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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56089 it is the complementary color #2A9F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56089 shade: #DA6084, #EB7297, #FC84AA, #FF96BD and #FFA8D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56089 shade: #D56089, #C44E76, #B33C63, #A22A50 and #91183D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56089 shade: #D5628A, #D5626B and #D56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56089 shade: #D5628A, #D562A9, #D562C9, #C362D5 and #A462D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56089 shade matches the following richer shades: #D5628A, #E55285 and #F54281

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56089 shade: #D5628A, #C5728F, #B58294, #A59299 and #95A29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56089 shade: #D562CA, #D562AB, #D5628C, #D5626D and #D57562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56089 shade: #B5305E, #CD4172, #D5628A, #DE82A3 and #E7A3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56089 shade: #D56089, #D5C262 and #62BAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56089 shade: #D56089, #8CD562 and #628CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56089 shade: #D56089, #D5C262, #62D5AB and #6275D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56089 shade: #D56089, #C6D562, #62D5AB and #7162D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

Complementary color

CMYK 74 / 0 / 26 / 38

HEX #2A9F76

RGB 42 159 118

HSL 158.97, 0.58%, 0.39%

LAB 58.6, -41.93, 12.34

 

CMYK 0 / 56 / 39 / 15

HEX #DA6084

RGB 218 96 132

HSL 342.3, 0.62%, 0.62%

LAB 57.01, 51.22, 3.94

 

CMYK 0 / 51 / 36 / 8

HEX #EB7297

RGB 235 114 151

HSL 341.65, 0.75%, 0.68%

LAB 63.29, 50.43, 2.32

 

CMYK 0 / 48 / 33 / 1

HEX #FC84AA

RGB 252 132 170

HSL 341, 0.95%, 0.75%

LAB 69.54, 49.59, 0.94

 

CMYK 0 / 41 / 26 / 0

HEX #FF96BD

RGB 255 150 189

HSL 337.71, 1%, 0.79%

LAB 74.03, 44.02, -3.03

 

CMYK 0 / 34 / 18 / 0

HEX #FFA8D0

RGB 255 168 208

HSL 332.41, 1%, 0.83%

LAB 78.36, 37.45, -7.05

 

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

CMYK 0 / 60 / 40 / 23

HEX #C44E76

RGB 196 78 118

HSL 339.66, 0.5%, 0.54%

LAB 50.09, 50.81, 1.81

 

CMYK 0 / 66 / 45 / 30

HEX #B33C63

RGB 179 60 99

HSL 340.34, 0.5%, 0.47%

LAB 43.82, 51.25, 3.99

 

CMYK 0 / 74 / 51 / 36

HEX #A22A50

RGB 162 42 80

HSL 341, 0.59%, 0.4%

LAB 37.69, 51.25, 6.77

 

CMYK 0 / 83 / 58 / 43

HEX #91183D

RGB 145 24 61

HSL 341.65, 0.72%, 0.33%

LAB 31.83, 50.43, 10.41

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 54 / 50 / 16

HEX #D5626B

RGB 213 98 107

HSL 355.3, 0.58%, 0.61%

LAB 56.03, 46.06, 17.1

 

CMYK 0 / 54 / 54 / 16

HEX #D56262

RGB 213 98 98

HSL 0, 0.58%, 0.61%

LAB 55.85, 45.28, 22.1

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 54 / 21 / 16

HEX #D562A9

RGB 213 98 169

HSL 322.96, 0.58%, 0.61%

LAB 57.8, 53.37, -16.54

 

CMYK 0 / 54 / 6 / 16

HEX #D562C9

RGB 213 98 201

HSL 306.26, 0.58%, 0.61%

LAB 59.07, 58.34, -32.94

 

CMYK 8 / 54 / 0 / 16

HEX #C362D5

RGB 195 98 213

HSL 290.61, 0.58%, 0.61%

LAB 57.21, 55.6, -42.82

 

CMYK 23 / 54 / 0 / 16

HEX #A462D5

RGB 164 98 213

HSL 274.43, 0.58%, 0.61%

LAB 53.42, 47.48, -49.07

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 64 / 42 / 10

HEX #E55285

RGB 229 82 133

HSL 339.18, 0.74%, 0.61%

LAB 56.47, 60.95, 2.79

 

CMYK 0 / 73 / 47 / 4

HEX #F54281

RGB 245 66 129

HSL 338.88, 0.9%, 0.61%

LAB 56.97, 70.98, 6.23

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 42 / 27 / 23

HEX #C5728F

RGB 197 114 143

HSL 339.04, 0.42%, 0.61%

LAB 57.93, 36.27, -1.5

 

CMYK 0 / 28 / 18 / 29

HEX #B58294

RGB 181 130 148

HSL 338.82, 0.26%, 0.61%

LAB 59.82, 22.4, -1.83

 

