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Color name
HEX #D55670

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D55670 it is the complementary color #2AA98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D55670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D55670 shade: #DA566B, #EB687E, #FC7A91, #FF8CA4 and #FF9EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D55670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D55670 shade: #D55670, #C4445D, #B3324A, #A22037 and #910E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D55670 shade: #D55871 and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D55670 shade: #D55871, #D55893, #D558B5, #D358D5 and #B258D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D55670 shade matches the following richer shades: #D55871, #E64767 and #F7365D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D55670 shade: #D55871, #C4697B, #B37A85, #A28A8F and #929B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D55670 shade: #D558B6, #D55894, #D55873, #D55E58 and #D57F58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D55670 shade: #AF2C46, #CD3755, #D55871, #DD798D and #E69AA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D55670 shade: #D55670, #D5D358 and #58A5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D55670 shade: #D55670, #73D558 and #5873D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D55670 shade: #D55670, #D5D358, #58D5BA and #585AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D55670 shade: #D55670, #B2D558, #58D5BA and #7B58D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

Complementary color

CMYK 75 / 0 / 15 / 34

HEX #2AA98F

RGB 42 169 143

HSL 167.72, 0.6%, 0.41%

LAB 62.38, -39.96, 3.74

 

CMYK 0 / 61 / 51 / 15

HEX #DA566B

RGB 218 86 107

HSL 350.45, 0.64%, 0.6%

LAB 54.68, 53.36, 15.37

 

CMYK 0 / 56 / 46 / 8

HEX #EB687E

RGB 235 104 126

HSL 349.92, 0.77%, 0.66%

LAB 60.84, 52.55, 13.23

 

CMYK 0 / 52 / 42 / 1

HEX #FC7A91

RGB 252 122 145

HSL 349.38, 0.96%, 0.73%

LAB 67.02, 51.66, 11.41

 

CMYK 0 / 45 / 36 / 0

HEX #FF8CA4

RGB 255 140 164

HSL 347.48, 1%, 0.77%

LAB 71.35, 45.93, 6.95

 

CMYK 0 / 38 / 28 / 0

HEX #FF9EB7

RGB 255 158 183

HSL 344.54, 1%, 0.81%

LAB 75.53, 39.12, 2.48

 

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

CMYK 0 / 65 / 53 / 23

HEX #C4445D

RGB 196 68 93

HSL 348.28, 0.52%, 0.52%

LAB 47.83, 52.78, 13.74

 

CMYK 0 / 72 / 59 / 30

HEX #B3324A

RGB 179 50 74

HSL 348.84, 0.56%, 0.45%

LAB 41.78, 53.05, 16.71

 

CMYK 0 / 80 / 66 / 36

HEX #A22037

RGB 162 32 55

HSL 349.38, 0.67%, 0.38%

LAB 35.97, 52.7, 20.44

 

CMYK 0 / 90 / 75 / 43

HEX #910E24

RGB 145 14 36

HSL 349.92, 0.82%, 0.31%

LAB 30.55, 51.26, 25.16

 

CMYK 0 / 59 / 47 / 16

HEX #D55871

RGB 213 88 113

HSL 348, 0.6%, 0.59%

LAB 54.36, 51.34, 11.26

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 59 / 47 / 16

HEX #D55871

RGB 213 88 113

HSL 348, 0.6%, 0.59%

LAB 54.36, 51.34, 11.26

 

CMYK 0 / 59 / 31 / 16

HEX #D55893

RGB 213 88 147

HSL 331.68, 0.6%, 0.59%

LAB 55.31, 55.05, -7.45

 

CMYK 0 / 59 / 15 / 16

HEX #D558B5

RGB 213 88 181

HSL 315.36, 0.6%, 0.59%

LAB 56.55, 59.7, -25.39

 

CMYK 1 / 59 / 0 / 16

HEX #D358D5

RGB 211 88 213

HSL 299.04, 0.6%, 0.59%

LAB 57.69, 64.32, -41.93

 

CMYK 16 / 59 / 0 / 16

HEX #B258D5

RGB 178 88 213

HSL 283.2, 0.6%, 0.59%

LAB 53.22, 56.08, -49.29

 

CMYK 0 / 59 / 47 / 16

HEX #D55871

RGB 213 88 113

HSL 348, 0.6%, 0.59%

LAB 54.36, 51.34, 11.26

 

CMYK 0 / 69 / 55 / 10

HEX #E64767

RGB 230 71 103

HSL 347.92, 0.76%, 0.59%

LAB 54.35, 62.93, 17.62

 

CMYK 0 / 78 / 62 / 3

HEX #F7365D

RGB 247 54 93

HSL 347.88, 0.92%, 0.59%

LAB 55.28, 72.54, 25.34

 

CMYK 0 / 59 / 47 / 16

HEX #D55871

RGB 213 88 113

HSL 348, 0.6%, 0.59%

LAB 54.36, 51.34, 11.26

 

