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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56246 it is the complementary color #2A9DB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56246 shade: #DA6241, #EB7454, #FC8667, #FF987A and #FFAA8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56246 shade: #D56246, #C45033, #B33E20, #A22C0D and #911A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56246 shade: #D56044 and #D54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56246 shade: #D56044, #D58744, #D5AE44, #D4D544 and #ADD544

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56246 shade matches the following richer shades: #D56044, #E75531 and #FA4A1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56246 shade: #D56044, #C26C57, #AF7769, #9D827C and #8A8D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56246 shade: #D54477, #D54450, #D55E44, #D58544 and #D5AC44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56246 shade: #A13D25, #C34A2C, #D56044, #DC7D66 and #E49987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56246 shade: #D56246, #9DD544 and #4463D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56246 shade: #D56246, #44D55E and #5E44D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56246 shade: #D56246, #9DD544, #44BAD5 and #7B44D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56246 shade: #D56246, #72D544, #44BAD5 and #A744D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

Complementary color

CMYK 77 / 15 / 0 / 27

HEX #2A9DB9

RGB 42 157 185

HSL 191.75, 0.63%, 0.45%

LAB 59.99, -21.61, -23.47

 

CMYK 0 / 55 / 70 / 15

HEX #DA6241

RGB 218 98 65

HSL 12.94, 0.67%, 0.55%

LAB 56.11, 44.93, 41.15

 

CMYK 0 / 51 / 64 / 8

HEX #EB7454

RGB 235 116 84

HSL 12.72, 0.79%, 0.63%

LAB 62.33, 43.52, 38.87

 

CMYK 0 / 47 / 59 / 1

HEX #FC8667

RGB 252 134 103

HSL 12.48, 0.96%, 0.7%

LAB 68.55, 42.17, 36.81

 

CMYK 0 / 40 / 52 / 0

HEX #FF987A

RGB 255 152 122

HSL 13.53, 1%, 0.74%

LAB 72.97, 35.62, 32.3

 

CMYK 0 / 33 / 45 / 0

HEX #FFAA8D

RGB 255 170 141

HSL 15.26, 1%, 0.78%

LAB 77.24, 28.02, 27.73

 

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

CMYK 0 / 59 / 74 / 23

HEX #C45033

RGB 196 80 51

HSL 12, 0.59%, 0.48%

LAB 49.15, 44.74, 39.9

 

CMYK 0 / 65 / 82 / 30

HEX #B33E20

RGB 179 62 32

HSL 12.24, 0.7%, 0.41%

LAB 42.96, 46.06, 42.51

 

CMYK 0 / 73 / 92 / 36

HEX #A22C0D

RGB 162 44 13

HSL 12.48, 0.85%, 0.34%

LAB 36.95, 47.11, 44.66

 

CMYK 0 / 82 / 100 / 43

HEX #911A00

RGB 145 26 0

HSL 10.76, 1%, 0.28%

LAB 31.25, 47.49, 44.3

 

CMYK 0 / 55 / 68 / 16

HEX #D56044

RGB 213 96 68

HSL 11.59, 0.63%, 0.55%

LAB 55, 44.2, 38.05

 

CMYK 0 / 68 / 68 / 16

HEX #D54444

RGB 213 68 68

HSL 0, 0.63%, 0.55%

LAB 50.33, 56.59, 32.5

 

CMYK 0 / 55 / 68 / 16

HEX #D56044

RGB 213 96 68

HSL 11.59, 0.63%, 0.55%

LAB 55, 44.2, 38.05

 

CMYK 0 / 37 / 68 / 16

HEX #D58744

RGB 213 135 68

HSL 27.72, 0.63%, 0.55%

LAB 63.25, 23.96, 47.42

 

CMYK 0 / 18 / 68 / 16

HEX #D5AE44

RGB 213 174 68

HSL 43.86, 0.63%, 0.55%

LAB 72.78, 2.99, 57.66

 

CMYK 0 / 0 / 68 / 16

HEX #D4D544

RGB 212 213 68

HSL 60.41, 0.63%, 0.55%

LAB 82.91, -17.45, 67.95

 

CMYK 19 / 0 / 68 / 16

HEX #ADD544

RGB 173 213 68

HSL 76.55, 0.63%, 0.55%

LAB 80.12, -33.25, 64.22

 

CMYK 0 / 55 / 68 / 16

HEX #D56044

RGB 213 96 68

HSL 11.59, 0.63%, 0.55%

LAB 55, 44.2, 38.05

 

CMYK 0 / 63 / 79 / 9

HEX #E75531

RGB 231 85 49

HSL 11.87, 0.79%, 0.55%

LAB 55.79, 54.83, 49.65

 

CMYK 0 / 70 / 88 / 2

HEX #FA4A1F

RGB 250 74 31

HSL 11.78, 0.96%, 0.55%

LAB 57.39, 64.88, 60.24

 

CMYK 0 / 55 / 68 / 16

HEX #D56044

RGB 213 96 68

HSL 11.59, 0.63%, 0.55%

LAB 55, 44.2, 38.05

 

