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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D55ACA it is the complementary color #2AA535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D55ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D55ACA shade: #DA5AC5, #EB6CD8, #FC7EEB, #FF90FE and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D55ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D55ACA shade: #D55ACA, #C448B7, #B336A4, #A22491 and #91127E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D55ACA shade: #D459C9, #D459A8, #D45987, #D45965 and #D45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D55ACA shade: #D459C9, #BE59D4, #9D59D4, #7B59D4 and #5A59D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D55ACA shade matches the following richer shades: #D459C9, #E548D7 and #F637E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D55ACA shade: #D459C9, #C36ABB, #B27BAD, #A18C9F and #909C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D55ACA shade: #9D59D4, #BE59D4, #D459CA, #D459A9 and #D45988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D55ACA shade: #AE2DA2, #CC38BE, #D459C9, #DD7AD4 and #E59ADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D55ACA shade: #D55ACA, #D47C59 and #59D4AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D55ACA shade: #D55ACA, #CAD459 and #59CAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D55ACA shade: #D55ACA, #D47C59, #59D463 and #59B1D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D55ACA shade: #D55ACA, #D4A159, #59D463 and #598CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

Complementary color

CMYK 75 / 0 / 68 / 35

HEX #2AA535

RGB 42 165 53

HSL 125.37, 0.59%, 0.41%

LAB 59.58, -55.26, 46.85

 

CMYK 0 / 59 / 10 / 15

HEX #DA5AC5

RGB 218 90 197

HSL 309.84, 0.63%, 0.6%

LAB 58.27, 62.64, -31.84

 

CMYK 0 / 54 / 8 / 8

HEX #EB6CD8

RGB 235 108 216

HSL 308.98, 0.76%, 0.67%

LAB 64.44, 62.26, -32.82

 

CMYK 0 / 50 / 7 / 1

HEX #FC7EEB

RGB 252 126 235

HSL 308.1, 0.95%, 0.74%

LAB 70.6, 61.73, -33.62

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FE

RGB 255 144 254

HSL 300.54, 1%, 0.78%

LAB 75.05, 57.13, -37.07

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

CMYK 0 / 63 / 7 / 23

HEX #C448B7

RGB 196 72 183

HSL 306.29, 0.51%, 0.53%

LAB 51.6, 62.27, -34.44

 

CMYK 0 / 70 / 8 / 30

HEX #B336A4

RGB 179 54 164

HSL 307.2, 0.54%, 0.46%

LAB 45.5, 62.01, -33.02

 

CMYK 0 / 78 / 10 / 36

HEX #A22491

RGB 162 36 145

HSL 308.1, 0.64%, 0.39%

LAB 39.56, 61.06, -31.12

 

CMYK 0 / 88 / 13 / 43

HEX #91127E

RGB 145 18 126

HSL 308.98, 0.78%, 0.32%

LAB 33.9, 59.03, -28.51

 

CMYK 0 / 58 / 5 / 17

HEX #D459C9

RGB 212 89 201

HSL 305.37, 0.59%, 0.59%

LAB 57.42, 62.13, -35.51

 

CMYK 0 / 58 / 21 / 17

HEX #D459A8

RGB 212 89 168

HSL 321.46, 0.59%, 0.59%

LAB 56.06, 57.08, -18.62

 

CMYK 0 / 58 / 36 / 17

HEX #D45987

RGB 212 89 135

HSL 337.56, 0.59%, 0.59%

LAB 54.96, 52.85, -0.92

 

CMYK 0 / 58 / 52 / 17

HEX #D45965

RGB 212 89 101

HSL 354.15, 0.59%, 0.59%

LAB 54.11, 49.47, 17.98

 

CMYK 0 / 58 / 58 / 17

HEX #D45959

RGB 212 89 89

HSL 0, 0.59%, 0.59%

LAB 53.88, 48.52, 24.71

 

CMYK 0 / 58 / 5 / 17

HEX #D459C9

RGB 212 89 201

HSL 305.37, 0.59%, 0.59%

LAB 57.42, 62.13, -35.51

 

CMYK 10 / 58 / 0 / 17

HEX #BE59D4

RGB 190 89 212

HSL 289.27, 0.59%, 0.59%

LAB 54.91, 58.41, -45.93

 

CMYK 26 / 58 / 0 / 17

HEX #9D59D4

RGB 157 89 212

HSL 273.17, 0.59%, 0.59%

LAB 50.76, 50.22, -52.79

 

CMYK 42 / 58 / 0 / 17

HEX #7B59D4

RGB 123 89 212

HSL 256.59, 0.59%, 0.59%

LAB 47.12, 42.31, -58.84

 

CMYK 58 / 58 / 0 / 17

HEX #5A59D4

RGB 90 89 212

HSL 240.49, 0.59%, 0.59%

LAB 44.34, 35.69, -63.48

 

CMYK 0 / 58 / 5 / 17

HEX #D459C9

RGB 212 89 201

HSL 305.37, 0.59%, 0.59%

LAB 57.42, 62.13, -35.51

 

CMYK 0 / 69 / 6 / 10

HEX #E548D7

RGB 229 72 215

HSL 305.35, 0.75%, 0.59%

LAB 58.23, 75.16, -42.03

 

CMYK 0 / 78 / 7 / 4

HEX #F637E5

RGB 246 55 229

HSL 305.34, 0.91%, 0.59%

LAB 59.87, 85.83, -47.15

 

