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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D561F3 it is the complementary color #2A9E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D561F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D561F3 shade: #DA61EE, #EB73FF, #FC85FF, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D561F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D561F3 shade: #D561F3, #C44FE0, #B33DCD, #A22BBA and #9119A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D561F3 shade: #D562F3, #F362EA, #F362C3, #F3629C and #F36275

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D561F3 shade: #D562F3, #AE62F3, #8762F3 and #6262F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D561F3 shade matches the following richer shades: #D562F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D561F3 shade: #D562F3, #CD70E6, #C57ED8, #BD8BCA and #B599BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D561F3 shade: #8762F3, #AD62F3, #D462F3, #F362EC and #F362C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D561F3 shade: #C116ED, #CB3CF0, #D562F3, #E089F6 and #EAAFF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D561F3 shade: #D561F3, #F36265 and #62F39A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D561F3 shade: #D561F3, #F3D462 and #62F3D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D561F3 shade: #D561F3, #F36265, #82F362 and #62F3F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D561F3 shade: #D561F3, #F38B62, #82F362 and #62CAF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

Complementary color

CMYK 73 / 0 / 92 / 38

HEX #2A9E0C

RGB 42 158 12

HSL 107.67, 0.86%, 0.33%

LAB 57.05, -55.62, 56.95

 

CMYK 8 / 59 / 0 / 7

HEX #DA61EE

RGB 218 97 238

HSL 291.49, 0.81%, 0.66%

LAB 61.33, 66.55, -50.13

 

CMYK 8 / 55 / 0 / 0

HEX #EB73FF

RGB 235 115 255

HSL 291.43, 1%, 0.73%

LAB 67.38, 65.76, -49.79

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

CMYK 13 / 65 / 0 / 12

HEX #C44FE0

RGB 196 79 224

HSL 288.41, 0.7%, 0.59%

LAB 54.77, 66.54, -52.9

 

CMYK 13 / 70 / 0 / 20

HEX #B33DCD

RGB 179 61 205

HSL 289.17, 0.59%, 0.52%

LAB 48.67, 66.44, -51.97

 

CMYK 13 / 77 / 0 / 27

HEX #A22BBA

RGB 162 43 186

HSL 289.93, 0.62%, 0.45%

LAB 42.69, 65.77, -50.65

 

CMYK 13 / 85 / 0 / 35

HEX #9119A7

RGB 145 25 167

HSL 290.7, 0.74%, 0.38%

LAB 36.94, 64.17, -48.78

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 60 / 20 / 5

HEX #F362C3

RGB 243 98 195

HSL 319.86, 0.86%, 0.67%

LAB 63.12, 65.75, -22.92

 

CMYK 0 / 60 / 36 / 5

HEX #F3629C

RGB 243 98 156

HSL 336, 0.86%, 0.67%

LAB 61.82, 60.89, -2.55

 

CMYK 0 / 60 / 52 / 5

HEX #F36275

RGB 243 98 117

HSL 352.14, 0.86%, 0.67%

LAB 60.85, 57.13, 18.63

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 28 / 60 / 0 / 5

HEX #AE62F3

RGB 174 98 243

HSL 271.45, 0.86%, 0.67%

LAB 56.29, 56.74, -61.27

 

CMYK 44 / 60 / 0 / 5

HEX #8762F3

RGB 135 98 243

HSL 255.31, 0.86%, 0.67%

LAB 52.24, 48.32, -68.02

 

CMYK 60 / 60 / 0 / 5

HEX #6262F3

RGB 98 98 243

HSL 240, 0.86%, 0.67%

LAB 49.26, 41.55, -72.99

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 11 / 51 / 0 / 10

HEX #CD70E6

RGB 205 112 230

HSL 287.29, 0.7%, 0.67%

LAB 61.9, 54.67, -44.9

 

CMYK 9 / 42 / 0 / 15

HEX #C57ED8

RGB 197 126 216

HSL 287.33, 0.54%, 0.67%

LAB 63.14, 42.38, -35.21

 

CMYK 6 / 31 / 0 / 21

HEX #BD8BCA

RGB 189 139 202

HSL 287.62, 0.37%, 0.67%

LAB 64.6, 30, -25.18

 

