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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D55A94 it is the complementary color #2AA56B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D55A94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D55A94 shade: #DA5A8F, #EB6CA2, #FC7EB5, #FF90C8 and #FFA2DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D55A94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D55A94 shade: #D55A94, #C44881, #B3366E, #A2245B and #911248

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D55A94 shade: #D45993, #D45972 and #D45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D55A94 shade: #D45993, #D459B4, #D359D4, #B259D4 and #9059D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D55A94 shade matches the following richer shades: #D45993, #E54892 and #F63791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D55A94 shade: #D45993, #C36A94, #B27B95, #A18C96 and #909C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D55A94 shade: #D259D4, #D459B5, #D45994, #D45973 and #D45F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D55A94 shade: #AE2D6A, #CC387E, #D45993, #DD7AA8 and #E59ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D55A94 shade: #D55A94, #D4B159 and #59C6D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D55A94 shade: #D55A94, #94D459 and #5994D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D55A94 shade: #D55A94, #D4B159, #59D499 and #597CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D55A94 shade: #D55A94, #D2D459, #59D499 and #5B59D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

Complementary color

CMYK 75 / 0 / 35 / 35

HEX #2AA56B

RGB 42 165 107

HSL 151.71, 0.59%, 0.41%

LAB 60.31, -46.84, 20.78

 

CMYK 0 / 59 / 34 / 15

HEX #DA5A8F

RGB 218 90 143

HSL 335.16, 0.63%, 0.6%

LAB 56.29, 55.22, -3.57

 

CMYK 0 / 54 / 31 / 8

HEX #EB6CA2

RGB 235 108 162

HSL 334.49, 0.76%, 0.67%

LAB 62.5, 54.6, -5.13

 

CMYK 0 / 50 / 28 / 1

HEX #FC7EB5

RGB 252 126 181

HSL 333.81, 0.95%, 0.74%

LAB 68.72, 53.87, -6.45

 

CMYK 0 / 44 / 22 / 0

HEX #FF90C8

RGB 255 144 200

HSL 329.73, 1%, 0.78%

LAB 73.14, 48.57, -10.42

 

CMYK 0 / 36 / 14 / 0

HEX #FFA2DB

RGB 255 162 219

HSL 323.23, 1%, 0.82%

LAB 77.41, 42.24, -14.45

 

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

CMYK 0 / 63 / 34 / 23

HEX #C44881

RGB 196 72 129

HSL 332.42, 0.51%, 0.53%

LAB 49.44, 54.7, -5.77

 

CMYK 0 / 70 / 39 / 30

HEX #B3366E

RGB 179 54 110

HSL 333.12, 0.54%, 0.46%

LAB 43.28, 54.8, -3.61

 

CMYK 0 / 78 / 44 / 36

HEX #A2245B

RGB 162 36 91

HSL 333.81, 0.64%, 0.39%

LAB 37.3, 54.29, -0.84

 

CMYK 0 / 88 / 50 / 43

HEX #911248

RGB 145 18 72

HSL 334.49, 0.78%, 0.32%

LAB 31.62, 52.75, 2.85

 

CMYK 0 / 58 / 31 / 17

HEX #D45993

RGB 212 89 147

HSL 331.71, 0.59%, 0.59%

LAB 55.33, 54.29, -7.44

 

CMYK 0 / 58 / 46 / 17

HEX #D45972

RGB 212 89 114

HSL 347.8, 0.59%, 0.59%

LAB 54.4, 50.64, 10.7

 

CMYK 0 / 58 / 58 / 17

HEX #D45959

RGB 212 89 89

HSL 0, 0.59%, 0.59%

LAB 53.88, 48.52, 24.71

 

CMYK 0 / 58 / 31 / 17

HEX #D45993

RGB 212 89 147

HSL 331.71, 0.59%, 0.59%

LAB 55.33, 54.29, -7.44

 

CMYK 0 / 58 / 15 / 17

HEX #D459B4

RGB 212 89 180

HSL 315.61, 0.59%, 0.59%

LAB 56.52, 58.83, -24.86

 

CMYK 0 / 58 / 0 / 17

HEX #D359D4

RGB 211 89 212

HSL 299.51, 0.59%, 0.59%

LAB 57.8, 63.72, -41.19

 

CMYK 16 / 58 / 0 / 17

HEX #B259D4

RGB 178 89 212

HSL 283.41, 0.59%, 0.59%

LAB 53.34, 55.4, -48.52

 

CMYK 32 / 58 / 0 / 17

HEX #9059D4

RGB 144 89 212

HSL 266.83, 0.59%, 0.59%

LAB 49.29, 47.11, -55.24

 

CMYK 0 / 58 / 31 / 17

HEX #D45993

RGB 212 89 147

HSL 331.71, 0.59%, 0.59%

LAB 55.33, 54.29, -7.44

 

CMYK 0 / 69 / 36 / 10

HEX #E54892

RGB 229 72 146

HSL 331.72, 0.75%, 0.59%

LAB 55.45, 66.16, -6.38

 

