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Color name
HEX #D5592B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5592B it is the complementary color #2AA6D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5592B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5592B shade: #DA5926, #EB6B39, #FC7D4C, #FF8F5F and #FFA172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5592B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5592B shade: #D5592B, #C44718, #B33505, #A22300 and #911100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5592B shade: #D5582A and #D52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5592B shade: #D5582A, #D5862A, #D5B42A, #C7D52A and #99D52A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5592B shade matches the following richer shades: #D5582A, #EA4F15 and #FE4501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5592B shade: #D5582A, #C0623F, #AC6B53, #977568 and #827E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5592B shade: #D52A58, #D52A2A, #D5582A, #D5852A and #D5B32A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5592B shade: #903C1C, #B24A23, #D5582A, #DC734D and #E38E6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5592B shade: #D5592B, #85D52A and #2A41D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5592B shade: #D5592B, #2AD558 and #582AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5592B shade: #D5592B, #85D52A, #2AA7D5 and #7A2AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5592B shade: #D5592B, #52D52A, #2AA7D5 and #AD2AD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

Complementary color

CMYK 80 / 22 / 0 / 17

HEX #2AA6D4

RGB 42 166 212

HSL 196.24, 0.67%, 0.5%

LAB 63.77, -17.29, -32.72

 

CMYK 0 / 59 / 83 / 15

HEX #DA5926

RGB 218 89 38

HSL 17, 0.71%, 0.5%

LAB 54.23, 48.13, 52.52

 

CMYK 0 / 54 / 76 / 8

HEX #EB6B39

RGB 235 107 57

HSL 16.85, 0.82%, 0.57%

LAB 60.31, 46.56, 50.53

 

CMYK 0 / 50 / 70 / 1

HEX #FC7D4C

RGB 252 125 76

HSL 16.7, 0.97%, 0.64%

LAB 66.43, 45.02, 48.43

 

CMYK 0 / 44 / 63 / 0

HEX #FF8F5F

RGB 255 143 95

HSL 18, 1%, 0.69%

LAB 70.69, 38.23, 43.74

 

CMYK 0 / 37 / 55 / 0

HEX #FFA172

RGB 255 161 114

HSL 20, 1%, 0.72%

LAB 74.8, 30.31, 38.89

 

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

CMYK 0 / 64 / 88 / 23

HEX #C44718

RGB 196 71 24

HSL 16.4, 0.78%, 0.43%

LAB 47.38, 47.97, 51.06

 

CMYK 0 / 70 / 97 / 30

HEX #B33505

RGB 179 53 5

HSL 16.55, 0.95%, 0.36%

LAB 41.44, 49.27, 51.75

 

CMYK 0 / 78 / 100 / 36

HEX #A22300

RGB 162 35 0

HSL 12.96, 1%, 0.32%

LAB 35.76, 50.08, 48.81

 

CMYK 0 / 88 / 100 / 43

HEX #911100

RGB 145 17 0

HSL 7.03, 1%, 0.28%

LAB 30.45, 49.76, 43.73

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 37 / 80 / 16

HEX #D5862A

RGB 213 134 42

HSL 32.28, 0.67%, 0.5%

LAB 62.81, 23.33, 58.42

 

CMYK 0 / 15 / 80 / 16

HEX #D5B42A

RGB 213 180 42

HSL 48.42, 0.67%, 0.5%

LAB 74.16, -1.31, 68.57

 

CMYK 7 / 0 / 80 / 16

HEX #C7D52A

RGB 199 213 42

HSL 64.91, 0.67%, 0.5%

LAB 81.78, -23.95, 74.79

 

CMYK 28 / 0 / 80 / 16

HEX #99D52A

RGB 153 213 42

HSL 81.05, 0.67%, 0.5%

LAB 78.77, -42.26, 70.97

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 66 / 91 / 8

HEX #EA4F15

RGB 234 79 21

HSL 16.34, 0.84%, 0.5%

LAB 55.21, 57.67, 60.85

 

CMYK 0 / 73 / 100 / 0

HEX #FE4501

RGB 254 69 1

HSL 16.13, 0.99%, 0.5%

LAB 57.39, 67.5, 68.58

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 49 / 67 / 25

HEX #C0623F

RGB 192 98 63

HSL 16.28, 0.51%, 0.5%

LAB 52.18, 34.84, 36.68

 

