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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D559C3 it is the complementary color #2AA63C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D559C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D559C3 shade: #DA59BE, #EB6BD1, #FC7DE4, #FF8FF7 and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D559C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D559C3 shade: #D559C3, #C447B0, #B3359D, #A2238A and #911177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D559C3 shade: #D558C3, #D558A1, #D5587F, #D5585D and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D559C3 shade: #D558C3, #C658D5, #A458D5, #8258D5 and #6058D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D559C3 shade matches the following richer shades: #D558C3, #E647CF and #F736DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D559C3 shade: #D558C3, #C469B7, #B37AAB, #A28A9F and #929B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D559C3 shade: #A358D5, #C458D5, #D558C4, #D558A3 and #D55882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D559C3 shade: #AF2C9C, #CD37B7, #D558C3, #DD79CF and #E69ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D559C3 shade: #D559C3, #D58258 and #58D5B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D559C3 shade: #D559C3, #C4D558 and #58C4D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D559C3 shade: #D559C3, #D58258, #58D568 and #58ABD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D559C3 shade: #D559C3, #D5A758, #58D568 and #5886D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

Complementary color

CMYK 75 / 0 / 64 / 35

HEX #2AA63C

RGB 42 166 60

HSL 128.71, 0.6%, 0.41%

LAB 59.97, -54.84, 44.24

 

CMYK 0 / 59 / 13 / 15

HEX #DA59BE

RGB 218 89 190

HSL 313.02, 0.64%, 0.6%

LAB 57.82, 62, -28.55

 

CMYK 0 / 54 / 11 / 8

HEX #EB6BD1

RGB 235 107 209

HSL 312.19, 0.76%, 0.67%

LAB 63.98, 61.62, -29.6

 

CMYK 0 / 50 / 10 / 1

HEX #FC7DE4

RGB 252 125 228

HSL 311.34, 0.95%, 0.74%

LAB 70.15, 61.08, -30.47

 

CMYK 0 / 44 / 3 / 0

HEX #FF8FF7

RGB 255 143 247

HSL 304.29, 1%, 0.78%

LAB 74.58, 56.41, -33.99

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

CMYK 0 / 64 / 10 / 23

HEX #C447B0

RGB 196 71 176

HSL 309.6, 0.51%, 0.52%

LAB 51.13, 61.57, -31.1

 

CMYK 0 / 70 / 12 / 30

HEX #B3359D

RGB 179 53 157

HSL 310.48, 0.54%, 0.45%

LAB 45.03, 61.3, -29.58

 

CMYK 0 / 78 / 15 / 36

HEX #A2238A

RGB 162 35 138

HSL 311.34, 0.64%, 0.39%

LAB 39.1, 60.33, -27.55

 

CMYK 0 / 88 / 18 / 43

HEX #911177

RGB 145 17 119

HSL 312.19, 0.79%, 0.32%

LAB 33.46, 58.24, -24.79

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 0 / 59 / 24 / 16

HEX #D558A1

RGB 213 88 161

HSL 324.96, 0.6%, 0.59%

LAB 55.78, 56.86, -14.94

 

CMYK 0 / 59 / 40 / 16

HEX #D5587F

RGB 213 88 127

HSL 341.28, 0.6%, 0.59%

LAB 54.72, 52.75, 3.48

 

CMYK 0 / 59 / 56 / 16

HEX #D5585D

RGB 213 88 93

HSL 357.6, 0.6%, 0.59%

LAB 53.94, 49.63, 22.48

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 7 / 59 / 0 / 16

HEX #C658D5

RGB 198 88 213

HSL 292.8, 0.6%, 0.59%

LAB 55.88, 61.06, -44.91

 

CMYK 23 / 59 / 0 / 16

HEX #A458D5

RGB 164 88 213

HSL 276.48, 0.6%, 0.59%

LAB 51.47, 52.65, -52.18

 

CMYK 39 / 59 / 0 / 16

HEX #8258D5

RGB 130 88 213

HSL 260.16, 0.6%, 0.59%

LAB 47.66, 44.69, -58.5

 

CMYK 55 / 59 / 0 / 16

HEX #6058D5

RGB 96 88 213

HSL 243.84, 0.6%, 0.59%

LAB 44.62, 37.71, -63.57

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 0 / 69 / 10 / 10

HEX #E647CF

RGB 230 71 207

HSL 308.68, 0.76%, 0.59%

LAB 57.88, 74.54, -38.02

 

CMYK 0 / 78 / 11 / 3

HEX #F736DB

RGB 247 54 219

HSL 308.7, 0.92%, 0.59%

LAB 59.46, 84.9, -42.15

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 0 / 46 / 7 / 23

HEX #C469B7

RGB 196 105 183

HSL 308.57, 0.44%, 0.59%

LAB 57.33, 46.92, -25.54

 