CMYK 0 / 78 / 41 / 4

HEX #F63791

RGB 246 55 145

HSL 331.73, 0.91%, 0.59%

LAB 56.46, 75.89, -3.97

 

CMYK 0 / 58 / 31 / 17

HEX #D45993

RGB 212 89 147

HSL 331.71, 0.59%, 0.59%

LAB 55.33, 54.29, -7.44

 

CMYK 0 / 46 / 24 / 24

HEX #C36A94

RGB 195 106 148

HSL 331.69, 0.43%, 0.59%

LAB 56.14, 40.51, -7.09

 

CMYK 0 / 31 / 16 / 30

HEX #B27B95

RGB 178 123 149

HSL 331.64, 0.26%, 0.59%

LAB 57.85, 25.38, -5.35

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 8 / 0 / 3 / 39

HEX #909C97

RGB 144 156 151

HSL 155, 0.06%, 0.59%

LAB 63.29, -5.27, 1.14

 

CMYK 1 / 58 / 0 / 17

HEX #D259D4

RGB 210 89 212

HSL 299.02, 0.59%, 0.59%

LAB 57.66, 63.46, -41.42

 

CMYK 0 / 58 / 15 / 17

HEX #D459B5

RGB 212 89 181

HSL 315.12, 0.59%, 0.59%

LAB 56.56, 58.98, -25.38

 

CMYK 0 / 58 / 30 / 17

HEX #D45994

RGB 212 89 148

HSL 331.22, 0.59%, 0.59%

LAB 55.36, 54.41, -7.98

 

CMYK 0 / 58 / 46 / 17

HEX #D45973

RGB 212 89 115

HSL 347.32, 0.59%, 0.59%

LAB 54.43, 50.74, 10.14

 

CMYK 0 / 55 / 58 / 17

HEX #D45F59

RGB 212 95 89

HSL 2.93, 0.59%, 0.59%

LAB 54.97, 45.67, 26.13

 

CMYK 0 / 74 / 39 / 32

HEX #AE2D6A

RGB 174 45 106

HSL 331.63, 0.59%, 0.43%

LAB 41.08, 56.2, -4.48

 

CMYK 0 / 73 / 38 / 20

HEX #CC387E

RGB 204 56 126

HSL 331.62, 0.59%, 0.51%

LAB 48.48, 62.83, -5.24

 

CMYK 0 / 58 / 31 / 17

HEX #D45993

RGB 212 89 147

HSL 331.71, 0.59%, 0.59%

LAB 55.33, 54.29, -7.44

 

CMYK 0 / 45 / 24 / 13

HEX #DD7AA8

RGB 221 122 168

HSL 332.12, 0.59%, 0.67%

LAB 63.44, 43.92, -7.38

 

CMYK 0 / 33 / 17 / 10

HEX #E59ABE

RGB 229 154 190

HSL 331.2, 0.59%, 0.75%

LAB 71.88, 33.15, -7.08

 

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

CMYK 0 / 17 / 58 / 17

HEX #D4B159

RGB 212 177 89

HSL 42.93, 0.59%, 0.59%

LAB 73.65, 2.34, 49.02

 

CMYK 58 / 7 / 0 / 17

HEX #59C6D4

RGB 89 198 212

HSL 186.83, 0.59%, 0.59%

LAB 74.36, -27.06, -16.41

 

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

CMYK 30 / 0 / 58 / 17

HEX #94D459

RGB 148 212 89

HSL 91.22, 0.59%, 0.59%

LAB 78.52, -40.51, 53.38

 

CMYK 58 / 30 / 0 / 17

HEX #5994D4

RGB 89 148 212

HSL 211.22, 0.59%, 0.59%

LAB 59.94, -0.3, -38.59

 

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

CMYK 0 / 17 / 58 / 17

HEX #D4B159

RGB 212 177 89

HSL 42.93, 0.59%, 0.59%

LAB 73.65, 2.34, 49.02

 

CMYK 58 / 0 / 28 / 17

HEX #59D499

RGB 89 212 153

HSL 151.22, 0.59%, 0.59%

LAB 76.99, -47.93, 19.12

 

CMYK 58 / 42 / 0 / 17

HEX #597CD4

RGB 89 124 212

HSL 222.93, 0.59%, 0.59%

LAB 53.27, 13.96, -49.12

 

CMYK 0 / 58 / 31 / 16

HEX #D55A94

RGB 213 90 148

HSL 331.71, 0.59%, 0.59%

LAB 55.68, 54.27, -7.49

 

CMYK 1 / 0 / 58 / 17

HEX #D2D459

RGB 210 212 89

HSL 60.98, 0.59%, 0.59%

LAB 82.65, -16.48, 59.14

 

CMYK 58 / 0 / 28 / 17

HEX #59D499

RGB 89 212 153

HSL 151.22, 0.59%, 0.59%

LAB 76.99, -47.93, 19.12

 

CMYK 57 / 58 / 0 / 17

HEX #5B59D4

RGB 91 89 212

HSL 240.98, 0.59%, 0.59%

LAB 44.41, 35.87, -63.36

 

Description

Color code: HEX #D55A94 | qconv.com Color code: HEX #D55A94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 90 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 90 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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