -50.27

 

CMYK 3 / 45 / 0 / 14

HEX #D57ADC

RGB 213 122 220

HSL 295.71, 0.58%, 0.67%

LAB 64.35, 49.95, -35.41

 

CMYK 4 / 54 / 0 / 9

HEX #E06CE9

RGB 224 108 233

HSL 295.68, 0.74%, 0.67%

LAB 63.72, 62.19, -43.53

 

CMYK 4 / 62 / 0 / 3

HEX #EC5FF7

RGB 236 95 247

HSL 295.66, 0.9%, 0.67%

LAB 63.94, 73.26, -50.82

 

CMYK 3 / 45 / 0 / 14

HEX #D57ADC

RGB 213 122 220

HSL 295.71, 0.58%, 0.67%

LAB 64.35, 49.95, -35.41

 

CMYK 2 / 34 / 0 / 19

HEX #C988CE

RGB 201 136 206

HSL 295.71, 0.42%, 0.67%

LAB 65.34, 36.27, -26.17

 

CMYK 2 / 22 / 0 / 25

HEX #BD95C0

RGB 189 149 192

HSL 295.81, 0.25%, 0.67%

LAB 66.61, 22.47, -16.53

 

CMYK 1 / 9 / 0 / 30

HEX #B2A3B3

RGB 178 163 179

HSL 296.25, 0.1%, 0.67%

LAB 68.69, 8.38, -6.28

 

CMYK 6 / 0 / 7 / 31

HEX #A6B1A5

RGB 166 177 165

HSL 115, 0.07%, 0.67%

LAB 71.06, -6.12, 4.81

 

CMYK 28 / 45 / 0 / 14

HEX #9F7ADC

RGB 159 122 220

HSL 262.65, 0.58%, 0.67%

LAB 58.47, 34.56, -45.05

 

CMYK 16 / 45 / 0 / 14

HEX #B97ADC

RGB 185 122 220

HSL 278.57, 0.58%, 0.67%

LAB 61.13, 41.86, -40.67

 

CMYK 4 / 45 / 0 / 14

HEX #D47ADC

RGB 212 122 220

HSL 295.1, 0.58%, 0.67%

LAB 64.23, 49.66, -35.61

 

CMYK 0 / 45 / 8 / 14

HEX #DC7ACA

RGB 220 122 202

HSL 311.02, 0.58%, 0.67%

LAB 64.48, 48.86, -25.06

 

CMYK 0 / 45 / 20 / 14

HEX #DC7AB0

RGB 220 122 176

HSL 326.94, 0.58%, 0.67%

LAB 63.56, 44.75, -11.76

 

CMYK 5 / 72 / 0 / 21

HEX #C039CA

RGB 192 57 202

HSL 295.86, 0.58%, 0.51%

LAB 49.97, 70.08, -48.04

 

CMYK 4 / 58 / 0 / 17

HEX #CA59D3

RGB 202 89 211

HSL 295.57, 0.58%, 0.59%

LAB 56.49, 61.26, -42.77

 

CMYK 3 / 45 / 0 / 14

HEX #D57ADC

RGB 213 122 220

HSL 295.71, 0.58%, 0.67%

LAB 64.35, 49.95, -35.41

 

CMYK 2 / 32 / 0 / 11

HEX #DF9BE4

RGB 223 155 228

HSL 295.89, 0.57%, 0.75%

LAB 72.72, 37.16, -26.81

 

CMYK 2 / 21 / 0 / 7

HEX #E9BBED

RGB 233 187 237

HSL 295.2, 0.58%, 0.83%

LAB 81.28, 24.93, -18.57

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

CMYK 0 / 40 / 45 / 14

HEX #DC857A

RGB 220 133 122

HSL 6.73, 0.58%, 0.67%

LAB 64.48, 32.17, 20.21

 

CMYK 45 / 0 / 22 / 14

HEX #7ADCAC

RGB 122 220 172

HSL 150.61, 0.58%, 0.67%

LAB 80.91, -39.71, 14.74

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

CMYK 0 / 4 / 45 / 14

HEX #DCD47A

RGB 220 212 122

HSL 55.1, 0.58%, 0.67%

LAB 83.81, -9.64, 45.32

 

CMYK 45 / 0 / 4 / 14

HEX #7ADCD4

RGB 122 220 212

HSL 175.1, 0.58%, 0.67%

LAB 81.88, -30.75, -5.07

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

CMYK 0 / 40 / 45 / 14

HEX #DC857A

RGB 220 133 122

HSL 6.73, 0.58%, 0.67%

LAB 64.48, 32.17, 20.21

 

CMYK 41 / 0 / 45 / 14

HEX #82DC7A

RGB 130 220 122

HSL 115.1, 0.58%, 0.67%

LAB 80.37, -46.04, 39.79

 

CMYK 45 / 5 / 0 / 14

HEX #7AD0DC

RGB 122 208 220

HSL 187.35, 0.58%, 0.67%

LAB 78.7, -22.89, -14.07

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDC

RGB 213 123 220

HSL 295.67, 0.58%, 0.67%

LAB 64.55, 49.44, -35.1

 

CMYK 0 / 26 / 45 / 14

HEX #DCA37A

RGB 220 163 122

HSL 25.1, 0.58%, 0.67%

LAB 71.43, 16.07, 29.52

 

CMYK 41 / 0 / 45 / 14

HEX #82DC7A

RGB 130 220 122

HSL 115.1, 0.58%, 0.67%

LAB 80.37, -46.04, 39.79

 

CMYK 45 / 19 / 0 / 14

HEX #7AB3DC

RGB 122 179 220

HSL 205.1, 0.58%, 0.67%

LAB 70.56, -7.79, -26.43

 

Description

Color code: HEX #D57BDC | qconv.com Color code: HEX #D57BDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 123 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 123 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 44 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 44% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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