CMYK 0 / 58 / 5 / 17

HEX #D459C9

RGB 212 89 201

HSL 305.37, 0.59%, 0.59%

LAB 57.42, 62.13, -35.51

 

CMYK 0 / 46 / 4 / 24

HEX #C36ABB

RGB 195 106 187

HSL 305.39, 0.43%, 0.59%

LAB 57.56, 46.8, -27.48

 

CMYK 0 / 31 / 3 / 30

HEX #B27BAD

RGB 178 123 173

HSL 305.45, 0.26%, 0.59%

LAB 58.65, 29.62, -17.96

 

CMYK 0 / 13 / 1 / 37

HEX #A18C9F

RGB 161 140 159

HSL 305.71, 0.1%, 0.59%

LAB 60.64, 11.36, -7.14

 

CMYK 8 / 0 / 6 / 39

HEX #909C92

RGB 144 156 146

HSL 130, 0.06%, 0.59%

LAB 63.16, -6.25, 3.76

 

CMYK 26 / 58 / 0 / 17

HEX #9D59D4

RGB 157 89 212

HSL 273.17, 0.59%, 0.59%

LAB 50.76, 50.22, -52.79

 

CMYK 10 / 58 / 0 / 17

HEX #BE59D4

RGB 190 89 212

HSL 289.27, 0.59%, 0.59%

LAB 54.91, 58.41, -45.93

 

CMYK 0 / 58 / 5 / 17

HEX #D459CA

RGB 212 89 202

HSL 304.88, 0.59%, 0.59%

LAB 57.47, 62.29, -36.01

 

CMYK 0 / 58 / 20 / 17

HEX #D459A9

RGB 212 89 169

HSL 320.98, 0.59%, 0.59%

LAB 56.09, 57.22, -19.15

 

CMYK 0 / 58 / 36 / 17

HEX #D45988

RGB 212 89 136

HSL 337.07, 0.59%, 0.59%

LAB 54.99, 52.97, -1.47

 

CMYK 0 / 74 / 7 / 32

HEX #AE2DA2

RGB 174 45 162

HSL 305.58, 0.59%, 0.43%

LAB 43.48, 63.6, -35.06

 

CMYK 0 / 73 / 7 / 20

HEX #CC38BE

RGB 204 56 190

HSL 305.68, 0.59%, 0.51%

LAB 51.13, 71.09, -39.15

 

CMYK 0 / 58 / 5 / 17

HEX #D459C9

RGB 212 89 201

HSL 305.37, 0.59%, 0.59%

LAB 57.42, 62.13, -35.51

 

CMYK 0 / 45 / 4 / 13

HEX #DD7AD4

RGB 221 122 212

HSL 305.45, 0.59%, 0.67%

LAB 65, 50.86, -29.86

 

CMYK 0 / 33 / 3 / 10

HEX #E59ADE

RGB 229 154 222

HSL 305.6, 0.59%, 0.75%

LAB 72.92, 38.5, -23.16

 

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

CMYK 0 / 42 / 58 / 17

HEX #D47C59

RGB 212 124 89

HSL 17.07, 0.59%, 0.59%

LAB 60.9, 30.84, 33.68

 

CMYK 58 / 0 / 18 / 17

HEX #59D4AD

RGB 89 212 173

HSL 160.98, 0.59%, 0.59%

LAB 77.42, -43.57, 9.1

 

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

CMYK 5 / 0 / 58 / 17

HEX #CAD459

RGB 202 212 89

HSL 64.88, 0.59%, 0.59%

LAB 82.04, -19.74, 58.29

 

CMYK 58 / 5 / 0 / 17

HEX #59CAD4

RGB 89 202 212

HSL 184.88, 0.59%, 0.59%

LAB 75.52, -29.01, -14.66

 

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

CMYK 0 / 42 / 58 / 17

HEX #D47C59

RGB 212 124 89

HSL 17.07, 0.59%, 0.59%

LAB 60.9, 30.84, 33.68

 

CMYK 58 / 0 / 53 / 17

HEX #59D463

RGB 89 212 99

HSL 124.88, 0.59%, 0.59%

LAB 76.14, -57.03, 45.36

 

CMYK 58 / 17 / 0 / 17

HEX #59B1D4

RGB 89 177 212

HSL 197.07, 0.59%, 0.59%

LAB 68.26, -16.34, -25.69

 

CMYK 0 / 58 / 5 / 16

HEX #D55ACA

RGB 213 90 202

HSL 305.37, 0.59%, 0.59%

LAB 57.77, 62.12, -35.53

 

CMYK 0 / 24 / 58 / 17

HEX #D4A159

RGB 212 161 89

HSL 35.12, 0.59%, 0.59%

LAB 69.62, 10.89, 44.29

 

CMYK 58 / 0 / 53 / 17

HEX #59D463

RGB 89 212 99

HSL 124.88, 0.59%, 0.59%

LAB 76.14, -57.03, 45.36

 

CMYK 58 / 34 / 0 / 17

HEX #598CD4

RGB 89 140 212

HSL 215.12, 0.59%, 0.59%

LAB 57.69, 4.36, -42.13

 

Description

Color code: HEX #D55ACA | qconv.com Color code: HEX #D55ACA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 90 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 90 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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