CMYK 4 / 19 / 0 / 26

HEX #B599BD

RGB 181 153 189

HSL 286.67, 0.21%, 0.67%

LAB 66.73, 16.93, -14.74

 

CMYK 44 / 60 / 0 / 5

HEX #8762F3

RGB 135 98 243

HSL 255.31, 0.86%, 0.67%

LAB 52.24, 48.32, -68.02

 

CMYK 29 / 60 / 0 / 5

HEX #AD62F3

RGB 173 98 243

HSL 271.03, 0.86%, 0.67%

LAB 56.18, 56.51, -61.46

 

CMYK 13 / 60 / 0 / 5

HEX #D462F3

RGB 212 98 243

HSL 287.17, 0.86%, 0.67%

LAB 60.96, 65.6, -53.55

 

CMYK 0 / 60 / 3 / 5

HEX #F362EC

RGB 243 98 236

HSL 302.9, 0.86%, 0.67%

LAB 64.84, 71.89, -43.26

 

CMYK 0 / 60 / 19 / 5

HEX #F362C5

RGB 243 98 197

HSL 319.03, 0.86%, 0.67%

LAB 63.19, 66.02, -23.94

 

CMYK 19 / 91 / 0 / 7

HEX #C116ED

RGB 193 22 237

HSL 287.72, 0.86%, 0.51%

LAB 49.53, 84.49, -68.7

 

CMYK 15 / 75 / 0 / 6

HEX #CB3CF0

RGB 203 60 240

HSL 287.67, 0.86%, 0.59%

LAB 54.26, 77.91, -62.67

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 9 / 44 / 0 / 4

HEX #E089F6

RGB 224 137 246

HSL 287.89, 0.86%, 0.75%

LAB 69.75, 50.36, -41.25

 

CMYK 6 / 30 / 0 / 2

HEX #EAAFF9

RGB 234 175 249

HSL 287.84, 0.86%, 0.83%

LAB 79.04, 33.93, -28.41

 

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

CMYK 0 / 60 / 58 / 5

HEX #F36265

RGB 243 98 101

HSL 358.76, 0.86%, 0.67%

LAB 60.54, 55.92, 27.42

 

CMYK 60 / 0 / 37 / 5

HEX #62F39A

RGB 98 243 154

HSL 143.17, 0.86%, 0.67%

LAB 86.52, -58.29, 31.59

 

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

CMYK 0 / 13 / 60 / 5

HEX #F3D462

RGB 243 212 98

HSL 47.17, 0.86%, 0.67%

LAB 85.52, -2.29, 59.13

 

CMYK 60 / 0 / 13 / 5

HEX #62F3D4

RGB 98 243 212

HSL 167.17, 0.86%, 0.67%

LAB 87.7, -46.16, 3.36

 

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

CMYK 0 / 60 / 58 / 5

HEX #F36265

RGB 243 98 101

HSL 358.76, 0.86%, 0.67%

LAB 60.54, 55.92, 27.42

 

CMYK 47 / 0 / 60 / 5

HEX #82F362

RGB 130 243 98

HSL 106.76, 0.86%, 0.67%

LAB 86.86, -58.17, 58.72

 

CMYK 60 / 0 / 1 / 5

HEX #62F3F1

RGB 98 243 241

HSL 179.17, 0.86%, 0.67%

LAB 88.47, -38.85, -10.67

 

CMYK 12 / 60 / 0 / 5

HEX #D561F3

RGB 213 97 243

HSL 287.67, 0.86%, 0.67%

LAB 60.93, 66.29, -53.59

 

CMYK 0 / 43 / 60 / 5

HEX #F38B62

RGB 243 139 98

HSL 16.97, 0.86%, 0.67%

LAB 68.32, 35.84, 38.92

 

CMYK 47 / 0 / 60 / 5

HEX #82F362

RGB 130 243 98

HSL 106.76, 0.86%, 0.67%

LAB 86.86, -58.17, 58.72

 

CMYK 60 / 17 / 0 / 5

HEX #62CAF3

RGB 98 202 243

HSL 196.97, 0.86%, 0.67%

LAB 76.87, -18.43, -29.28

 

Description

Color code: HEX #D561F3 | qconv.com Color code: HEX #D561F3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 97 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 97 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 60 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 60% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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