CMYK 0 / 38 / 52 / 33

HEX #AC6B53

RGB 172 107 83

HSL 16.18, 0.35%, 0.5%

LAB 51.74, 23.33, 24.29

HEX #AC6B53

CMYK 0 / 23 / 31 / 41

HEX #977568

RGB 151 117 104

HSL 16.6, 0.18%, 0.5%

LAB 52.18, 11.37, 12.28

HEX #977568

CMYK 0 / 3 / 4 / 49

HEX #827E7D

RGB 130 126 125

HSL 12, 0.02%, 0.5%

LAB 53.11, 1.32, 1.07

HEX #827E7D

CMYK 0 / 80 / 59 / 16

HEX #D52A58

RGB 213 42 88

HSL 343.86, 0.67%, 0.5%

LAB 47.63, 66.27, 17.03

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 38 / 80 / 16

HEX #D5852A

RGB 213 133 42

HSL 31.93, 0.67%, 0.5%

LAB 62.58, 23.87, 58.21

 

CMYK 0 / 16 / 80 / 16

HEX #D5B32A

RGB 213 179 42

HSL 48.07, 0.67%, 0.5%

LAB 73.9, -0.79, 68.34

 

CMYK 0 / 58 / 81 / 44

HEX #903C1C

RGB 144 60 28

HSL 16.55, 0.67%, 0.34%

LAB 36.45, 33.67, 36.12

 

CMYK 0 / 58 / 80 / 30

HEX #B24A23

RGB 178 74 35

HSL 16.36, 0.67%, 0.42%

LAB 44.92, 40.23, 42.85

 

CMYK 0 / 59 / 80 / 16

HEX #D5582A

RGB 213 88 42

HSL 16.14, 0.67%, 0.5%

LAB 53.27, 46.89, 49.53

 

CMYK 0 / 48 / 65 / 14

HEX #DC734D

RGB 220 115 77

HSL 15.94, 0.67%, 0.58%

LAB 59.9, 37.88, 39.21

 

CMYK 0 / 37 / 51 / 11

HEX #E38E6F

RGB 227 142 111

HSL 16.03, 0.67%, 0.66%

LAB 67.15, 29.05, 30.01

 

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

CMYK 38 / 0 / 80 / 16

HEX #85D52A

RGB 133 213 42

HSL 88.07, 0.67%, 0.5%

LAB 77.72, -49.44, 69.63

 

CMYK 80 / 69 / 0 / 16

HEX #2A41D5

RGB 42 65 213

HSL 231.93, 0.67%, 0.5%

LAB 36.13, 44.62, -77.58

 

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

CMYK 80 / 0 / 59 / 16

HEX #2AD558

RGB 42 213 88

HSL 136.14, 0.67%, 0.5%

LAB 75.32, -66.92, 49.22

 

CMYK 59 / 80 / 0 / 16

HEX #582AD5

RGB 88 42 213

HSL 256.14, 0.67%, 0.5%

LAB 35.07, 60.81, -79.22

 

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

CMYK 38 / 0 / 80 / 16

HEX #85D52A

RGB 133 213 42

HSL 88.07, 0.67%, 0.5%

LAB 77.72, -49.44, 69.63

 

CMYK 80 / 22 / 0 / 16

HEX #2AA7D5

RGB 42 167 213

HSL 196.14, 0.67%, 0.5%

LAB 64.11, -17.49, -32.75

 

CMYK 43 / 80 / 0 / 16

HEX #7A2AD5

RGB 122 42 213

HSL 268.07, 0.67%, 0.5%

LAB 38.89, 65.01, -72.8

 

CMYK 0 / 58 / 80 / 16

HEX #D5592B

RGB 213 89 43

HSL 16.24, 0.67%, 0.5%

LAB 53.46, 46.45, 49.24

 

CMYK 62 / 0 / 80 / 16

HEX #52D52A

RGB 82 213 42

HSL 105.96, 0.67%, 0.5%

LAB 75.79, -64.19, 67.15

 

CMYK 80 / 22 / 0 / 16

HEX #2AA7D5

RGB 42 167 213

HSL 196.14, 0.67%, 0.5%

LAB 64.11, -17.49, -32.75

 

CMYK 19 / 80 / 0 / 16

HEX #AD2AD5

RGB 173 42 213

HSL 285.96, 0.67%, 0.5%

LAB 46.1, 73.02, -60.75

 

Description

Color code: HEX #D5592B | qconv.com Color code: HEX #D5592B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 89 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 89 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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