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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D563A8 it is the complementary color #2A9C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D563A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D563A8 shade: #DA63A3, #EB75B6, #FC87C9, #FF99DC and #FFABEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D563A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D563A8 shade: #D563A8, #C45195, #B33F82, #A22D6F and #911B5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D563A8 shade: #D562A8, #D56289, #D56269 and #D56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D563A8 shade: #D562A8, #D562C7, #C562D5, #A562D5 and #8662D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D563A8 shade matches the following richer shades: #D562A8, #E552AB and #F542AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D563A8 shade: #D562A8, #C572A4, #B582A1, #A5929E and #95A29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D563A8 shade: #C462D5, #D562C8, #D562A9, #D5628A and #D5626B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D563A8 shade: #B53080, #CD4196, #D562A8, #DE82BA and #E7A3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D563A8 shade: #D563A8, #D5A562 and #62D5D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D563A8 shade: #D563A8, #A9D562 and #62A9D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D563A8 shade: #D563A8, #D5A562, #62D58E and #6292D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D563A8 shade: #D563A8, #D5C862, #62D58E and #626FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

Complementary color

CMYK 73 / 0 / 44 / 39

HEX #2A9C57

RGB 42 156 87

HSL 143.68, 0.58%, 0.39%

LAB 57.03, -47.25, 27.27

 

CMYK 0 / 55 / 25 / 15

HEX #DA63A3

RGB 218 99 163

HSL 327.73, 0.62%, 0.62%

LAB 58.48, 53.6, -11.96

 

CMYK 0 / 50 / 23 / 8

HEX #EB75B6

RGB 235 117 182

HSL 326.95, 0.75%, 0.69%

LAB 64.77, 52.94, -13.15

 

CMYK 0 / 46 / 20 / 1

HEX #FC87C9

RGB 252 135 201

HSL 326.15, 0.95%, 0.76%

LAB 71.04, 52.21, -14.16

 

CMYK 0 / 40 / 14 / 0

HEX #FF99DC

RGB 255 153 220

HSL 320.59, 1%, 0.8%

LAB 75.58, 47.01, -17.75

 

CMYK 0 / 33 / 6 / 0

HEX #FFABEF

RGB 255 171 239

HSL 311.43, 1%, 0.84%

LAB 79.96, 40.85, -21.42

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 0 / 59 / 24 / 23

HEX #C45195

RGB 196 81 149

HSL 324.52, 0.49%, 0.54%

LAB 51.6, 53.28, -14.47

 

CMYK 0 / 65 / 27 / 30

HEX #B33F82

RGB 179 63 130

HSL 325.34, 0.48%, 0.47%

LAB 45.29, 53.58, -12.88

 

CMYK 0 / 72 / 31 / 36

HEX #A22D6F

RGB 162 45 111

HSL 326.15, 0.57%, 0.41%

LAB 39.08, 53.43, -10.84

 

CMYK 0 / 81 / 37 / 43

HEX #911B5C

RGB 145 27 92

HSL 326.95, 0.69%, 0.34%

LAB 33.08, 52.49, -8.09

 

CMYK 0 / 54 / 21 / 16

HEX #D562A8

RGB 213 98 168

HSL 323.48, 0.58%, 0.61%

LAB 57.76, 53.22, -16.02

 

CMYK 0 / 54 / 36 / 16

HEX #D56289

RGB 213 98 137

HSL 339.65, 0.58%, 0.61%

LAB 56.77, 49.18, 0.57

 

CMYK 0 / 54 / 51 / 16

HEX #D56269

RGB 213 98 105

HSL 356.35, 0.58%, 0.61%

LAB 55.99, 45.88, 18.21

 

CMYK 0 / 54 / 54 / 16

HEX #D56262

RGB 213 98 98

HSL 0, 0.58%, 0.61%

LAB 55.85, 45.28, 22.1

 

CMYK 0 / 54 / 21 / 16

HEX #D562A8

RGB 213 98 168

HSL 323.48, 0.58%, 0.61%

LAB 57.76, 53.22, -16.02

 

CMYK 0 / 54 / 7 / 16

HEX #D562C7

RGB 213 98 199

HSL 307.3, 0.58%, 0.61%

LAB 58.98, 58.01, -31.94

 

CMYK 8 / 54 / 0 / 16

HEX #C562D5

RGB 197 98 213

HSL 291.65, 0.58%, 0.61%

LAB 57.47, 56.13, -42.4

 

CMYK 23 / 54 / 0 / 16

HEX #A562D5

RGB 165 98 213

HSL 274.96, 0.58%, 0.61%

LAB 53.53, 47.74, -48.88

 

CMYK 37 / 54 / 0 / 16

HEX #8662D5

RGB 134 98 213

HSL 258.78, 0.58%, 0.61%

LAB 50.23, 39.99, -54.36

 

CMYK 0 / 54 / 21 / 16

HEX #D562A8

RGB 213 98 168

HSL 323.48, 0.58%, 0.61%

LAB 57.76, 53.22, -16.02

 

