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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D57560 it is the complementary color #2A8A9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D57560. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D57560 shade: #DA755B, #EB876E, #FC9981, #FFAB94 and #FFBDA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D57560. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D57560 shade: #D57560, #C4634D, #B3513A, #A23F27 and #912D14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D57560 shade: #D57762 and #D56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D57560 shade: #D57762, #D59662, #D5B562, #D5D462 and #B7D562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D57560 shade matches the following richer shades: #D57762, #E56C52 and #F56242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D57560 shade: #D57762, #C58172, #B58B82, #A59692 and #95A0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D57560 shade: #D5628C, #D5626D, #D57562, #D59462 and #D5B362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D57560 shade: #B54830, #CD5A41, #D57762, #DE9382 and #E7AFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D57560 shade: #D57560, #ABD562 and #627DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D57560 shade: #D57560, #62D575 and #7562D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D57560 shade: #D57560, #ABD562, #62C2D5 and #8C62D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D57560 shade: #D57560, #88D562, #62C2D5 and #AF62D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

Complementary color

CMYK 74 / 13 / 0 / 38

HEX #2A8A9F

RGB 42 138 159

HSL 190.77, 0.58%, 0.39%

LAB 53.14, -20.21, -19.13

 

CMYK 0 / 46 / 58 / 15

HEX #DA755B

RGB 218 117 91

HSL 12.28, 0.63%, 0.61%

LAB 60.23, 37.03, 31.91

 

CMYK 0 / 43 / 53 / 8

HEX #EB876E

RGB 235 135 110

HSL 12, 0.76%, 0.68%

LAB 66.61, 35.75, 30.06

 

CMYK 0 / 39 / 49 / 1

HEX #FC9981

RGB 252 153 129

HSL 11.71, 0.95%, 0.75%

LAB 72.93, 34.58, 28.4

 

CMYK 0 / 33 / 42 / 0

HEX #FFAB94

RGB 255 171 148

HSL 12.9, 1%, 0.79%

LAB 77.59, 28.22, 24.45

 

CMYK 0 / 26 / 35 / 0

HEX #FFBDA7

RGB 255 189 167

HSL 15, 1%, 0.83%

LAB 82.08, 20.93, 20.43

 

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

CMYK 0 / 49 / 61 / 23

HEX #C4634D

RGB 196 99 77

HSL 11.09, 0.5%, 0.54%

LAB 53.16, 36.81, 30.21

 

CMYK 0 / 55 / 68 / 30

HEX #B3513A

RGB 179 81 58

HSL 11.4, 0.51%, 0.46%

LAB 46.68, 38.21, 32.5

 

CMYK 0 / 61 / 76 / 36

HEX #A23F27

RGB 162 63 39

HSL 11.71, 0.61%, 0.39%

LAB 40.22, 39.64, 35.09

 

CMYK 0 / 69 / 86 / 43

HEX #912D14

RGB 145 45 20

HSL 12, 0.76%, 0.32%

LAB 33.87, 40.93, 37.79

 

CMYK 0 / 44 / 54 / 16

HEX #D57762

RGB 213 119 98

HSL 10.96, 0.58%, 0.61%

LAB 60.09, 34.6, 27.68

 

CMYK 0 / 54 / 54 / 16

HEX #D56262

RGB 213 98 98

HSL 0, 0.58%, 0.61%

LAB 55.85, 45.28, 22.1

 

CMYK 0 / 44 / 54 / 16

HEX #D57762

RGB 213 119 98

HSL 10.96, 0.58%, 0.61%

LAB 60.09, 34.6, 27.68

 

CMYK 0 / 30 / 54 / 16

HEX #D59662

RGB 213 150 98

HSL 27.13, 0.58%, 0.61%

LAB 67.16, 17.97, 36.68

 

CMYK 0 / 15 / 54 / 16

HEX #D5B562

RGB 213 181 98

HSL 43.3, 0.58%, 0.61%

LAB 74.87, 1.35, 46.1

 

CMYK 0 / 0 / 54 / 16

HEX #D5D462

RGB 213 212 98

HSL 59.48, 0.58%, 0.61%

LAB 82.97, -14.58, 55.57

 

CMYK 14 / 0 / 54 / 16

HEX #B7D562

RGB 183 213 98

HSL 75.65, 0.58%, 0.61%

LAB 81.04, -27.05, 52.76

 

CMYK 0 / 44 / 54 / 16

HEX #D57762

RGB 213 119 98

HSL 10.96, 0.58%, 0.61%

LAB 60.09, 34.6, 27.68

 

CMYK 0 / 53 / 64 / 10

HEX #E56C52

RGB 229 108 82

HSL 10.61, 0.74%, 0.61%

LAB 59.88, 45.1, 36.79

 

CMYK 0 / 60 / 73 / 4

HEX #F56242

RGB 245 98 66

HSL 10.73, 0.9%, 0.61%

LAB 60.37, 54.66, 46.55

 