CMYK 0 / 46 / 37 / 23

HEX #C4697B

RGB 196 105 123

HSL 348.13, 0.44%, 0.59%

LAB 55.35, 38.08, 6.41

 

CMYK 0 / 32 / 26 / 30

HEX #B37A85

RGB 179 122 133

HSL 348.42, 0.27%, 0.59%

LAB 57.27, 23.81, 3.07

 

CMYK 0 / 15 / 12 / 36

HEX #A28A8F

RGB 162 138 143

HSL 347.5, 0.11%, 0.59%

LAB 59.75, 9.91, 0.69

 

CMYK 6 / 0 / 1 / 39

HEX #929B99

RGB 146 155 153

HSL 166.67, 0.04%, 0.59%

LAB 63.22, -3.61, -0.07

 

CMYK 0 / 59 / 15 / 16

HEX #D558B6

RGB 213 88 182

HSL 314.88, 0.6%, 0.59%

LAB 56.59, 59.85, -25.9

 

CMYK 0 / 59 / 31 / 16

HEX #D55894

RGB 213 88 148

HSL 331.2, 0.6%, 0.59%

LAB 55.34, 55.17, -7.99

 

CMYK 0 / 59 / 46 / 16

HEX #D55873

RGB 213 88 115

HSL 347.04, 0.6%, 0.59%

LAB 54.41, 51.53, 10.14

 

CMYK 0 / 56 / 59 / 16

HEX #D55E58

RGB 213 94 88

HSL 2.88, 0.6%, 0.59%

LAB 54.92, 46.44, 26.68

 

CMYK 0 / 40 / 59 / 16

HEX #D57F58

RGB 213 127 88

HSL 18.72, 0.6%, 0.59%

LAB 61.68, 29.57, 35.22

 

CMYK 0 / 75 / 60 / 31

HEX #AF2C46

RGB 175 44 70

HSL 348.09, 0.6%, 0.43%

LAB 40.18, 53.69, 16.93

 

CMYK 0 / 73 / 59 / 20

HEX #CD3755

RGB 205 55 85

HSL 348, 0.6%, 0.51%

LAB 47.45, 59.91, 18.37

 

CMYK 0 / 59 / 47 / 16

HEX #D55871

RGB 213 88 113

HSL 348, 0.6%, 0.59%

LAB 54.36, 51.34, 11.26

 

CMYK 0 / 45 / 36 / 13

HEX #DD798D

RGB 221 121 141

HSL 348, 0.6%, 0.67%

LAB 62.48, 40.92, 6.65

 

CMYK 0 / 33 / 27 / 10

HEX #E69AA9

RGB 230 154 169

HSL 348.16, 0.6%, 0.75%

LAB 71.42, 30.43, 3.88

 

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

CMYK 0 / 1 / 59 / 16

HEX #D5D358

RGB 213 211 88

HSL 59.04, 0.6%, 0.59%

LAB 82.61, -14.83, 59.6

 

CMYK 59 / 23 / 0 / 16

HEX #58A5D5

RGB 88 165 213

HSL 203.04, 0.6%, 0.59%

LAB 64.79, -9.76, -31.58

 

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

CMYK 46 / 0 / 59 / 16

HEX #73D558

RGB 115 213 88

HSL 107.04, 0.6%, 0.59%

LAB 77.24, -51.82, 51.95

 

CMYK 59 / 46 / 0 / 16

HEX #5873D5

RGB 88 115 213

HSL 227.04, 0.6%, 0.59%

LAB 50.85, 19.61, -53.55

 

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

CMYK 0 / 1 / 59 / 16

HEX #D5D358

RGB 213 211 88

HSL 59.04, 0.6%, 0.59%

LAB 82.61, -14.83, 59.6

 

CMYK 59 / 0 / 13 / 16

HEX #58D5BA

RGB 88 213 186

HSL 167.04, 0.6%, 0.59%

LAB 78, -41.13, 2.99

 

CMYK 59 / 58 / 0 / 16

HEX #585AD5

RGB 88 90 213

HSL 239.04, 0.6%, 0.59%

LAB 44.51, 35.05, -63.78

 

CMYK 0 / 60 / 47 / 16

HEX #D55670

RGB 213 86 112

HSL 347.72, 0.6%, 0.59%

LAB 54, 52.15, 11.34

 

CMYK 16 / 0 / 59 / 16

HEX #B2D558

RGB 178 213 88

HSL 76.8, 0.6%, 0.59%

LAB 80.6, -29.85, 56.66

 

CMYK 59 / 0 / 13 / 16

HEX #58D5BA

RGB 88 213 186

HSL 167.04, 0.6%, 0.59%

LAB 78, -41.13, 2.99

 

CMYK 42 / 59 / 0 / 16

HEX #7B58D5

RGB 123 88 213

HSL 256.8, 0.6%, 0.59%

LAB 46.97, 43.16, -59.66

 

Description

Color code: HEX #D55670 | qconv.com Color code: HEX #D55670 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 86 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 86 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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