CMYK 0 / 64 / 25 / 10

HEX #E552AB

RGB 229 82 171

HSL 323.67, 0.74%, 0.61%

LAB 57.69, 65.27, -17.64

 

CMYK 0 / 73 / 29 / 4

HEX #F542AE

RGB 245 66 174

HSL 323.8, 0.9%, 0.61%

LAB 58.38, 75.46, -18.08

 

CMYK 0 / 54 / 21 / 16

HEX #D562A8

RGB 213 98 168

HSL 323.48, 0.58%, 0.61%

LAB 57.76, 53.22, -16.02

 

CMYK 0 / 42 / 17 / 23

HEX #C572A4

RGB 197 114 164

HSL 323.86, 0.42%, 0.61%

LAB 58.59, 39.4, -12.67

 

CMYK 0 / 28 / 11 / 29

HEX #B582A1

RGB 181 130 161

HSL 323.53, 0.26%, 0.61%

LAB 60.21, 24.58, -8.7

 

CMYK 0 / 12 / 4 / 35

HEX #A5929E

RGB 165 146 158

HSL 322.11, 0.1%, 0.61%

LAB 62.53, 9.23, -3.73

 

CMYK 8 / 0 / 5 / 36

HEX #95A29A

RGB 149 162 154

HSL 143.08, 0.07%, 0.61%

LAB 65.41, -6.17, 2.57

 

CMYK 8 / 54 / 0 / 16

HEX #C462D5

RGB 196 98 213

HSL 291.13, 0.58%, 0.61%

LAB 57.34, 55.87, -42.61

 

CMYK 0 / 54 / 6 / 16

HEX #D562C8

RGB 213 98 200

HSL 306.78, 0.58%, 0.61%

LAB 59.02, 58.17, -32.44

 

CMYK 0 / 54 / 21 / 16

HEX #D562A9

RGB 213 98 169

HSL 322.96, 0.58%, 0.61%

LAB 57.8, 53.37, -16.54

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 54 / 50 / 16

HEX #D5626B

RGB 213 98 107

HSL 355.3, 0.58%, 0.61%

LAB 56.03, 46.06, 17.1

 

CMYK 0 / 73 / 29 / 29

HEX #B53080

RGB 181 48 128

HSL 323.91, 0.58%, 0.45%

LAB 43.5, 59.6, -14.35

 

CMYK 0 / 68 / 27 / 20

HEX #CD4196

RGB 205 65 150

HSL 323.57, 0.58%, 0.53%

LAB 50.64, 62.64, -16.38

 

CMYK 0 / 54 / 21 / 16

HEX #D562A8

RGB 213 98 168

HSL 323.48, 0.58%, 0.61%

LAB 57.76, 53.22, -16.02

 

CMYK 0 / 41 / 16 / 13

HEX #DE82BA

RGB 222 130 186

HSL 323.48, 0.58%, 0.69%

LAB 65.78, 42.8, -14.06

 

CMYK 0 / 29 / 12 / 9

HEX #E7A3CC

RGB 231 163 204

HSL 323.82, 0.59%, 0.77%

LAB 74.54, 31.29, -10.83

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 0 / 23 / 54 / 16

HEX #D5A562

RGB 213 165 98

HSL 34.96, 0.58%, 0.61%

LAB 70.83, 9.88, 41.22

 

CMYK 54 / 0 / 1 / 16

HEX #62D5D3

RGB 98 213 211

HSL 178.96, 0.58%, 0.61%

LAB 78.98, -32.86, -8.93

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 21 / 0 / 54 / 16

HEX #A9D562

RGB 169 213 98

HSL 82.96, 0.58%, 0.61%

LAB 80.13, -32.41, 51.47

 

CMYK 54 / 21 / 0 / 16

HEX #62A9D5

RGB 98 169 213

HSL 202.96, 0.58%, 0.61%

LAB 66.35, -9.91, -29.15

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 0 / 23 / 54 / 16

HEX #D5A562

RGB 213 165 98

HSL 34.96, 0.58%, 0.61%

LAB 70.83, 9.88, 41.22

 

CMYK 54 / 0 / 33 / 16

HEX #62D58E

RGB 98 213 142

HSL 142.96, 0.58%, 0.61%

LAB 77.36, -48.49, 25.45

 

CMYK 54 / 31 / 0 / 16

HEX #6292D5

RGB 98 146 213

HSL 214.96, 0.58%, 0.61%

LAB 59.85, 3.06, -39.26

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 0 / 6 / 54 / 16

HEX #D5C862

RGB 213 200 98

HSL 53.22, 0.58%, 0.61%

LAB 79.8, -8.52, 51.91

 

CMYK 54 / 0 / 33 / 16

HEX #62D58E

RGB 98 213 142

HSL 142.96, 0.58%, 0.61%

LAB 77.36, -48.49, 25.45

 

CMYK 54 / 48 / 0 / 16

HEX #626FD5

RGB 98 111 213

HSL 233.22, 0.58%, 0.61%

LAB 50.42, 24.08, -54.21

 

Description

Color code: HEX #D563A8 | qconv.com Color code: HEX #D563A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 99 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 99 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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