CMYK 0 / 44 / 55 / 24

HEX #C26C57

RGB 194 108 87

HSL 11.78, 0.47%, 0.55%

LAB 54.95, 32.06, 26.74

 

CMYK 0 / 32 / 40 / 31

HEX #AF7769

RGB 175 119 105

HSL 12, 0.3%, 0.55%

LAB 55.41, 20.18, 16.59

 

CMYK 0 / 17 / 21 / 38

HEX #9D827C

RGB 157 130 124

HSL 10.91, 0.14%, 0.55%

LAB 56.67, 9.34, 7.11

 

CMYK 3 / 1 / 0 / 44

HEX #8A8D8E

RGB 138 141 142

HSL 195, 0.02%, 0.55%

LAB 58.42, -0.9, -0.92

 

CMYK 0 / 68 / 44 / 16

HEX #D54477

RGB 213 68 119

HSL 338.9, 0.63%, 0.55%

LAB 51.4, 60.34, 3.45

 

CMYK 0 / 68 / 62 / 16

HEX #D54450

RGB 213 68 80

HSL 355.03, 0.63%, 0.55%

LAB 50.52, 57.27, 25.68

 

CMYK 0 / 56 / 68 / 16

HEX #D55E44

RGB 213 94 68

HSL 10.76, 0.63%, 0.55%

LAB 54.63, 45.17, 37.61

 

CMYK 0 / 38 / 68 / 16

HEX #D58544

RGB 213 133 68

HSL 26.9, 0.63%, 0.55%

LAB 62.79, 25.04, 46.91

 

CMYK 0 / 19 / 68 / 16

HEX #D5AC44

RGB 213 172 68

HSL 43.03, 0.63%, 0.55%

LAB 72.27, 4.05, 57.12

 

CMYK 0 / 62 / 77 / 37

HEX #A13D25

RGB 161 61 37

HSL 11.61, 0.63%, 0.39%

LAB 39.66, 40.13, 35.54

 

CMYK 0 / 62 / 77 / 24

HEX #C34A2C

RGB 195 74 44

HSL 11.92, 0.63%, 0.47%

LAB 47.86, 46.85, 42.18

 

CMYK 0 / 55 / 68 / 16

HEX #D56044

RGB 213 96 68

HSL 11.59, 0.63%, 0.55%

LAB 55, 44.2, 38.05

 

CMYK 0 / 43 / 54 / 14

HEX #DC7D66

RGB 220 125 102

HSL 11.69, 0.63%, 0.63%

LAB 62.37, 34.51, 28.6

 

CMYK 0 / 33 / 41 / 11

HEX #E49987

RGB 228 153 135

HSL 11.61, 0.63%, 0.71%

LAB 70.19, 25.98, 20.94

 

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

CMYK 26 / 0 / 68 / 16

HEX #9DD544

RGB 157 213 68

HSL 83.17, 0.63%, 0.55%

LAB 79.14, -39.37, 62.91

 

CMYK 68 / 54 / 0 / 16

HEX #4463D5

RGB 68 99 213

HSL 227.17, 0.63%, 0.55%

LAB 45.57, 26.2, -62.1

 

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

CMYK 68 / 0 / 56 / 16

HEX #44D55E

RGB 68 213 94

HSL 130.76, 0.63%, 0.55%

LAB 75.84, -62.38, 47.21

 

CMYK 56 / 68 / 0 / 16

HEX #5E44D5

RGB 94 68 213

HSL 250.76, 0.63%, 0.55%

LAB 40.11, 48.91, -70.92

 

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

CMYK 26 / 0 / 68 / 16

HEX #9DD544

RGB 157 213 68

HSL 83.17, 0.63%, 0.55%

LAB 79.14, -39.37, 62.91

 

CMYK 68 / 13 / 0 / 16

HEX #44BAD5

RGB 68 186 213

HSL 191.17, 0.63%, 0.55%

LAB 70.28, -24.24, -23.2

 

CMYK 42 / 68 / 0 / 16

HEX #7B44D5

RGB 123 68 213

HSL 262.76, 0.63%, 0.55%

LAB 42.99, 53.88, -66.11

 

CMYK 0 / 54 / 67 / 16

HEX #D56246

RGB 213 98 70

HSL 11.75, 0.63%, 0.55%

LAB 55.4, 43.34, 37.43

 

CMYK 46 / 0 / 68 / 16

HEX #72D544

RGB 114 213 68

HSL 100.97, 0.63%, 0.55%

LAB 77.03, -53.97, 60.06

 

CMYK 68 / 13 / 0 / 16

HEX #44BAD5

RGB 68 186 213

HSL 191.17, 0.63%, 0.55%

LAB 70.28, -24.24, -23.2

 

CMYK 22 / 68 / 0 / 16

HEX #A744D5

RGB 167 68 213

HSL 280.97, 0.63%, 0.55%

LAB 48.45, 62.67, -57

 

Description

Color code: HEX #D56246 | qconv.com Color code: HEX #D56246 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 98 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 98 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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