CMYK 0 / 44 / 54 / 16

HEX #D57762

RGB 213 119 98

HSL 10.96, 0.58%, 0.61%

LAB 60.09, 34.6, 27.68

 

CMYK 0 / 35 / 42 / 23

HEX #C58172

RGB 197 129 114

HSL 10.84, 0.42%, 0.61%

LAB 60.59, 24.5, 18.96

 

CMYK 0 / 23 / 28 / 29

HEX #B58B82

RGB 181 139 130

HSL 10.59, 0.26%, 0.61%

LAB 61.57, 14.64, 10.97

 

CMYK 0 / 9 / 12 / 35

HEX #A59692

RGB 165 150 146

HSL 12.63, 0.1%, 0.61%

LAB 63.25, 4.83, 4.11

 

CMYK 8 / 1 / 0 / 36

HEX #95A0A2

RGB 149 160 162

HSL 189.23, 0.07%, 0.61%

LAB 65.07, -3.49, -2.39

 

CMYK 0 / 54 / 34 / 16

HEX #D5628C

RGB 213 98 140

HSL 338.09, 0.58%, 0.61%

LAB 56.86, 49.54, -1.06

 

CMYK 0 / 54 / 49 / 16

HEX #D5626D

RGB 213 98 109

HSL 354.26, 0.58%, 0.61%

LAB 56.07, 46.24, 15.99

 

CMYK 0 / 45 / 54 / 16

HEX #D57562

RGB 213 117 98

HSL 9.91, 0.58%, 0.61%

LAB 59.66, 35.65, 27.13

 

CMYK 0 / 31 / 54 / 16

HEX #D59462

RGB 213 148 98

HSL 26.09, 0.58%, 0.61%

LAB 66.68, 19.05, 36.09

 

CMYK 0 / 16 / 54 / 16

HEX #D5B362

RGB 213 179 98

HSL 42.26, 0.58%, 0.61%

LAB 74.36, 2.41, 45.49

 

CMYK 0 / 60 / 73 / 29

HEX #B54830

RGB 181 72 48

HSL 10.83, 0.58%, 0.45%

LAB 45.18, 42.85, 36.47

 

CMYK 0 / 56 / 68 / 20

HEX #CD5A41

RGB 205 90 65

HSL 10.71, 0.58%, 0.53%

LAB 52.59, 43.98, 36.56

 

CMYK 0 / 44 / 54 / 16

HEX #D57762

RGB 213 119 98

HSL 10.96, 0.58%, 0.61%

LAB 60.09, 34.6, 27.68

 

CMYK 0 / 34 / 41 / 13

HEX #DE9382

RGB 222 147 130

HSL 11.09, 0.58%, 0.69%

LAB 68.03, 26.32, 20.63

 

CMYK 0 / 24 / 29 / 9

HEX #E7AFA3

RGB 231 175 163

HSL 10.59, 0.59%, 0.77%

LAB 76.25, 18.77, 14.08

 

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

CMYK 20 / 0 / 54 / 16

HEX #ABD562

RGB 171 213 98

HSL 81.91, 0.58%, 0.61%

LAB 80.25, -31.66, 51.65

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

CMYK 54 / 0 / 45 / 16

HEX #62D575

RGB 98 213 117

HSL 129.91, 0.58%, 0.61%

LAB 76.96, -52.71, 37.69

 

CMYK 45 / 54 / 0 / 16

HEX #7562D5

RGB 117 98 213

HSL 249.91, 0.58%, 0.61%

LAB 48.66, 36.05, -56.95

 

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

CMYK 20 / 0 / 54 / 16

HEX #ABD562

RGB 171 213 98

HSL 81.91, 0.58%, 0.61%

LAB 80.25, -31.66, 51.65

 

CMYK 54 / 9 / 0 / 16

HEX #62C2D5

RGB 98 194 213

HSL 189.91, 0.58%, 0.61%

LAB 73.54, -23.03, -18.17

 

CMYK 34 / 54 / 0 / 16

HEX #8C62D5

RGB 140 98 213

HSL 261.91, 0.58%, 0.61%

LAB 50.82, 41.44, -53.37

 

CMYK 0 / 45 / 55 / 16

HEX #D57560

RGB 213 117 96

HSL 10.77, 0.58%, 0.61%

LAB 59.63, 35.49, 28.21

 

CMYK 36 / 0 / 54 / 16

HEX #88D562

RGB 136 213 98

HSL 100.17, 0.58%, 0.61%

LAB 78.29, -44.15, 48.85

 

CMYK 54 / 9 / 0 / 16

HEX #62C2D5

RGB 98 194 213

HSL 189.91, 0.58%, 0.61%

LAB 73.54, -23.03, -18.17

 

CMYK 18 / 54 / 0 / 16

HEX #AF62D5

RGB 175 98 213

HSL 280.17, 0.58%, 0.61%

LAB 54.71, 50.34, -46.94

 

Description

Color code: HEX #D57560 | qconv.com Color code: HEX #D57560 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 117 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 117 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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