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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D57664 it is the complementary color #2A899B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D57664. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D57664 shade: #DA765F, #EB8872, #FC9A85, #FFAC98 and #FFBEAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D57664. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D57664 shade: #D57664, #C46451, #B3523E, #A2402B and #912E18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D57664 shade: #D47563 and #D46363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D57664 shade: #D47563, #D49463, #D4B263, #D4D163 and #B9D463

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D57664 shade matches the following richer shades: #D47563, #E46A53 and #F45F43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D57664 shade: #D47563, #C48073, #B48B83, #A49693 and #94A1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D57664 shade: #D4638E, #D46370, #D47463, #D49263 and #D4B063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D57664 shade: #B34631, #CB5842, #D47563, #DD9283 and #E6AEA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D57664 shade: #D57664, #ADD463 and #637FD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D57664 shade: #D57664, #63D474 and #7463D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D57664 shade: #D57664, #ADD463, #63C3D4 and #8B63D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D57664 shade: #D57664, #8BD463, #63C3D4 and #AD63D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

Complementary color

CMYK 73 / 12 / 0 / 39

HEX #2A899B

RGB 42 137 155

HSL 189.56, 0.57%, 0.39%

LAB 52.67, -20.99, -17.52

 

CMYK 0 / 46 / 56 / 15

HEX #DA765F

RGB 218 118 95

HSL 11.22, 0.62%, 0.61%

LAB 60.51, 36.81, 30.03

 

CMYK 0 / 42 / 51 / 8

HEX #EB8872

RGB 235 136 114

HSL 10.91, 0.75%, 0.68%

LAB 66.89, 35.57, 28.22

 

CMYK 0 / 39 / 47 / 1

HEX #FC9A85

RGB 252 154 133

HSL 10.59, 0.95%, 0.75%

LAB 73.22, 34.43, 26.61

 

CMYK 0 / 33 / 40 / 0

HEX #FFAC98

RGB 255 172 152

HSL 11.65, 1%, 0.8%

LAB 77.89, 28.12, 22.71

 

CMYK 0 / 25 / 33 / 0

HEX #FFBEAB

RGB 255 190 171

HSL 13.57, 1%, 0.84%

LAB 82.39, 20.89, 18.73

 

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

CMYK 0 / 49 / 59 / 23

HEX #C46451

RGB 196 100 81

HSL 9.91, 0.49%, 0.54%

LAB 53.43, 36.58, 28.27

 

CMYK 0 / 54 / 65 / 30

HEX #B3523E

RGB 179 82 62

HSL 10.26, 0.49%, 0.47%

LAB 46.93, 37.95, 30.52

 

CMYK 0 / 60 / 73 / 36

HEX #A2402B

RGB 162 64 43

HSL 10.59, 0.58%, 0.4%

LAB 40.45, 39.34, 33.1

 

CMYK 0 / 68 / 83 / 43

HEX #912E18

RGB 145 46 24

HSL 10.91, 0.72%, 0.33%

LAB 34.07, 40.61, 35.94

 

CMYK 0 / 45 / 53 / 17

HEX #D47563

RGB 212 117 99

HSL 9.56, 0.57%, 0.61%

LAB 59.54, 35.35, 26.38

 

CMYK 0 / 53 / 53 / 17

HEX #D46363

RGB 212 99 99

HSL 0, 0.57%, 0.61%

LAB 55.91, 44.52, 21.57

 

CMYK 0 / 45 / 53 / 17

HEX #D47563

RGB 212 117 99

HSL 9.56, 0.57%, 0.61%

LAB 59.54, 35.35, 26.38

 

CMYK 0 / 30 / 53 / 17

HEX #D49463

RGB 212 148 99

HSL 26.02, 0.57%, 0.61%

LAB 66.58, 18.73, 35.41

 

CMYK 0 / 16 / 53 / 17

HEX #D4B263

RGB 212 178 99

HSL 41.95, 0.57%, 0.61%

LAB 74.02, 2.6, 44.56

 

CMYK 0 / 1 / 53 / 17

HEX #D4D163

RGB 212 209 99

HSL 58.41, 0.57%, 0.61%

LAB 82.11, -13.41, 54.1

 

CMYK 13 / 0 / 53 / 17

HEX #B9D463

RGB 185 212 99

HSL 74.34, 0.57%, 0.61%

LAB 80.91, -25.7, 52.18

 

CMYK 0 / 45 / 53 / 17

HEX #D47563

RGB 212 117 99

HSL 9.56, 0.57%, 0.61%

LAB 59.54, 35.35, 26.38

 

CMYK 0 / 54 / 64 / 11

HEX #E46A53

RGB 228 106 83

HSL 9.52, 0.73%, 0.61%

LAB 59.37, 45.76, 35.58

 

CMYK 0 / 61 / 73 / 4

HEX #F45F43

RGB 244 95 67

HSL 9.49, 0.89%, 0.61%

LAB 59.73, 55.67, 45.27

 

CMYK 0 / 45 / 53 / 17

HEX #D47563

RGB 212 117 99

HSL 9.56, 0.57%, 0.61%

LAB 59.54, 35.35, 26.38

 