CMYK 0 / 32 / 4 / 30

HEX #B37AAB

RGB 179 122 171

HSL 308.42, 0.27%, 0.59%

LAB 58.46, 30.14, -17.1

 

CMYK 0 / 15 / 2 / 36

HEX #A28A9F

RGB 162 138 159

HSL 307.5, 0.11%, 0.59%

LAB 60.21, 12.85, -7.76

 

CMYK 6 / 0 / 5 / 39

HEX #929B93

RGB 146 155 147

HSL 126.67, 0.04%, 0.59%

LAB 63.06, -4.79, 3.07

 

CMYK 23 / 59 / 0 / 16

HEX #A358D5

RGB 163 88 213

HSL 276, 0.6%, 0.59%

LAB 51.35, 52.41, -52.39

 

CMYK 8 / 59 / 0 / 16

HEX #C458D5

RGB 196 88 213

HSL 291.84, 0.6%, 0.59%

LAB 55.6, 60.56, -45.36

 

CMYK 0 / 59 / 8 / 16

HEX #D558C4

RGB 213 88 196

HSL 308.16, 0.6%, 0.59%

LAB 57.18, 62.02, -33.02

 

CMYK 0 / 59 / 23 / 16

HEX #D558A3

RGB 213 88 163

HSL 324, 0.6%, 0.59%

LAB 55.86, 57.13, -16

 

CMYK 0 / 59 / 39 / 16

HEX #D55882

RGB 213 88 130

HSL 339.84, 0.6%, 0.59%

LAB 54.8, 53.07, 1.82

 

CMYK 0 / 75 / 11 / 31

HEX #AF2C9C

RGB 175 44 156

HSL 308.7, 0.6%, 0.43%

LAB 43.24, 63.23, -31.84

 

CMYK 0 / 73 / 11 / 20

HEX #CD37B7

RGB 205 55 183

HSL 308.8, 0.6%, 0.51%

LAB 50.84, 70.59, -35.53

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 0 / 45 / 6 / 13

HEX #DD79CF

RGB 221 121 207

HSL 308.4, 0.6%, 0.67%

LAB 64.61, 50.51, -27.67

 

CMYK 0 / 33 / 5 / 10

HEX #E69ADB

RGB 230 154 219

HSL 308.68, 0.6%, 0.75%

LAB 72.92, 38.29, -21.5

 

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

CMYK 0 / 39 / 59 / 16

HEX #D58258

RGB 213 130 88

HSL 20.16, 0.6%, 0.59%

LAB 62.35, 27.96, 36.05

 

CMYK 59 / 0 / 15 / 16

HEX #58D5B4

RGB 88 213 180

HSL 164.16, 0.6%, 0.59%

LAB 77.85, -42.57, 5.98

 

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

CMYK 8 / 0 / 59 / 16

HEX #C4D558

RGB 196 213 88

HSL 68.16, 0.6%, 0.59%

LAB 81.85, -22.73, 58.4

 

CMYK 59 / 8 / 0 / 16

HEX #58C4D5

RGB 88 196 213

HSL 188.16, 0.6%, 0.59%

LAB 73.78, -25.97, -17.84

 

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

CMYK 0 / 39 / 59 / 16

HEX #D58258

RGB 213 130 88

HSL 20.16, 0.6%, 0.59%

LAB 62.35, 27.96, 36.05

 

CMYK 59 / 0 / 51 / 16

HEX #58D568

RGB 88 213 104

HSL 127.68, 0.6%, 0.59%

LAB 76.47, -56.97, 43.38

 

CMYK 59 / 20 / 0 / 16

HEX #58ABD5

RGB 88 171 213

HSL 200.16, 0.6%, 0.59%

LAB 66.52, -13.03, -28.91

 

CMYK 0 / 58 / 8 / 16

HEX #D559C3

RGB 213 89 195

HSL 308.71, 0.6%, 0.59%

LAB 57.3, 61.42, -32.27

 

CMYK 0 / 22 / 59 / 16

HEX #D5A758

RGB 213 167 88

HSL 37.92, 0.6%, 0.59%

LAB 71.21, 8.01, 46.68

 

CMYK 59 / 0 / 51 / 16

HEX #58D568

RGB 88 213 104

HSL 127.68, 0.6%, 0.59%

LAB 76.47, -56.97, 43.38

 

CMYK 59 / 37 / 0 / 16

HEX #5886D5

RGB 88 134 213

HSL 217.92, 0.6%, 0.59%

LAB 56.02, 8.05, -45.33

 

Description

Color code: HEX #D559C3 | qconv.com Color code: HEX #D559C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 89 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 89 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 8% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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