CMYK 0 / 12 / 7 / 35

HEX #A59299

RGB 165 146 153

HSL 337.89, 0.1%, 0.61%

LAB 62.39, 8.31, -1.11

 

CMYK 8 / 0 / 2 / 36

HEX #95A29E

RGB 149 162 158

HSL 161.54, 0.07%, 0.61%

LAB 65.51, -5.39, 0.49

 

CMYK 0 / 54 / 5 / 16

HEX #D562CA

RGB 213 98 202

HSL 305.74, 0.58%, 0.61%

LAB 59.11, 58.5, -33.44

 

CMYK 0 / 54 / 20 / 16

HEX #D562AB

RGB 213 98 171

HSL 321.91, 0.58%, 0.61%

LAB 57.87, 53.66, -17.59

 

CMYK 0 / 54 / 34 / 16

HEX #D5628C

RGB 213 98 140

HSL 338.09, 0.58%, 0.61%

LAB 56.86, 49.54, -1.06

 

CMYK 0 / 54 / 49 / 16

HEX #D5626D

RGB 213 98 109

HSL 354.26, 0.58%, 0.61%

LAB 56.07, 46.24, 15.99

 

CMYK 0 / 45 / 54 / 16

HEX #D57562

RGB 213 117 98

HSL 9.91, 0.58%, 0.61%

LAB 59.66, 35.65, 27.13

 

CMYK 0 / 73 / 48 / 29

HEX #B5305E

RGB 181 48 94

HSL 339.25, 0.58%, 0.45%

LAB 42.38, 55.99, 5.07

 

CMYK 0 / 68 / 44 / 20

HEX #CD4172

RGB 205 65 114

HSL 339, 0.58%, 0.53%

LAB 49.47, 58.65, 3.51

 

CMYK 0 / 54 / 35 / 16

HEX #D5628A

RGB 213 98 138

HSL 339.13, 0.58%, 0.61%

LAB 56.8, 49.3, 0.02

 

CMYK 0 / 41 / 27 / 13

HEX #DE82A3

RGB 222 130 163

HSL 338.48, 0.58%, 0.69%

LAB 65.07, 39.43, -2.11

 

CMYK 0 / 29 / 19 / 9

HEX #E7A3BB

RGB 231 163 187

HSL 338.82, 0.59%, 0.77%

LAB 74.04, 28.59, -2.22

 

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

CMYK 0 / 9 / 54 / 16

HEX #D5C262

RGB 213 194 98

HSL 50.09, 0.58%, 0.61%

LAB 78.23, -5.44, 50.08

 

CMYK 54 / 13 / 0 / 16

HEX #62BAD5

RGB 98 186 213

HSL 194.09, 0.58%, 0.61%

LAB 71.23, -18.95, -21.67

 

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

CMYK 34 / 0 / 54 / 16

HEX #8CD562

RGB 140 213 98

HSL 98.09, 0.58%, 0.61%

LAB 78.49, -42.81, 49.13

 

CMYK 54 / 34 / 0 / 16

HEX #628CD5

RGB 98 140 213

HSL 218.09, 0.58%, 0.61%

LAB 58.19, 6.57, -41.87

 

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

CMYK 0 / 9 / 54 / 16

HEX #D5C262

RGB 213 194 98

HSL 50.09, 0.58%, 0.61%

LAB 78.23, -5.44, 50.08

 

CMYK 54 / 0 / 20 / 16

HEX #62D5AB

RGB 98 213 171

HSL 158.09, 0.58%, 0.61%

LAB 77.95, -42.58, 10.96

 

CMYK 54 / 45 / 0 / 16

HEX #6275D5

RGB 98 117 213

HSL 230.09, 0.58%, 0.61%

LAB 51.98, 20.41, -51.72

 

CMYK 0 / 55 / 36 / 16

HEX #D56089

RGB 213 96 137

HSL 338.97, 0.58%, 0.61%

LAB 56.4, 50.14, 0.03

 

CMYK 7 / 0 / 54 / 16

HEX #C6D562

RGB 198 213 98

HSL 67.83, 0.58%, 0.61%

LAB 82.1, -21.13, 54.26

 

CMYK 54 / 0 / 20 / 16

HEX #62D5AB

RGB 98 213 171

HSL 158.09, 0.58%, 0.61%

LAB 77.95, -42.58, 10.96

 

CMYK 47 / 54 / 0 / 16

HEX #7162D5

RGB 113 98 213

HSL 247.83, 0.58%, 0.61%

LAB 48.32, 35.17, -57.52

 

Description

Color code: HEX #D56089 | qconv.com Color code: HEX #D56089 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 96 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 96 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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