CMYK 0 / 35 / 41 / 23

HEX #C48073

RGB 196 128 115

HSL 9.63, 0.41%, 0.61%

LAB 60.26, 24.76, 17.92

 

CMYK 0 / 23 / 27 / 29

HEX #B48B83

RGB 180 139 131

HSL 9.8, 0.25%, 0.61%

LAB 61.49, 14.39, 10.27

 

CMYK 0 / 9 / 10 / 36

HEX #A49693

RGB 164 150 147

HSL 10.59, 0.09%, 0.61%

LAB 63.19, 4.63, 3.44

 

CMYK 9 / 1 / 0 / 36

HEX #94A1A3

RGB 148 161 163

HSL 188, 0.08%, 0.61%

LAB 65.3, -4.18, -2.62

 

CMYK 0 / 53 / 33 / 17

HEX #D4638E

RGB 212 99 142

HSL 337.17, 0.57%, 0.61%

LAB 56.95, 48.97, -2.11

 

CMYK 0 / 53 / 47 / 17

HEX #D46370

RGB 212 99 112

HSL 353.1, 0.57%, 0.61%

LAB 56.18, 45.68, 14.36

 

CMYK 0 / 45 / 53 / 17

HEX #D47463

RGB 212 116 99

HSL 9.03, 0.57%, 0.61%

LAB 59.33, 35.88, 26.11

 

CMYK 0 / 31 / 53 / 17

HEX #D49263

RGB 212 146 99

HSL 24.96, 0.57%, 0.61%

LAB 66.1, 19.81, 34.81

 

CMYK 0 / 17 / 53 / 17

HEX #D4B063

RGB 212 176 99

HSL 40.88, 0.57%, 0.61%

LAB 73.51, 3.66, 43.95

 

CMYK 0 / 61 / 73 / 30

HEX #B34631

RGB 179 70 49

HSL 9.69, 0.57%, 0.45%

LAB 44.5, 43.1, 35.06

 

CMYK 0 / 57 / 67 / 20

HEX #CB5842

RGB 203 88 66

HSL 9.64, 0.57%, 0.53%

LAB 51.92, 44.26, 35.13

 

CMYK 0 / 45 / 53 / 17

HEX #D47563

RGB 212 117 99

HSL 9.56, 0.57%, 0.61%

LAB 59.54, 35.35, 26.38

 

CMYK 0 / 34 / 41 / 13

HEX #DD9283

RGB 221 146 131

HSL 10, 0.57%, 0.69%

LAB 67.7, 26.58, 19.61

 

CMYK 0 / 24 / 29 / 10

HEX #E6AEA4

RGB 230 174 164

HSL 9.09, 0.57%, 0.77%

LAB 75.93, 19.06, 13.08

 

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

CMYK 18 / 0 / 53 / 17

HEX #ADD463

RGB 173 212 99

HSL 80.71, 0.57%, 0.61%

LAB 80.11, -30.33, 51.05

 

CMYK 53 / 40 / 0 / 17

HEX #637FD4

RGB 99 127 212

HSL 225.13, 0.57%, 0.61%

LAB 54.64, 14.23, -46.91

 

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

CMYK 53 / 0 / 45 / 17

HEX #63D474

RGB 99 212 116

HSL 129.03, 0.57%, 0.61%

LAB 76.68, -52.22, 37.83

 

CMYK 45 / 53 / 0 / 17

HEX #7463D4

RGB 116 99 212

HSL 249.03, 0.57%, 0.61%

LAB 48.75, 34.95, -56.25

 

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

CMYK 18 / 0 / 53 / 17

HEX #ADD463

RGB 173 212 99

HSL 80.71, 0.57%, 0.61%

LAB 80.11, -30.33, 51.05

 

CMYK 53 / 8 / 0 / 17

HEX #63C3D4

RGB 99 195 212

HSL 189.03, 0.57%, 0.61%

LAB 73.83, -23.61, -17.18

 

CMYK 34 / 53 / 0 / 17

HEX #8B63D4

RGB 139 99 212

HSL 261.24, 0.57%, 0.61%

LAB 50.88, 40.38, -52.71

 

CMYK 0 / 45 / 53 / 16

HEX #D57664

RGB 213 118 100

HSL 9.56, 0.57%, 0.61%

LAB 59.91, 35.3, 26.32

 

CMYK 34 / 0 / 53 / 17

HEX #8BD463

RGB 139 212 99

HSL 98.76, 0.57%, 0.61%

LAB 78.16, -42.6, 48.26

 

CMYK 53 / 8 / 0 / 17

HEX #63C3D4

RGB 99 195 212

HSL 189.03, 0.57%, 0.61%

LAB 73.83, -23.61, -17.18

 

CMYK 18 / 53 / 0 / 17

HEX #AD63D4

RGB 173 99 212

HSL 279.29, 0.57%, 0.61%

LAB 54.62, 49.08, -46.54

 

Description

Color code: HEX #D57664 | qconv.com Color code: HEX #D57664 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 118 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 118 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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