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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5561D it is the complementary color #2AA9E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5561D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5561D shade: #DA5618, #EB682B, #FC7A3E, #FF8C51 and #FF9E64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5561D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5561D shade: #D5561D, #C4440A, #B33200, #A22000 and #910E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5561D shade: #D3551D, #D3241D and #D31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5561D shade: #D3551D, #D3861D, #D3B71D, #BDD31D and #8CD31D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5561D shade matches the following richer shades: #D3551D and #E64E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5561D shade: #D3551D, #C05D30, #AC6444, #996B57 and #85736A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5561D shade: #D31D47, #D3231D, #D3531D, #D3841D and #D3B51D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5561D shade: #8A3813, #AF4718, #D3551D, #E46B35 and #E8865A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5561D shade: #D5561D, #78D31D and #1D2FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5561D shade: #D5561D, #1DD353 and #531DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5561D shade: #D5561D, #78D31D, #1D9CD3 and #781DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5561D shade: #D5561D, #41D31D, #1D9CD3 and #AF1DD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

Complementary color

CMYK 81 / 25 / 0 / 11

HEX #2AA9E2

RGB 42 169 226

HSL 198.59, 0.76%, 0.53%

LAB 65.25, -14.1, -38.15

 

CMYK 0 / 61 / 89 / 15

HEX #DA5618

RGB 218 86 24

HSL 19.18, 0.8%, 0.47%

LAB 53.63, 49.18, 57.5

 

CMYK 0 / 56 / 82 / 8

HEX #EB682B

RGB 235 104 43

HSL 19.06, 0.83%, 0.55%

LAB 59.65, 47.51, 56.28

 

CMYK 0 / 52 / 75 / 1

HEX #FC7A3E

RGB 252 122 62

HSL 18.95, 0.97%, 0.62%

LAB 65.72, 45.86, 54.5

 

CMYK 0 / 45 / 68 / 0

HEX #FF8C51

RGB 255 140 81

HSL 20.34, 1%, 0.66%

LAB 69.9, 38.94, 49.94

 

CMYK 0 / 38 / 61 / 0

HEX #FF9E64

RGB 255 158 100

HSL 22.45, 1%, 0.7%

LAB 73.95, 30.85, 45.09

 

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

CMYK 0 / 65 / 95 / 23

HEX #C4440A

RGB 196 68 10

HSL 18.71, 0.9%, 0.4%

LAB 46.83, 49.05, 55.19

 

CMYK 0 / 72 / 100 / 30

HEX #B33200

RGB 179 50 0

HSL 16.76, 1%, 0.35%

LAB 41, 50.36, 53.16

 

CMYK 0 / 80 / 100 / 36

HEX #A22000

RGB 162 32 0

HSL 11.85, 1%, 0.32%

LAB 35.43, 51.01, 48.65

 

CMYK 0 / 90 / 100 / 43

HEX #910E00

RGB 145 14 0

HSL 5.79, 1%, 0.28%

LAB 30.24, 50.36, 43.57

 

CMYK 0 / 60 / 86 / 17

HEX #D3551D

RGB 211 85 29

HSL 18.46, 0.76%, 0.47%

LAB 52.33, 47.19, 54.16

 

CMYK 0 / 83 / 86 / 17

HEX #D3241D

RGB 211 36 29

HSL 2.31, 0.76%, 0.47%

LAB 45.91, 64.73, 48.88

 

CMYK 0 / 86 / 86 / 17

HEX #D31D1D

RGB 211 29 29

HSL 0, 0.76%, 0.47%

LAB 45.38, 66.23, 48.45

 

CMYK 0 / 60 / 86 / 17

HEX #D3551D

RGB 211 85 29

HSL 18.46, 0.76%, 0.47%

LAB 52.33, 47.19, 54.16

 

CMYK 0 / 36 / 86 / 17

HEX #D3861D

RGB 211 134 29

HSL 34.62, 0.76%, 0.47%

LAB 62.5, 22.1, 62.47

 

CMYK 0 / 13 / 86 / 17

HEX #D3B71D

RGB 211 183 29

HSL 50.77, 0.76%, 0.47%

LAB 74.7, -4.11, 72.37

 

CMYK 10 / 0 / 86 / 17

HEX #BDD31D

RGB 189 211 29

HSL 67.25, 0.76%, 0.47%

LAB 80.46, -27.51, 76.33

 

CMYK 34 / 0 / 86 / 17

HEX #8CD31D

RGB 140 211 29

HSL 83.41, 0.76%, 0.47%

LAB 77.43, -46.64, 72.57

 

CMYK 0 / 60 / 86 / 17

HEX #D3551D

RGB 211 85 29

HSL 18.46, 0.76%, 0.47%

LAB 52.33, 47.19, 54.16

 

CMYK 0 / 66 / 96 / 10

HEX #E64E09

RGB 230 78 9

HSL 18.73, 0.92%, 0.47%

LAB 54.33, 56.6, 62.98

 

CMYK 0 / 60 / 86 / 17

HEX #D3551D

RGB 211 85 29

HSL 18.46, 0.76%, 0.47%

LAB 52.33, 47.19, 54.16

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 0 / 42 / 60 / 33

HEX #AC6444

RGB 172 100 68

HSL 18.46, 0.43%, 0.47%

LAB 49.86, 25.94, 30.46

 

CMYK 0 / 30 / 43 / 40

HEX #996B57

RGB 153 107 87

HSL 18.18, 0.28%, 0.47%

LAB 49.47, 15.78, 18.54

 

CMYK 0 / 14 / 20 / 48

HEX #85736A

RGB 133 115 106

HSL 20, 0.11%, 0.47%

LAB 49.84, 5.46, 7.56

 

CMYK 0 / 86 / 66 / 17

HEX #D31D47

RGB 211 29 71

HSL 346.15, 0.76%, 0.47%

LAB 45.88, 67.69, 25.1

 

CMYK 0 / 83 / 86 / 17

HEX #D3231D

RGB 211 35 29

HSL 1.98, 0.76%, 0.47%

LAB 45.82, 64.96, 48.82

 

CMYK 0 / 61 / 86 / 17

HEX #D3531D

RGB 211 83 29

HSL 17.8, 0.76%, 0.47%

LAB 51.98, 48.1, 53.88

 

CMYK 0 / 37 / 86 / 17

HEX #D3841D

RGB 211 132 29

HSL 33.96, 0.76%, 0.47%

LAB 62.03, 23.18, 62.09

 

CMYK 0 / 14 / 86 / 17

HEX #D3B51D

RGB 211 181 29

HSL 50.11, 0.76%, 0.47%

LAB 74.18, -3.07, 71.95

 

CMYK 0 / 59 / 86 / 46

HEX #8A3813

RGB 138 56 19

HSL 18.66, 0.76%, 0.31%

LAB 34.56, 33.01, 38.38

 

CMYK 0 / 59 / 86 / 31

HEX #AF4718

RGB 175 71 24

HSL 18.68, 0.76%, 0.39%

LAB 43.78, 40.21, 46.63

 

CMYK 0 / 60 / 86 / 17

HEX #D3551D

RGB 211 85 29

HSL 18.46, 0.76%, 0.47%

LAB 52.33, 47.19, 54.16

 

CMYK 0 / 53 / 77 / 11

HEX #E46B35

RGB 228 107 53

HSL 18.51, 0.76%, 0.55%

LAB 59.22, 43.78, 50.99

 

CMYK 0 / 42 / 61 / 9

HEX #E8865A

RGB 232 134 90

HSL 18.59, 0.76%, 0.63%

LAB 65.71, 33.58, 39.64

 

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

CMYK 43 / 0 / 86 / 17

HEX #78D31D

RGB 120 211 29

HSL 90, 0.76%, 0.47%

LAB 76.48, -53.48, 71.38

 

CMYK 86 / 78 / 0 / 17

HEX #1D2FD3

RGB 29 47 211

HSL 234.07, 0.76%, 0.47%

LAB 31.8, 53.42, -83.6

 

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

CMYK 86 / 0 / 61 / 17

HEX #1DD353

RGB 29 211 83

HSL 137.8, 0.76%, 0.47%

LAB 74.49, -68.15, 50.46

 

CMYK 61 / 86 / 0 / 17

HEX #531DD3

RGB 83 29 211

HSL 257.8, 0.76%, 0.47%

LAB 32.75, 64.6, -81.93

 

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

CMYK 43 / 0 / 86 / 17

HEX #78D31D

RGB 120 211 29

HSL 90, 0.76%, 0.47%

LAB 76.48, -53.48, 71.38

 

CMYK 86 / 26 / 0 / 17

HEX #1D9CD3

RGB 29 156 211

HSL 198.13, 0.76%, 0.47%

LAB 60.55, -13.27, -37.19

 

CMYK 43 / 86 / 0 / 17

HEX #781DD3

RGB 120 29 211

HSL 270, 0.76%, 0.47%

LAB 37.07, 68.37, -74.65

 

CMYK 0 / 60 / 86 / 16

HEX #D5561D

RGB 213 86 29

HSL 18.59, 0.76%, 0.47%

LAB 52.83, 47.46, 54.71

 

CMYK 69 / 0 / 86 / 17

HEX #41D31D

RGB 65 211 29

HSL 108.13, 0.76%, 0.47%

LAB 74.7, -67.64, 69.15

 

CMYK 86 / 26 / 0 / 17

HEX #1D9CD3

RGB 29 156 211

HSL 198.13, 0.76%, 0.47%

LAB 60.55, -13.27, -37.19

 

CMYK 17 / 86 / 0 / 17

HEX #AF1DD3

RGB 175 29 211

HSL 288.13, 0.76%, 0.47%

LAB 45.21, 76.11, -61.02

 

Description

Color code: HEX #D5561D | qconv.com Color code: HEX #D5561D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 86 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 86 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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